Soft Opening: Belly Room by Nevine Mahmoud

23.05.2019 | Art , Blog | BY:

British visual artist Nevine Mahmoud recently partnered  with London art gallery Soft Opening on her first European solo exhibition entitled ‘Belly Room.’  The exhibition which opened earlier this month features a selection of five sculptures carved from marble and hand-blown glass.  Throughout the themes of the exhibition, the artist explores her ongoing interest in disembodied body parts with the series of glass forms that represent single breasts and full busts, re-opening the conversation around women’s bodies and their objectification thereof. 

With a palette of pinks, amber and nude, the translucent sculptures subtly distort and dissect the female human form, with each sculpture swelling and sagging along the walls of the gallery.  The sculpture series also includes curving marble slides and sheets mimicking a sort of abstract plastic humanity.

Throughout the exhibition, “the artist negotiates the boundary distinguishing perception and expectation. Searching for a form at once recongnizable and alienated, these uncanny sculptures reverberate with suggestive innuendo.”

The belly room is currently open at the Soft Opening in London and will run until June 30th. 

Nevine Mahmoud, bust (phantom Li), 2019 
Nevine Mahmoud, breast (tamarind), 2019
Nevine Mahmoud, carved slide (2019)

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F IS FOR…FENDI Ft. Nigel Sylvester

22.05.2019 | Blog , Fashion | BY:

Fendi has recently partnered up with American professional BMX athlete on their latest installation of the F IS FOR.. FENDI campaign.  The feature sees the athlete sporting an outfit from the house’s SS19 collection, doing 360s and rear wheel jumps with his one of a kind FENDI bike at the Fendi Headquarters in Rome. 

The F IS FOR.. FENDI initiative began as a platform for Millennials made to share stories and experiences relevant to the generation that are in line with the Maison’s DNA.  This is brought out through fashion editorials and interviews with musicians, artists, athletes and all types of creatives. 

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Adidas Original x Fiorucci SS19

20.05.2019 | Blog , Fashion | BY:

Earlier this year adidas original joined forces with Italian brand Fiorucci for the release of a collaborative capsule collection.

A pairing that worked so well that they had to do it twice. This month the brands announced the release of a second collection perfectly tailored for the waves of the summer. The campaign features a bevy of girls decked out bright coloured swimwear, jackets, shorts, sandals and sneakers. Each of the collection’s pieces combines the sporty aesthetic of Adidas original with the bold graphics and identity of Fiorucci.  The collection is now available on Fiorucci.

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“All I Want To Be” by Thomas De Kluyver

19.05.2019 | Art , Beauty , Blog , Fashion | BY:

Cover Image: Shibuya by Harley Weir

During the past few days make up artist Thomas De Kluyver has partnered with photographers Harley Weir, Fumiko Imano, Shama Osborne, Lea Colombo among others for the release of an IDEA book entitled All I Want To Be. The book, launched at Dover Street Market last week features exclusive work created by de Kluyver and his team of creatives as they explore themes of gender identity, politics, representation and individual expression in beauty and fashion. ”I want people to have fun with make-up and experiment with their identity,” he explains. 

Throughout the book, the 150 pages are brought to life by the colourful images of these talented creatives which are introduced with a beautiful poem by Wilson Oryema on the fluidity of identity.

“It talks about how our identities are never fixed, or set, and how important it is to be able to express ourselves the way we want to. Our starting point for All I Want To Be was making sure we captured the people that feature in it somewhere they felt safe. So many of the images are shot in bedrooms, bathrooms… The kind of places we’re able to shut the door and experiment with who we are freely and without any judgement,” explains the photographer.
The book concludes with photographer Harley Weir’s chapter which features a cast of full body painted subjects. Given the themes of the book, the photographer will also be donating a share of the proceeds to gender non conformity charity Mermaids UK.

“The world of fashion and beauty has a long history of challenging gender norms but more needs to be done to represent the beauty within all of us, regardless of our gender. We hope Thomas will continue to be a powerful force in gender acceptance in an industry that shapes the way our society understands power and beauty” said Susie Green Mermaids UK CEO. Thomas De Kluyver’s All I Want To Be is currently on shelves at Dover Street Market London.

inner/ outer / self by Oliver Hadlee Pearch
Awake by Lea Colombo

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Balenciaga Fall 2019 Deserts The Ordinary

15.05.2019 | Blog , Fashion | BY:

Parisian fashion house Balenciaga has unveiled the imagery for their Fall 2019 campaign set in Morocco, shot by French photographer Jean-Pierre Attal. For the campaign the photographer references his work series “Paysages Ethonographiques” where random subjects usually found in cosmopolitan scenery are casually placed in desert lands. The Balenciaga Fall 19 campaign takes on a similar narrative as the photographer’s subjects, decked out in full Balenciaga looks are placed in the Moroccan desert in a way that seems to be almost too contradictory to be real, blurring the lines between urban & suburban, real & surreal.

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Alexander Binder lends “A Glimpse Into The Bardo”

14.05.2019 | Art , Blog | BY:

German photographer Alexander Binder has been known as a self taught photographer gifted with the abilities of taking his viewers on psychedelic trip into a universe full of contrasts, and oddities using his craft vintage lenses, prisms and optical toys. His work has been featured in several mainstream media outlets including Vice Sleek and even Twin’s 2011 issue.

In his work, Binder explores the blurred lines between the real and surreal, fiction and fantasy, but his latest work is a venture into what is known as the subconscious. Inspired by Sigmund Freud’s famous paperback “The Interpretation of Dreams,” Binder’s series entitled “A Glimpse Into The Bardo” explores the abstract and symbolic aspects of consciousness. In an effort to make this venture as accurate as possible, the photographer had to learn to suppress his conscious control over the photographic process and in aid of this he used pinhole lenses, double exposures and various filters which made it nearly impossible for him to predict the final result. For an even further “Glimpse Into The Bardo,” we sat down with the artist himself to discuss the process. 


What was it like suppressing your conscious instincts during the creation of this series? Were you ever tempted to check if everything was going well? 

Our brain is pretty creative in inventing excuses to exert conscious control over everything we do. Not to forget that we live in a time where “thinking”, “control” and “rational behavior” are highly valued competences. We monitor our health-status 24/7 via fitness-trackers and we love listening to people who explain our world in rational terms.

So actually it was difficult and I had to use several methods to trick myself. I guess it helped a lot that I have been working with self-made lenses, prisms and pinhole cameras for more than a decade because these tools make it almost impossible to predict the final results in detail.

Another way to limit my conscious thinking was a chaotic timing for the whole editing process. Some of the images were on my hard drives for more than three years before I even had a look at them – and some of the photos were made in less than three days.

How long did it take you to create the entire series?

Several years and I am still working on new images for this constantly evolving project.During the process I realized that this specific series maybe doesn’t need a real beginning or an end. I don’t want to sound too esoteric but it just “is”.

What from Sigmund Freud’s “The interpretation of dreams sparked this concept? 

There is actually one paragraph that caught my attention:

“The dream-content is (…) presented in hieroglyphics, whose symbols must be translated, one by one (…). It would of course, be incorrect to attempt to read these symbols in accordance with their values as pictures, instead of in accordance with their meaning as symbols.”

(Source: “The interpretation of dreams” 1913 / Chapter 6 “The Dream Work”)

This is exactly the way that I wanted to look at the photographs. There is nothing to understand about these images with your rational mind. They are abstract symbols that have to be interpreted step by step. Something like a Rorschach test that helps to assess an individual’s personality – or at least trigger some questions about yourself, your hopes, fears and desires.

Being inspired by Sigmund Freud’s “The interpretation of dreams , a book which speaks to the exploration of dreams as our “unconscious wishes,”  do you think the end result from this series may hold some personal underlying connotation to you as well?

Yes, I think so. When I look at the series today I see a deep, almost romantic wish for some kind of nature mysticism.

What’s your favourite image from the series? Why?

There is one image that stuck in my head and I don’t remember when or how I took the photo. It’s one of the most abstract images of the series and it has – at least for me – a very strong, symbolic quality.

Honestly I don’t even know whether I like it or not but it resonates with me on a very subtle level. It makes me think about much more than a blurry black-and-white photograph, a bright light or the vague depiction of a wing-like object. As Symbolist poet Mallarmé said it’s not about the thing, but the effect which it produces. (See Below)

What would you like viewers to take away from this series?

The series doesn’t have a single-minded message or narrative. It doesn’t help trying to “understand” these images in the classical sense, e.g. recognizing specific objects.

Like Freud said, these are more or less hieroglyphics. And everybody has to interpret them in his own way and look for a personal meaning. So the only thing that I wish viewers would do, is that they took their time and let the photos open the doors to their subconscious.

What are you up to next? Will you continue to explore the subconscious? 

The exploration of the subconscious is one of the key motivations and goes far beyond my photographic activities. There is so much to read, learn and also experience that one lifetime is not enough.

I just returned from Northern India where I had the chance to get a deeper understanding of Tibetan culture and especially the Tibetan art in its various forms – from mesmerizing Thangka paintings to otherworldly bronze statues. So there will definitely be a photo project not about, but heavily influenced by this journey.

Keep up with Alexander and his work at Alexander Binder or on instagram 

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Celine Winter 2019 Part 1

10.05.2019 | Blog , Fashion | BY:

Earlier this week Parisian luxury label Celine released part 1 fo their 2019 Winter campaign under the direction of freshly appointed Creative Director Hedi Slimane.

The campaign shot by the creative director himself, captures the French bourgeois feel that was embodied on the FW19 runway featuring models Marland and Adrien as his muses. The models are clad in Celine from head to toe as they slouch around in some of the full looks from the runway. The campaign features a simple and quite relaxed approach to luxury which echoes the creative director’s intent for the FW19 collection itself. To view the full campaign and the short film accompanied, visit Celine

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Twin x Trekstock x Whistles – A Trek for Cancer

09.05.2019 | Art , Blog , Twin Life , Twin Video | BY:

In anticipation of our upcoming exclusive trek in collaboration with Whistles and Trekstock in aid for raising funds and awareness for young adults with cancer, Twin has recently partnered with filmmaker journalist Fenn Omeally for the creation of a short film. 

During film Omeally captures a few young, resilient female subjects that have encountered cancer as they revel in a jovial space, exuding positive energy while discussing their personal definitions of freedom. 

For the trek, set to take place later this year we will take on the highest peak in North Africa situated in Marrakech. Why? Because 34 young adults are diagnosed a day and when cancer stops you in your tracks in your 20s and 30s, they need Trekstock to get them moving again. And what better way to raise awareness than partnering with some of our companions to spread the word, “We are thrilled to be teaming up with our friends and collaborators at Trekstock and Twin Magazine for such a great cause, and excited to be part of this fantastic fundraising event. Nick Passmore, Creative Director, Whistles”

This will be no walk in the park, with six long days, undulating terrain, heavy packs and making camp by sunset, the team needs your support to help them smash this once in a lifetime challenge. To donate visit Twin x Whistles x Trekstock.

A special thank you to Anna, Ellen, Georgie, Ellen, Caroline & Jolene for sharing their stories.

 Music by: @nattywhynot

Produced by: @sj.speechlyFilmed,

Directed and Edited by: @fenn_omeallyd

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FENDI – #MeAndMyPeekaboo Ep.10

08.05.2019 | Blog , Fashion | BY:

On the tenth episode of their #MeAndMyPeekaboo series, Italian fashion house Fendi has opted to celebrate Italian celebrity influencer Chiara Ferragni on her 32nd birthday. For the episode the web entrepreneur and her rapper husband Fedez are featured alongside the beloved women of her family including mother Marina Di Guardo and sisters Francesca and Valentino in Rome. The short film documents the couple upon their arrival in Palazzo Fendi in Rome, where she is met with a surprise birthday party with family and friends in attendance. The  film captures each intimate moment of the event including Ferragni’s entrance to her celebration, to the blowing of candles, to shared moments between the herself ,husband and family. During the film, Fendi’s legendary Peekaboo of course makes appearances in different versions including the X-Lite edition and the Essential for Men both crafted in Cuoio Romano Selleria leather by the house’s expert leather artisans.

The  #MeAndMyPeekaboo series began earlier this year featuring 10 iconic women across the world which included names like Kim Kardashian, Kris Jenner and North West. Each episode includes versions of the Peekaboo bags which have been seen on the Spring Summer 2019 runways with an updated soundtrack of Mary J Blige’s Family Affair.  To shop the Peekaboo visit Fendi. 

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Playing For Keeps: Molly Matalon & Caroline Tompkins – May 23rd – June 29th

06.05.2019 | Art , Blog , Culture | BY:

Later this month, creative studio Enlarge Your Memories, in partnership with Italian  lens-based bookstore Micacamera will open the doors to an exhibition entitled Playing for Keeps,  featuring the work of American photographers Molly Matalon and Caroline Tompkins.

This exhibition, set to open in the Micacamera space in Milan, will tell the tale of a contemporary woman’s viewpoint of romanticized America. With its infamous patriarchal history, the typical photography that addresses American ‘landscape’ has tendency to only display the postcard values of automobiles, family values and great outdoors.  However, in 2019, the idea of American lives have been expanded on by a wealth of cultural and artistic effort.

Throughout this exhibition Molly Matalon takes on a domestic point of view as she explores the narrative of the housewife. She explores the part of the typical housewife’s world not shown on camera. Portraits of home visitors, palpable sexual tension etc. With the compilation of images, she addresses the freedoms and power plays commonly associated with men in like-environment and in photography. On the other hand, Caroline Tompkins’ work embodies the female YOLO America. It displays a narrative of the fast life, climbing the highest trees, hiking the tallest mountains, getting too close to the fire.

Tompkins’ work denounces gender stereotypes and strives for a reclamation of the pseudo masculine American landscape as she schools her audience on how gratifying it is to live life with the wind blowing through one’s hair. In Playing For Keeps, the photographers explore and update the ideas of humour, sexuality, ownership and power play within today’s contemporary America. 

Image by Caroline Tompkins
Image by Molly Matalon

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Chanel Cruise 2020 – Chanel et La Voyage

04.05.2019 | Blog , Fashion | BY:

Yesterday afternoon Chanel presented their first resort collection following the death of their late creative director Karl Lagerfeld. The collection’s theme: Chanel et la Voyage , was an ode to the brand’s double legacies of Karl Lagerfeld and Gabrielle Chanel and their love of train stations.

The collection organized by Artistic Director Virginie Viard, carried a theme approved by Lagerfeld, presented in their routined spot in the Grand Palais. The space was transformed to resemble the train stations of vacation spots across the world including Rome, The French Riviera,  Bombay, among others.

This inspiration for railway travel was sparked by Gabrielle and Karl’s direct love for train stations. “On August 28, 1952, I arrived at the Gare du Nord in Paris. The city seemed to me to come straight out of the movies and books that had me so fascinated. I came here to spend two years in high school, but my stay in Paris was a little prolonged, ” remembered Lagerfeld. Ms. Chanel’s fondest of the stations stemmed from both as a meeting point for herself and lover Boy Chapel, as well as a source of inspiration, “You can find all the great works in the paperbacks at train stations,” she noted.

The collection featured Chanel’s signature tweed in skirt suits with ballerina slippers and jumpers, it also saw chiffons and lace dresses ,  jacket suits worn over leggings  and bat wing sweaters. The palette was a mix of bright reds, pinks and purples with tints of black, brown, grey and navy blues. Accessories were of course in abundance with waist bags, harnesses among others. View the full collection at Chanel.

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Prada Resort 2020 – A Seditious Simplicity

03.05.2019 | Blog , Fashion | BY:

Last night, Italian fashion house Prada presented their Resort 2020 collection at their Piano Factory headquarters in New York under the theme Seditious Simplicity. The backdrop for the collection was a set designed by British-Dutch architecture studio AMO who re-imagined the space into a series of gloss pink simplistic lounging areas.

This season creative director Miuccia Prada opted for a less playful theme, with a series of looks that offer clean and simple silhouettes, the collection was an ample contrast against the complexity of today’s  world. It featured overcoats, brass buttoned blazers, eased skirts, utility suitings, peasant blouses made in cotton poplins, faille, leather and suede. Although the designer’s motive was to portray simple, this did not restrict a colourful palette. Navy blues, multi-chromatic pinks, and pastels were abundant with the complements of pinstripes, checks and micro patterned florals. Accessories were also a key part of the collection, with Prada’s iconic bowling bag from the SS2000 collection making a comeback in various colours. Other accessories included colourful scarves crafted in paillettes and ear and neck jewellery made from baroque pearls. As Ms.Prada stated herself, “It’s simplicity as a protest against too much. I’m sensitive to the political situation; it affects me,” the woman presented in the collection was an appropriate character in the current age of everything being “too much.“

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Public Gallery: “The Redemption of Delilah” by Alexi Marshall

02.05.2019 | Art , Blog | BY:

Cover Image: Your Hair Was Long When We First Met, 2019, Alexi Marshall

In less than a week, London based gallery Public Gallery, will present an exhibition featuring the work of British visual artist Alexi Marshall titled The Redemption of Delilah.

The exhibition, set to open on the 8th of May will reveal a series of work from Marshall exploring and reimagining denigrated women of history through the humanity and nuance that lies in what has been traditionally known as sin. In her work, with the use of print, fabric, drawing and embroidery, the artist invites her viewers for a deeper analysis of condemned female figures, with the story centred around the biblical story of Samson and Delilah. As Delilah’s name has been known to be synonymous with the qualities of being voluptuous and treacherous, her fate following her actions highlighted in the bible has never been revealed, which in turns, forever shows her in a degenerated light.

Throughout the exhibition Marshall highlights the characters’ powers as well as their fallibilities as she explores the internal and external forces and at play.  Each pieces of wrk highlights characters from different narratives including Mexican and Trinidadian folklore that tell stories of tragedies, fate, forgiveness and life and death. 

“At a time when powerful women are still regularly denigrated in contemporary society, Marshall shines a new light on these ‘imperfect female sinners’ offering them a voice beyond the confines of history. These characters from religion and folklore become Marshall’s own personal deities, neither benevolent or malevolent but acting as symbols for fate and the innate wild nature of humanity. ” The exhibition will run its course throughout May at the Public Gallery until the 4th of June. 

Sweetest Downfall, 2019, Alexi Marshall
Jezebels Burden, 2019, Alexi Marshall

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Foam: “I Can Make You Feel Good” by Tyler Mitchell

01.05.2019 | Art , Blog , Culture , Fashion | BY:

Cover Image: Boys of Walthamstow, 2018, Tyler Mitchell

This Spring Foam Museum has opened photographer and filmmaker Tyler Mitchell’s first solo exhibition entitled I Can Make You Feel Good.

Since his historical debut last year with American Vogue’s September issue, featuring Beyoncé as cover, the photographer has been exploring the visuals of the black utopia ever since. This exhibition showcases a compilation of images that feature black youth in safe spaces. With the use of his signature candy coloured palettes and natural light, Mitchell creates images of young black people in gardens, park and in front of idyllic studio backdrops where his subjects appear as free, expressive and vulnerable beings. He creates a  sort of utopia around his subjects that mimic scenarios that are in contrast to what one might acknowledge as reality, bringing a sort of humanity to the forefront. 

The exhibition also premieres two of Mitchell’s video works: “Idyllic Space and Chasing Pink” and “Found Red. ” These are presented as audiovisual installations that explore the senses of play and childlike freedom within the black utopia. His stimuli for the exhibition was based off a younger period of his life where the dynamic site of Tumblr was very influential to the development of his creative vision. “I would very often come across young, attractive white models running around being free and having so much fun — the kind of stuff Larry Clark or Ryan McGinley would make. I very seldom saw the same for black people in images — or at least in the p hotography I knew of them.” I Can Make You Feel Good presents Tyler’s rendition of an earlier Tumblr in a time where it provided creative nutrients inclusive of black youth. The exhibition will run throughout the Spring at the Foam in Amsterdam until the 5th of June. 

Untitled (Two Girls Embrace) 2018, Tyler Mitchell
Untitled (Hat) 2018, Tyler Mitchell

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Six artists to discover during Art Brussels

28.04.2019 | Art , Blog | BY:

Cover Image: Autour de nous huile sur bois de Karine Rougier, 103 x 93 cm, 2018

Brussels is increasingly becoming one of the most refreshing European cities in which to discover art. Young spaces like collective Ballon Rouge and the collaborative La Maison de Rendez-Vous are opening new spaces and giving a new dose of oomph to the scene. Last week’s Art Brussels, an annual fair in its 37th edition with 148 galleries, was not too big, not too small – the goldilocks porridge of fairs. Here were six artists worth only a Eurostar away.

Merve Iseri

Turkish painter Merve Iseri was both a focus’ at Balon Rouge’s beautiful peach painted booth at the fair and the subject of a solo show at their downtown space. Her graphic large scale paintings touch on the body and landscape, balancing the figurative with a strong sense of abstraction and colour. An off-modernist breath of fresh air.

vision of holding a star in motion, Merve Iseri
Night Walk, Merve Iseri

Kayode Ojo

One of the NYC’s hottest current artists, Ojo originally emerged from a photographic background which he still balances with a glamorous and intelligent take on sculpture. His mirrored, misused furniture works covered with diamante jewellery or lame dresses were perfectly paired at Martos Gallery’s booth with a sexy large scale images of a trans model.

Boohoo Plus Verity Slinky Plunge Split Maxi Dress, Kayode Ojo
Balenciaga Bootcut, Kayode Ojo

Anicka Yi

Outside of the fair, the highlight of gallery night on Wednesday was Anicka Yi’s incredible show at Gladstone Gallery. Aiming to dissolve the boundaries between the human, animal, and vegetable, the show included sculptures that played with the living and kinetic. Its central room was filled with small animatronic moths flickering inside bulbous sculptural balls accompanied by a flickering electronic sounds.

Anicka Yi: We Have Never Been Individual
Anicka Yi: We Have Never Been Individual

Rubem Valentim

Mendes Wood DM devoted their booth at Art Brussels to Brazilian artists on their roster. It included some stunning paintings and a wood carved sculpture by the late Rubem Valentim, a self-taught artist who fused modernist ideas with the geometry, religion and aesthetic of Brazilian cultures. His Afro-Brazilian references were intentionally political, and the results exude vibrant energy.

Emblema 78, (1978), Rubem Valentim
Emblema-Relevo, (1980) , Rubem Valentim

Hoda Tawakol

It was impossible not to love Egyptian artist Hoda Tawakol’s sculptures at Gallery Isabelle van den Eynde’s booth. Made from tights, synthetic hair, rice, wadding and resin, these fetish-like small nudes are strongly rooted in the legacy of feminist 1970s art and the use of textiles as a loaded material. These gorgeous little fat figures questioned the representation of femininity.

Nude #20 (2019), Hoda Tawakol
Nude #20 (2019), Hoda Tawakol

Karine Rougier

Another off-fair highlight was Karine Rougier’s incredible detailed show at the young Fondation Thalie. Born in Malta and based in Marseille, this show brought together every element of her practise from scrapbook collages to tiny found object sculptures to her surreal miniature paintings. The work was filled with disembodied hands, doses of sex and horror and a dreamlike fantastical brilliance.

Soulever les Frissons, Détail, 38 x 45 cm, huile sur bois, Karine Rougier, 2019

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The Fendi Belt Bag x Astrid S

24.04.2019 | Blog , Fashion | BY:

On their latest venture, Italian fashion house Fendi has joined forces with Norwegian pop star Astrid S for the creation of a short film for the artist’s latest single Someone New. The film, inspired by youth and millennial nightlife features the key accessory from Fendi’s SS19 utility-themed runway being the leather belt bags. Throughout the film, Astrid S is shot under the bright lights of disco balls singing and bouncing to the music of her song with her Fendi belt bag on her waist. The belt bag was originally launched last September during the fashion house’s SS19 show. With a neutral palette of tangerine, charcoal and sands, the accessory is carefully crafted with embossed leather in an effort to fuse functionality and artistry. To shop the belt bag visit Fendi. 

Congregation by Sophie Green

24.04.2019 | Art , Blog , Culture | BY:

For the past two years British social documentary & portrait photographer Sophie Green has been working on a project in celebration of Southwark’s community of Aladura Spiritualist African churches and congregations. As the product of her detailed studies, Green has created a compilation of all the documented images of the community that is often referred to as the “white garment” churches and will be presenting them in the form of an exhibition and hardcover titled Congregation this Thursday at the Hannah Barry Gallery. 

The images give a front row seat to the Christian denomination practised by Yoruba Nigerians that throughout the past 40 years has become a greater part of Southwark London —  being the community which hosts one of the highest concentration of African churches in Europe. Congregation will also raise conversation about collective identity and power within subcultures, cultural practices and traditional dresses, food and customs in modern technology and fashion. For the project, the photographer collaborated with members of the congregation through portrait sessions and photographic workshops which go hand in hand with the candid images of the men, women and children throughout their religious practice. 

Congregation will be launched available online this Thursday and can be purchased via Loose Joints.

Congregation by Sophie Green 
Congregation by Sophie Green
Congregation by Sophie Green

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Love Me by Stella Asia Consonni – April 25th

23.04.2019 | Art , Blog , Culture | BY:

This Thursday Italian photographer Stella Asia Consonni is set to open the doors to her solo exhibition entitled Love Me . The showcase, set to take place for one night at Protein Studios in Shoreditch, London, will feature a compilation of intimate images of with diverse couples as subjects.

The photographer first began shooting for the project a year ago, with the intention of creating an online photo series as a means of healing as she overcame her then-recent break-up. One of the images from the original series, featuring two men mid-kiss was uploaded by the photographer via instagram and was soon after deleted by the platform for “not following community guidelines.” Instagram later issued an apology and allowed the image to be re-uploaded but the second time around Consonni was met with homophobic comments and slurs in reaction to the image.

This was when she decided the best way to contest the homophobes and bigots was to create an entire exhibition in celebration of the many colours and forms of love. In addition to the photo series, the photographer will also debut a short film complementing the series by documenting short bits and pieces of these love stories. 

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Prada’s Futuristic Linea Rossa Campaign

19.04.2019 | Blog , Fashion | BY:

This past week has seen the release of Italian fashion house Prada’s latest Linea Rossa campaign featuring their signature Linea Rossa logo with a bit of a twist.  The campaign shot and directed by Daniel Sannwald features the duo of models Lineisy Monero and Jun Young who are chic in the Linea Rossa looks from Prada’s SS19 collection. The pieces, all made from innovative, futuristic fabrics are the epitome of ultra-functional minimalism and futuristic sportswear combined with a sprinkle of modern elegance. It includes men’s, women’s and unisex garments that creates slim yet sharp silhouettes that gives the wearer an extra edge for respective occasions. The campaign itself is a technoid take on the classic technique of chronophotography, capturing multiple frames of a motion and combining them in single images. To shop Prada’s Linea Rossa, visit Prada. 

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Foam Talent Exhibition: May 15th

19.04.2019 | Art , Blog , Culture | BY:

For the third year in a row,  Amsterdam based international talent organisation Foam returns to Red Hook Labs in New York for their annual group exhibition Foam Talent. Set to debut on May 15, the exhibition will feature the work of twenty international photographers who were selected through the organisation’s annual talent call from a pool of 1853 creatives under the age of 35. 

The showcase will feature the works of these artists under several tabs of contemporary themes and topics such as social politics, nostalgia, night fall, homesickness and grief. A few of the names featured will include French duo Durimel,  Chinese photographer He Bo, Australian Sophie Gabrielle, Italian Salvatore Vitale, British Maisie Cousins, among others. For further info on how to cop tickets visit Foam

Cover image: “Untitled” from the series Worry for the Fruit the Birds Won’t Eat, 2018 by Sophie Gabrielle

“Kaelyn and the girls” from the series Frères dune île pas très proche, 2018 © Durimel
“Ants” from the series grass, peonies, bum, 2018 © Maisie Cousins
Model Angela and her personal story”, 2016, from the series Separation Anxiety, 2018- ongoing © Dima Komarov
“Untitled” from the series How to Secure a Country, 2015-2018 © Salvatore Vitale

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