People in general are most comfortable talking about themselves or their interests. Maybe let him teach you how to throw a football. It's hardly going to win you a prize if she can't stand being tickled and you won't stop. This article will show you how a male should hug a female, how a guy should hug a guy. Here are some suggestions to help you. Remember the essence of romance is doing something that you would not normally do, simply because you care. So anyways, instead of writing stuff like I love walking on the beach and going on vacations and seeing movies, try something more specific like I like subtitled films that are boring as shit, walking on nude beaches and visiting huts in Africa that don't have TVs. Even if you come without any lip gloss on or make-up your boyfriend if he truly loves you will not mind one bit. Avoid pressure. Take good care of yourself. Find a suitable place at your home. Don't ask her what she wants free asian dating sites to do. They may be cheesy, but if you're comfortable with your date, the cheesiness can be cute or even romantic.


30.10.2014 | Culture , Thoughts | BY:

Did you know that 1 in 5 women experiences sexual assault in their lifetime? Or that, on average, a woman earns 22 per cent less than a man for doing the same job?

You might find these statistics shocking. But what shocks you more – these outrageous inequalities, or hearing five 6-year old girls dressed as princess tell you the hard facts, peppered with ‘fuck,’ ‘shit’ and any other expletive you can think of?

Pro-LGBT equality, anti-racism and anti-sexism T-shirt company’s latest campaign demonstrates that society currently seems to find the exploitation of women easier to handle than seeing their darling little girls swear.

The real kicker comes when you realise, according to the stats, one of these girls will be raped. And just to really hammer it home, a 12-year old boy joins in at the end, also dressed as a princess – yet no one comments on how the video might affect him.

Potty-mouthed princesses, it seems, are the very best call to action.


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Fringe Queer Film & Arts Fest

Fringe! Queer Film & Arts Festival

29.10.2014 | Art , Culture , Film | BY:

Showcasing a programme of film, art, workshops and parties in various East London venues, the Fringe! Queer Film & Arts Festival is back for it’s fourth edition, extended from a long-weekend to a week-long event.

With several UK premieres and a Visual Arts programme, showcasing work created especially for the festival, you’ll be able to immerse yourself in projects such as Jeffery Hintons new venture Willy Nilly, as well as a retrospective of the work of Stuart Sandford and Ken. To Be Destroyed by Sara Davidmann. NYC art-duo Slava Mogutin and Brain Kenny celebrate 10 years of collaboration, screening their short films at Forge & Co as well as throwing an art party with all the Fringe! audience invited to participate in a body painting installation and live photo shoot.

Fringe! Queer Film & Arts Festival runs from 4th-9th of November.


Twin Picks Neoprene

Twin Picks: Neoprene

28.10.2014 | Fashion | BY:

Neoprene made its way into our wardrobes a few seasons ago, and it hasn’t left since. Autumn/winter 2014 sees the trend evolve along with the sports lux style, both are becoming more sophisticated and designers more adventurous with the material. Here we have picked out one ensemble for you to go head-to-toe scuba. Or wear individually. That part is up to you.

Balenciaga Neoprene Glove Mules, £415, & Jacquemus Neoprene Full Length Jacket, £508,

Neil Barrett Geometric Design Sweatshirt, £260, & T by Alexander Wang Mesh-Bonded Neoprene Mini Skirt, £180,

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Shot 5-097FINAL

In Conversation With Robert Storey

27.10.2014 | Art , Fashion | BY:

Robert Storey considers himself an artist first and foremost. With the work that he does and the brands that call upon him for set design, who’s to disagree? Having worked with the likes of Opening Ceremony, Nike, Louis Vuitton and Browns Focus (the list goes on), as well as contributing to previous issues of Twin, Storey has quickly carved out a very well-respected place for himself in the industry, were people come to his studio to get that Storey spin on their projects. Twin visited the creative at his studio to talk furniture design, New York and his very first job.

Were you always a creative person?
I was always creative as a kid, always most engaged in art classes or when I was at home. When I wasn’t playing outside with my brother, I was drawing something like a plant that I had brought inside or making something in my dad’s workshop from wood.

What does your dad do?
My dad is a businessman, but he’s an amazing carpenter – really creative, so I grew up around that.

How did you go from sculpture to set design?
I was assisting some artists in New York. I really loved it there so wanted to stay but I couldn’t assist the artists any longer. I then met this guy who was an agent at M.A.P., and he’d had an English set designer come over called Janine Trots. He said I should just work for her for a bit and see if I enjoyed it, so that was a good reason to stay. When I came back to London she set me up working with Shona Heath, so I worked for her and then kind of just rolled into being a set designer. It was quite organic.

If you had the choice, do you think you would have decided to set up your own studio in New York?
I had to come back because of my visa but I always hoped to go back to New York and then set up a studio there. I actually just got my visa to go to America so I can go now, but I’d like to try and be transatlantic rather that based in New York or based in London. I think it’s nice to be in both places as they both reward you in different ways.

What is it about New York that you like?
I think that year that I spent there was really, what’s the word, formative. I made a really good group of friends and I think those people will always draw me back because I like their company. I like how fast paced New York is and there’s always a new restaurant. Everything’s so convenient, if you live in Manhattan or Brooklyn it’s easy to get anywhere and it’s easy to work there. Everyone’s super on it, no one’s faffing around and if they say they’re going to do something, they’ll do it.

A bit different to London.
Yeah it’s all a bit slower in London. You have a meeting and then another meeting before anyone can actually do something. Which I love as well, I’m English and I’m used to that way of working, but I like that immediacy.

Tell me about your first solo gig as a set designer…
There was a guy that was working at Studio Private in Shoreditch producing a shoot, that knew I was doing set design, but he literally needed a really simple backdrop painted and asked me if I wanted to do it. I was really keen; I’d turned up to the meeting with loads of different samples I’d done. Now I wouldn’t even give a sample, but back then I would be drawing all of these different squares and doing different textures inside them. Josh Olins, who was shooting, picked his sample but somehow – I think because I was a bit nervous – I left all my samples on the table and another photographer came to the studio right after my meeting and saw them. He called me asking me to paint a backdrop for him, and then it just rolled on from there really. It was quite quick.

When you’re working on a project, do you get creative freedom or would you say it’s a more collaborative process?
I think increasingly there’s more creative freedom. Because I have developed quite a strong style people come to me because they want what I can give them. I can definitely produce anything and if someone’s got a really strong idea I’m happy to sit back and do it the way they want me to do it but I think, luckily, we get a lot of projects where people want us to put our own stamp on whatever the project is.

So how would you describe your style?
I think there’s a lot of architectural influence. It’s well balanced; there’s a lot of symmetry, a lot of geometry. I always try to make it feel really quite simple even though it’s really complicated.

You do more than just set design; you’re working on brand identity and art direction. Tell me more about what Robert Storey Studio does?
I think the term set design is quite tenuous, just because of the fact that my studio is a creative studio and I come from an artistic background and I consider myself an artist first and foremost. But beyond that we do work with brands to create an identity for them or enhance the identity that they’ve already created for themselves. But I mean like furniture design, interior spaces, pop-ups, runways shows, we do everything.

Is there one thing that’s your favourite?
Everything’s my favourite! I mean if I had to pick, I’d probably do still life but I think I love the diversity of doing a runway show one day, then a tiny still life the next and then a massive shop-build somewhere else. It keeps me on my toes.

What’s been your favourite project to date?
My favourite project would be the Nike [Womenswear Pop-Up] in New York – it was really special.

You’ve got a collaboration coming up with Quentin Jones. Tell me a bit about that?
Quentin and I have been working together for over three years now so we have this really lovely collaborative relationship. Quentin had been asked to do a presentation, like a mini retrospective of her work. She approached me to make the set for it because I know her work better than anyone else who would make a set for her. She’s great, she kind of let me go off and do my own thing and when she came back to it, she loved it, and so it’s been really easy. It’s one of those love projects really.

What are you working on other than that at the moment?
We’ve just started the Christmas windows for Matches. We’re doing it in all six of their stores for Christmas. We’re working on a project for Uniqlo in New York and Tokyo and Paris. We’re doing a few still life stories and we’re doing the Christopher Kane shop in Harrods.

Who would be the ultimate client?
Well Nike was my ultimate client and then I got it, and also Christopher Kane. I really, really want to design a space for Comme des Garçons because I think they have a really innovative, unique approach to how they expect their audience to experience the space. So I think I’d have a lot of freedom to do something really experiential with them. I think Comme des Garçons would be a good one for me.

You mentioned furniture design, what kind of things would you want to build?
My work is all about the space, and filling that space so it’s seems a natural progression to design the objects that go within it. Obviously we design these structures that go into spaces at the moment. I think the more the studio progresses, the more we’re doing the retail spaces or possibly residential spaces; it wouldn’t make sense for me to have another designer design a chair for a space which I have a complete vision for. For me, a chair is just as important as the wall in the space or the image that goes on the wall; it’s supposed to be a collective consciousness.

So what does the future hold for Robert Storey Studio?
I guess to continue this stream of my transatlantic workflow, and to eventually make some furniture of some sort. I’d love to do some collaborations with furniture. I think we need a brand to come to us like Vitro or Ikea to say ‘we want to design a range of chairs’. I’d love to do a really big collaboration project with a really big brand. I have an obsession with big American brands like Levis. Any kind of brands where we can put our name to a project, like Robert Storey x Levis or Robert Storey x Vitro.

Photographer: Robert Harper
Stylist: Coline Bach Styling Assistant: Susanna Cavallaro
Grooming: Meggie Cousland
Photography Assistant: Pablo Marks 

Robert Storey wears Ellesse sweater, Carhartt trousers and his own ring in image one; A.P.C. denim jacket, shirt and jeans in image two and Vans shirt and Carhartt chinos in image three 



Moxham x Whistles

26.10.2014 | Fashion | BY:

Twin favourite Moxham has collaborated with ‘it’ high street brand Whistles to create an exclusive eleven-piece collection, released today.

Madeleine, the creative mind behind the London based jewellery and accessories brand, has fused together the sophisticated, clean-line aesthetic we’ve come to know and love from Whistles with her own minimalistic sensibility to construct a range full of simple motifs and geometric shapes in a monochrome palette. The capsule features long necklaces, collars, cuffs, leather clips and a headband – signature Moxham pieces that have been reinterpreted using a W / M motif – that are all made from hand-cut leather and laser-cut metal with a powder coated finish.

Always interpreting the individual, the pieces can be detached and alternated, making each one personal and able to reflect the wearer’s own style. It is this element of design that makes Moxham a brand worth paying attention to.

Moxham x Whistles is now available in stores, as well as online here

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24.10.2014 | Fashion | BY:

Mary Katrantzou has gone from strength to strength since her arrival on the fashion scene just a few short years ago, and her latest collaboration with sports favourites Adidas is no exception.

Hitting stores November 15th, the collection sees apparel and footwear transformed by abstract florals, stripes and laces. The inspiration behind the zip-up dresses, neoprene tops and kaleidoscopic footwear was feminine strength at every age.

‘This collection has encouraged me to push the boundaries of what is possible technically,’ says Katrantzou, ‘That’s something I will incorporate into future collections.’ 

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Chanel Revue'14

Chanel Revue’14

23.10.2014 | Fashion , Film | BY:

This dramatic short from director Trevor Undi beautifully documents the last two years of the House of Chanel. With an orchestral score composed by Gabriel Yared, the film showcases intimate behind the scenes footage with many a famous face. It revisits memorable campaigns, international events and spectacular archival footage from Karl Lagerfeld’s design house reminding us just how significant Coco’s legacy remains.


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This Is What A Feminist Looks Like

22.10.2014 | Fashion | BY:

ELLE has teamed up with Whistles to create a capsule collection of pieces that are all emblazoned with ‘This Is What A Feminist Looks Like’. The slogan was created by the historic Fawcett Society, the UK’s biggest equality campaigning group, and has been worn by well-known feminists such as Tracey Emin, Kirsty Wark and Shami Chakrabarti.

The T-shirt from the range is available to buy now from the premium high-street brands website, and the rest (sweaters, phone cases and a clutch) will be released on the 30th of October, with all proceeds going straight to the Fawcett Society.

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Cara D. x DKNY

21.10.2014 | Fashion | BY:

Cara Delevingne has made her first foray into design, collaborating with DKNY on a 15 piece capsule collection. Taking inspiration from the street, the social-media-savvy model focused on beanies, bombers and crop tops. She also got involved with the casting of the campaign models, taking to Instagram to find the boys and girls that would model beside her: “There are 15 pieces to play with—no rules, no ‘looks,’ just opportunities,” wrote Delevingne, who penned the press release herself also.

Cara D. x DKNY is available to buy now from 

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Northern Soul The Film

Northern Soul

20.10.2014 | Film | BY:

Elaine Constantine’s most ambitious project yet is a feature film, written and directed by herself. Having started as an assistant to Nick Knight, she went on to become highly respected in the industry, contributing to the documentary style fashion photography of the 1990′s and early 2000′s, seeing her images published in magazines such as The Face.

Constantine’s work always centred around regular individuals having fun and expressing themselves. Northern Soul is no different. A love letter to the 1970′s Northern England dance movement, when rare American soul music came sweeping into the nightclubs, it’s cast includes Steve Coogan and Lisa Stansfield, and is set to be a youth-culture modern classic.

Norther Soul is out in cinemas now and was released on DVD today.

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