Nite Jewel

Nite Jewel Unearthed

26.08.2016 | Music | BY:

LA-based musician, Ramona Gonzalez, otherwise known as Nite Jewel, is quite literally going it alone with her latest album: ‘Liquid Cool’. Since making her way onto the music scene in 2008, creating songs with her husband using a portable eight-track cassette recorder, Gonzalez has caught the attention and imagination of many, including director Noah Baumbach who selected her track ‘Suburbia’ to appear in his film Greenberg.

Now, as she embarks on the road to play her brand new material in Europe, Twin caught up with the much-hyped electro artist to discover how solitude can be one of the best things to ever happen to someone.

You have said that you recorded much, if not all, of your latest album ‘Liquid Cool’ in various closets. How? Why?
Well, it just so turned out that the two places I ended up living in in Los Angeles over the course of recording ‘Liquid Cool’ had these large walk-in closets. I wanted the sound of the record to be very intimate, so I decided to set up shop in these spaces with just a few instruments, in order have privacy and go deep into that fantasy world I was creating.

Was there a specific event that lead you into leaving your previous label? And how did you feel, both creatively and personally, to go solo?
No specific event, but just a general feeling of a poor fit over the course of our relationship. It’s a big commitment to get into a relationship with a label, not only a financial partnership, but a creative partnership as well. If you aren’t feeling like the whole is greater than the sum of it’s parts, then it’s probably best to get out while you can. There’s nothing worse than giving away 50% of your rights/ownership/and profits to an entity you can’t get behind.

I’ve been releasing my music independently since 2008. ‘One second of love’ was the only release done with a label other than my own. The main thing Secretly Canadian [record label] and I agreed upon was perhaps I did a better job at releasing my music on my own independently. So it felt great to get that kind of reassurance. And generally it’s been a better experience doing it on my own, albeit more of a personal expense.

There is an oft-mentioned sensuality to your music, is this deliberate? If so, how do you achieve it?
Definitely not deliberate but perhaps just the way that I sing, coupled with the prominence of the bass and rhythm section.

How has your style and sound progressed over the past ten years? What do you want to say now, in comparison to what you wanted to say then?
It’s progressed immensely and honed itself, but always been very much Nite Jewel. I think I’ve always toyed with similar themes throughout my career. The cross-section of love and technology has always interested me from the very beginning, and continues to be a theme in my work.

Your sound has also been described as “dreamlike” – what was the last thing you dreamt of?
I have very vivid dreams, but the last one I can remember being woken up by, was one where I was doing some sort of very dangerous aerial gymnastics à la Cirque d’Soleil. I’m afraid of heights but have consistent dreams of daredevil type mid-air acrobatics.

‘Liquid Cool’ is said to look a lot at the idea of being alone, is this something you are, or previously have been, afraid of? Have your perceptions of being on your own changed over the years?
I think aloneness is something I have always cherished, but at times it has been something I’ve grappled with being an artist. Aloneness is always directly linked to productivity/creativity. If that isn’t going well one day, aloneness can seem daunting, but most of the time it is a great thing. For ‘Liquid Cool’ I was more exploring the pervasive feeling of aloneness in a world where we are also so virtually interconnected. The internet can prove claustrophobic and crowded, but in reality we are experiencing that alone. That somewhat paradoxical dichotomy was what drove the concept of the album.

This album has been described as a “stripping back the pieces of our own lives until we can really see one another again” – is there anything in particular that you feel is particularly obstructive when it comes to communicating with those around you?
Yes, our online lives/personas.

You’ve done almost everything on this album yourself, how does the feeling of seeing it finished and out there now compare with previous work?
It’s refreshing! But also familiar. I have always done everything on my own, so it’s nothing new. Even when I have worked with other people, in the end, it’s my work, my voice.

Who else, musically, is inspiring you right now? Is there anyone you’d like to collaborate with?
For new stuff: The Internet, Kaitlyn Aurelia Smith, Harriet Brown and Jessy Lanza.

What is the rest of the year looking like? What are you up to next?
Our UK and European tour starts on the 15th September. Come see us!

For a full list of Nite Jewel’s upcoming tour dates, click HERE.

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Topshop Unique

Topshop Unique AW16 hits stores

24.08.2016 | Fashion | BY:

The shift in seasons is truly upon us, well, in a sartorial sense at least. Today sees the long-awaited launch of Topshop Unique‘s stellar AW16 collection, as it arrives in stores and online. So distract yourself from flimsy cotton dresses and kick your way out of those well-worn three-stripe slides, there’s some new kit to play with.

As ever, the girl being designed for by Topshop is part rebellious, part slick – just like London itself. Alongside late-night worthy velvet suiting and slips, there are sequins and corseted minis. Meanwhile, daytime gets a heritage feel, with houndstooth appearing in a variety of blown-out proportions, cropped knits, collared lace and exquisite printed silks inspired by the Bard – The Winter’s Tale landscape.

There is a military element, too, with the introduction of voluminous fur-collar bombers, plenty of khaki and mustard, and hip-skimming mannish army trousers. The final flourish is undoubtedly the swathed duster coats, resplendent with Arctic white shearling. They are the perfect accompaniment to second-skin long johns, a leather mini, those aforementioned sequins or a barely-there negligée. Or, perhaps even nothing at all.

Shop the new collection HERE.

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Björk in London this September

22.08.2016 | Culture , Music | BY:

This September in London is about one thing only: Björk. Riding high off the success of her critically-acclaimed album ‘Vulnicura’ she is set to play a number of London shows, as well as hold her own exhibition – ‘Björk : Digital’ – at London’s Somerset House.

For years Björk’s music and visual genius has proved to be both pioneering and iconic in equal measure, and now, the British capital is set to feast on her creative fruits in a variety of mediums. Following the high demand, and subsequent selling out, of her Royal Albert Hall performance on 21st September, an additional show has been announced at the Hammersmith Eventim Apollo on the 24th, with tickets going on sale on Wednesday 17th August. These will be the artist’s first performances in London since the release of her latest album.

Meanwhile, the exhibition at Somerset House is due to feature a number of her digital works, such as virtual reality videos, interactive apps and archive music videos that were created in unison with some of the most spectacular talents from the worlds of visual artistry and programming. Booking is strongly advised.

‘Björk : Digital’ will be on from 1st September – 23rd October 2016. Click HERE for tickets.

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striped scarf

Patterns & Prints with Jessica Russell Flint

16.08.2016 | Art | BY:

Merging classic British heritage themes with vibrant colours and statement designs, London-based designer, Jessica Russell Flint loves nothing more than vivid and eccentric prints. Initially studying Geography, Flint then went onto attend Central St. Martins to explore her creative side. It seems the change has done her good, as her label – which consists of home wears and accessories from scarfs to eye masks – is now available in over 40 stockists. We meet with Jessica to talk about her background and love for colour.

When and what was the catalyst for your decision to study at Central St. Martins?
I worked in advertising originally for about eight years, and whilst I loved the environment and the people, I was always frustrated about being creatively unfulfilled. A lot of it was keeping clients happy and so much of the process was broken down by other people’s decision making. I was always drawing on the side, my family are all very creative and I grew up with pens and paper instead of toys for entertainment.

I decided to do an illustration course at St. Martins on the side to understand more of the technical aspect of the design process. When I finished there I began blogging my prints, and people started to buy them from me. So I set up a website and went from there. Slowly I introduced products featuring the art I had created and the brand started forming. I did my first tradeshow in 2014 and it went well. Initially going from selling cards in Paperchase to stocking ranges in the Conran shop, Harrods and Wolf & Badger. It’s really satisfying to see where I’ve come over the years and how the style is continually developing.

make-up bag

How would you describe your style?
Scratchy! Brightly coloured. Illustration mixed with pattern.

Does London play a part in influencing your style?
Definitely. We live and work in East London and the people this side of town are definitely not shy in expressing themselves. From the graffiti to the urban dress and little boutiques and bars, it’s definitely a place to pick up ideas!

Where do you find your inspirations?
All the time, everywhere, from magazines, antiques (especially those old pieces of China with illustrations and etchings), statues and old books. They are amazing for getting new ideas. I love Pinterest for patterns and how to style shoots. Holidays help! Often relaxing somewhere I will feel inspired for a new design.

Who are your favourite illustrators?
Egon Shiele is one of my favourite artists in the whole world, he’s more an artist than an illustrator but his style is very illustrative and his lines are so beautiful.

Do you have any new offerings in store?
We’ve just launched quite a few new products from tech cases to umbrellas and cashmere. But we are so excited about the launch of our new bag range, which will be part of our SS17 resort collection. We are shooting this next weekend at the Clerkenwell London (boutique and restaurant) and we have a great team of stylists and models. Very excited to launch this range in the New Year!

Where can we buy?
Currently we stock in over 40 boutiques and shops in the UK. Aside from our website our biggest stockists are Harrods, Hoopers and the Conran shop. But we’ve got some great new stockists from January.

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Guerrilla Girls

Guerrilla Girls Finally Get Their Own Show

11.08.2016 | Art | BY:

Founded in New York in 1985, the anonymous art collective – the Guerrilla Girls – are finally getting their own, dedicated show. Set to commence this October at London’s Whitechapel Gallery, it is a long-awaited spotlight on over three decades of important work they have done in highlighting the staggering inequalities that take place both historically – and currently – in the art world.

Though the group has seen members come and go over the years, one thing unifies: all participants take the names of dead women – Frida Khalo, Georgia O’Keeffe – and conceal their identities with gorilla masks when appearing in public.

Guerrilla Girls

‘Do Women Have To Be Naked To Get Into The Met. Museum?’, 2012, Courtesy of the Whitechapel Gallery

Speaking to The Guardian earlier this week, Iwona Blazwick, director of the Whitechapel Gallery reiterated the real need for such an exhibition to take place, and further demonstrated why the Guerrilla Girls are so vital. “I was just at the Kunstmuseum in Basel where they have just rehung the entire collection from 1900 to the present and I think there are five women.” She said. “Sadly it is still an issue.”

Guerrilla Girls

‘It’s Even Worse In Europe’, 1986, Courtesy of the Whitechapel Gallery

Entitled ‘Is It Even Worse In Europe?’, the new show will feature famous works such as the 1986 inspiration behind the aforementioned title, as well as ‘Do women have to be naked to get into the Met museum?’ and ‘Pop Quiz’. However, the large crux of the exhibition will be based on the results of 400 questionnaires that the Whitechapel Gallery have commissioned the group to send out to European museum directors, including their own.

Guerrilla Girls

‘Pop Quiz’, 2016, Courtesy of the Whitechapel Gallery

In a public statement, the Guerrilla Girls said: “With this project, we wanted to pose the question, ‘Are museums today presenting a diverse history of contemporary art or the history of money and power?’ Our research into this will be presented at Whitechapel Gallery this fall.”

Let’s see, shall we?

‘Guerrilla Girls: Is it even worse in Europe?’ will be co-curated by Nayia Yiakoumaki, and runs from 1 October 2016 – 5 March 2017; entry is free.

Main image: by Andrew Hindraker

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Ortensia décor

Fornasetti’s Playthings

10.08.2016 | Culture | BY:

Fornasetti has done it again. A mainstay in combining home décor with surrealism and the absurd, the brand has a reputation for delighting and enticing with its witty designs. From drunken monkeys causing chaos at a dinner party, to the face of house muse Lina Cavalieri cross-eyed, staring at a bee on her nose, Fornasetti’s objets d’art and furniture are some of the most prolific of the 20th century.

Fornasetti Profumi

Fornasetti Profumi ‘L’Eclaireuse’ scented candle

And it’s a very exciting time for Fornasetti lovers, as this September signals the arrival of a new candle fragrance: ‘Mistero’. With dominant notes of pink pepper and cypress, and an undertone of incense, sandalwood and musk, it is pensive and deeply penetrating. If you could smell the colour grey, this would be it.

And the jar design that accompanies this new, mysterious scent? ‘L’Eclaireuse,’ which bares the signature Fornasetti face of Lina Cavalieri. On one side, we see her resplendent as a gypsy princess, complete with intricate facial piercings. But spin the jar around and we have the same face, this time with a golden eye patch, like a pirate. This is just another example of Fornasetti’s charming subtlety, which consistently alludes to a story hiding within each piece.

Fornasetti Profumi

Fornasetti Profumi ‘Armatura’ scented candle

Thankfully Fornasetti was a creator of more than 11,000 artworks, another of which appears in an additional new design for the house: ‘Armatura’. Once again, it features his muse – Lina Cavalieri – but this time instead of peering out through a crown of flowers or a toying playfully with a cigarette dangling from her mouth, she has a sword right through her head.

Encased within this new design is wax laden with the fragrance ‘Otto’ – the signature scent of the Fornasetti Profumi collection. Packed with Mediterranean herbs like lavender and thyme, it also features addition of dreamy, ethereal infusions of labdanum and incense.

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All Eyes On ELLERY

04.08.2016 | Fashion | BY:

In its biggest collaboration to date, Australian label ELLERY has got together with Specsavers to produce a capsule collection of opticals and sunglasses.

Founder Kym Ellery launched her brand in 2007, and it quickly gained recognition from the fashion crowd for offering beautifully cut clothing that combines a feminine outlook with a nod to the androgynous. Her thigh-skimming yet flared trousers have become a signature silhouette, and now Ellery has turned her creative hand to the world of optics.


Gemma wears ELLERY 12 glasses (SKU 30474741)

The campaign, which is fronted by fellow Perthian Gemma Ward, showcases 14 pairs of glasses and six pairs of sunglasses all at super affordable prices, from $199 to $249 for two pairs. Ellery took inspiration from the movie classics – Diane Keaton in Annie Hall, Susan Sarandon in Thelma and Louise and Woody Allen himself – to produce a range where retro meets contemporary. Shapes include cat eye, graphic oversized square and round silhouettes in a colour palette of classic black, marbled charcoal, tortoiseshell, cobalt blue, bottle green, gold and brushed gold.


Kym Ellery wears ELLERY 13 glasses (SKU 30474758)

For Kym Ellery, designing this debut collection allowed her to explore the sartorial role that eyewear plays in the style of its wearer. She says: “Eyewear is a crucial part of personal style, and I am thrilled to have been given the opportunity to create a collection of frames with Specsavers…When designing, I focus on creating modern classics for intelligent women and this eyewear collection is no exception.”

Main image: Gemma wears ELLERY SUN RX 03 glasses (SKU 30474802)

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Emma Charles: The Perfect Balance

02.08.2016 | Fashion | BY:

Having graduated from Westminster in 2014, Emma Charles racked up an impressive list of experiences before she decided to launch her own label. An intern with Preen during their AW12 collection, Charles spent time at Tom Ford and Stella McCartney, before returning to Preen in 2014 to work as their Archivist Manager. Here, she developed 13 looks for influential women in the industry, including Man Repeller’s Leandra Medine.

“These two years spent with the brand really pushed me in all directions. I was able to absorb everything from my surrounding environment, witnessing the whole process of a collection from sampling, sales, press, production to e-store distribution. Having gained all this knowledge, I felt that I could use it to benefit myself as a brand.”


Emma Charles, AW16

The first Emma Charles collection embodies the core values at the hear of the designer’s ethos: “My ideal woman is creative and has a strong interest in art and fashion. She is more likely to buy into the ‘fun’ yet sophisticated pieces in the collection.” Each piece in the collection reflects this balance, with an aesthetic that marries a smart approach to tailoring with a modern femininity. This aesthetic has evolved from a detailed study of tailoring, and Charles is heavily inspired by menswear from the ’20s and ’50s. “Evenly beautiful fabrics and embellishment play a huge part of my design aesthetic, especially bringing them together to create harmony between masculinity and femininity,” she says. It is these many dualities and contrasts that make her designs exciting.


Emma Charles, AW16

At the beginning of her new venture, Charles is ambitious about where she wants the brand to go: “My goal is to showcase my collections on runway, hopefully within two to three years. Until then I am conscious to work with new exciting photographers, set designers, stylists and casting directors to produce timeless look books.” Amongst dream collaborators she cites photographers such Juergen Teller, Scott Trindle, Jamie Hawsworth and Glen Luchford and stylists such as Jane How. With talent and drive such as this at play, we advise you to watch this space.

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Louis Vuitton Cruise ’17: Her Name Was Rio

29.07.2016 | Fashion | BY:

It’s mere days until Rio de Janeiro becomes the focus of the world’s gaze, as the 2016 Olympic Games get under way. But all this talk of athletic prowess in a stunning setting has made us yearn for the Louis Vuitton Cruise ’17 collection, which took place in the famed city a few months ago.

While we were enraptured then, the prospect of last-minute August escapes has thrown us headfirst into a search for things to wear, and we’re coming up lacking, as all we really want are these creations from Nicolas Ghesquière. The industry favourite, who has always managed to put his finger on exactly ‘what women want’ has done it again – bien sur. “I think what defines our time is that women want to look sophisticated and they want casual sports clothes,” he said. “Those are the two big obsessions.”

For those who missed it in May, here are just a few of the reasons why we’re churlishly wishing this summer away, so that we can get our hands on this collection in time for December.

Culture and Ghesquière have always gone hand-in-hand, and this show was no exception. Held at the Oscar Niemeyer–designed Niterói Contemporary Art Museum, artists also both partook, and inspired, the collection itself with the likes of Hélio Oiticica and Aldemir Martins on the credit sheet.

Model-of-the-moment Mica Arganaraz opened the show, while Twin favourites like Heather Kemesky (who features on one of the covers of our latest issue) also walked.

Thought the ubiquitous flip-flop was reserved yuppies in Clapham? Think again. They are now officially desirable, thanks to Ghesquière sending heavily cuffed versions down the catwalk.

US racing insignia, scuba-esque fabrics and chequered flag motifs were prevalent throughout the collection, adding to the sporting feel of the brand for this time of year.

Remember those skinny lurex scarves you used to love so much? Well, great news for hoarders: they’re back, albeit smattered with sequins amping up their luxe feel. Less good news for Marie Kondo advocates, you’ll have to repeat buy.





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In Limbo With Annie Collinge

28.07.2016 | Art | BY:

Photographer Annie Collinge takes pictures that often conjure memories of childhood. Her most recent project, ‘Five Inches of Limbo’, borrows its name from a Margaret Atwood poem about dolls. In the photographs, Annie brings objects to life, pairing dolls she has found in flea markets and on the subway with women found in similar places.

Always shooting on film, instead of using digital photography, Annie’s pictures have a rawness about them, remaining unprocessed and off-key. Without using lighting or effects, her photographs provoke a feeling of otherworldliness, stirred by her delicately chosen subjects, often in costume against a suburban backdrop.


Here, Twin speaks to Annie about the art of inviting strangers back to her apartment, how Instagram has changed the way she works, and her plans for future projects.

Most of your projects use curated concepts instead of found imagery. Where do your ideas come from?
I tend to get ideas from all over the place, from dodgy window displays to car boot sales. I find the process of looking for unusual objects quite meditative, and very often an idea comes to me from an item I’ve found. I like to photograph human interactions with objects, so this usually starts with the object and then I work out how I can include someone.

Why do you tend to use women as subjects in your work?
In the past I tended to photograph a lot of women. I’ve always been interested in the idea of adornment, and women generally, not always, are more adored than men. For my ‘Five Inches of Limbo’ project, I had initially wanted to photograph both men and women, but then I realised that most of the doll’s faces, even if they were male, were made with a female doll face mold, maybe with a moustache drawn on later. I also found approaching strange women less daunting than inviting men back to my apartment to photograph them.



Many of your subjects are strangers. How do you go about approaching them? 
Most of my subjects were strangers, apart from the woman with the red goggles on. She is my aunt Yolanda. I’d bought that doll in the Chelsea flea market and one day I was looking at it on my shelf and thought it really looked like Yolanda, which is how the project started. Once I shot her it was easier to approach people as I had an example to show them. I’ve definitely got quite used to approaching strangers now, but I still find it nerve wracking. You learn to brush off the rejections. The most helpful bit of advice I ever heard was from photographer Martin Parr. He said that you must never linger, you must always go straight up to someone. When you linger and they notice you staring at them, it starts to make people paranoid and can make them have a negative reaction to you. I remember sitting in a cafe in the East Village and seeing two girls at the next table, and thinking for too long how I would approach them. After about half an hour of them noticing me giving them strange looks, I went over and was so flustered I think I came across as a complete mad women. They never responded to my email, unsurprisingly.

How has social media impacted the way you work?
Instagram has been great for me, it’s brought my work to a much wider audience and has allowed me to reach out to all kinds of creatives that I may not have known how to contact otherwise. I’ve been working with designers Luke Brooks and James Theseus Buck on a few little projects. I basically just followed them on Instagram and messaged them. We have done a couple of shoots together and are working on a third one now. It’s really nice to work with people who have a similar way of making images and Instagram has allowed us to see how others view the world on day-to-day basis. It doesn’t just show us the polished work we create. It’s nice to see how someone can take an interesting picture of their shoelaces or a weird cloud in the sky without over-thinking the concept. I find that incredibly liberating.



The name of your ‘Five Inches of Limbo’ project was taken from a Margaret Atwood poem. In what other ways did the poem influence your work? 
When I read the poem I just knew that I had to include it in my project. It is the most amazing description of a doll I have ever heard, the idea that we carry around these little kind of corpses that never age and only decay. That they are watching us, and just existing, trapped with the expressions they were first manufactured with. It’s amazingly dark and I guess the idea for my project was taking something that is a version of real life, a doll, and turning it back into real life to see how it kind of mutates in the process, so I feel it relates to the poem because of this relationship between what’s real and what’s fake.

Where else do you draw inspiration from?
I think that the books I read as child had a huge influence on the way I make images. I remember how different drawings would make me feel and how I found some things a bit frightening but also a bit thrilling, like The Three Robbers by Tomi Ungerer or In The Night Kitchen by Maurice Sendak. The images were always beautiful and saturated, but at the same time a bit surreal and menacing. I realise now, having a child myself, how important those formative ideas are, and how we learn so much about world from those often strange stories.



What do you hope people take away from your work?
I would like them to make their own mind up about it, that’s what I love about photography, the ambiguity of it. An image has to have some mystery to it, as that is what leaves a lasting impression.

Do you have any current plans for future projects? 
My next big project is going to be a series of constructed images of my family. Not because my family are particularly exciting, but because I feel like I’ve recently been much more aware of how transiently we live, and how our relationships with our families are changing. I’d like to make constructed portraits of my sister, father and mother to preserve them in my own memory. Also because they are the people who I first took pictures of when I first started using a camera. I guess I’ve been photographing strangers a lot and I want to challenge myself to find out how I can see people close to me objectively and still make images interesting to other people.

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Slater’s Sex Skateboards

27.07.2016 | Fashion | BY:

It seems that Louis Slater, founder of British skate label, Sex Skateboards, has combined his two loves. You name it and Slater has sexed it up, offering not only skateboards but tees, hoodies and artwork (in the form of defaced high end fashion ads and style magazines) all featuring his sex logo. Here, we spend five minutes delving behind the decks.

When did Sex Skateboards start?
March 2015.

How did it come about?
I spray painted the sex logo on a T-shirt and thought it looked cool as fuck.


What’s your favourite mag that you’ve defaced?
I don’t have one, Vice used to be good. I’ll paint on owt, I like very expensive adverts that cost the company loads of money, I get a kick out of that.

You sell hoodies and tees as well as skateboards. Do you plan to extend the range?
Yep the new range is in the pipeline and will hit good shops soon. Loads of new shit, you’re gonna have to wait and see, it’s all kicked it up a gear.

Where can we buy?
Right now the website, and soon to be announced select retailers worldwide.

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Taylor Hill

Taylor Hill is Topshop’s new girl

25.07.2016 | Fashion | BY:

Supermodel-in-the-making Taylor Hill has today been revealed as Topshop’s new campaign star for AW16. The New York-native, who has fronted the cover of Vogue, was chosen for her versatility, as well as her looks – so says Creative Director, Kate Phelan: “Taylor walked in the February 2016 UNIQUE show – she is a social supermodel and a young woman with style and personality; she is every Topshop girl rolled into one. Whether she is a tomboy in jeans, glamorous in cocktail, or pretty in polka dots, Taylor is Topshop’s ultimate girl crush.”

To mark the appointment of Taylor as the global face of the brand this season, Topshop has released a short film of Taylor, accompanied by her dog (an adorable Labradoodle called Tate), cavorting around her home city of New York in a selection of key pieces from the AW16 collection.

The campaign, which sees Taylor in oversized leather, ’90s LBDs and sheer polka-dots, was shot by acclaimed photographer, Giampaolo Sgura. Speaking to Topshop, Taylor said: “It feels really cool to be Topshop’s campaign girl, I never thought I’d do campaigns, especially not for Topshop. I’d always see the big models doing it and never thought I would, but here I am!”

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Petra Tate

Petra Collins x Tate Modern

19.07.2016 | Art | BY:

To mark the opening of the Tate Modern’s long-anticipated Georgia O’Keeffe retrospective, acclaimed artist and leading voice among the ‘new-wave feminists’ – Petra Collins – has created a specially commissioned video at the request of the gallery.

Taking inspiration from some of the ‘Mother of American Modernism’s’ most famous works – spanning her almost 100 year life – Collins’ video is a mesmerising exploration of every aspect of modern femininity, much in the way that O’Keeffe did so iconically before her.

“O’Keeffe was one of the first artists that made me appreciate color in a whole new way. Her use of it makes me feel like her landscapes are complex beings. That with each stroke of color, each line, each curve, she’s bringing these locations to life. With this short I wanted each girl to really play with their surroundings (that were inspired by O’Keeffe’s desert and Lake George – her two favourite spots) – to use their every inch of skin, muscle, bone, etc and really put themselves into her landscape too – while making their own.” – Petra Collins

New York-based Collins’ video features a bevy of relevant and revolutionary women, from Barbie Ferreira to Maia Ruth Lee, Seashell Coker and Ajani Russell. With fans including Katy Perry, Lena Dunham, Selena Gomez and Marilyn Minter, she has been heralded as the ‘next defining artist of her generation.’

Georgia O’Keeffe at the Tate Modern runs until 30th October 2016, click HERE for tickets.

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Summer Screen

Film 4 Summer Screen at Somerset House

16.07.2016 | Film | BY:

Running from 4th – 17th  August 2016 Film 4 presents the annual Summer Screen at Somerset House. The open-air film festival which will present a mixture of cult classics, contemporary movies and premieres is the largest outdoor screen, with full surround sound. What’s more turn up a little earlier to enjoy sundown DJ sets inspired by the screenings to set the mood for the film.

With an eclectic combination of movies there’s something for everyone, from comedy and musical to horror and sci-fi. This year will see the UK premiere of the critically-acclaimed Things To Come which sees a philosophy teacher battle through the death of her mother, getting fired and having to deal with a cheating husband. As always, the Summer Screen will close with a UK premiere, this time it will be a Sundance hit, Captain Fantastic, directed by Matt Ross, which follows the heartfelt story of a father whose idealistic parenting comes under attack when tragedy forces him to bring his family back into the real world. Classics and contemporary films showing include Trainspotting in homage to its 20 year anniversary, Quentin Tarantino’s Jackie Brown with its killer soundtrack, Dracula and Ex Machina to name a few.

Film4 Summer Screen runs from 4th – 17th August, 2016. Ticket prices start from £16.00 plus booking fee. Doors open at 6pm, DJs from 6.45pm and films start at approx 9pm.


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Okka Block & Okka Found

07.07.2016 | Fashion | BY:

For a one stop shop that will take you around the world, Okka Block has got you totally covered. Offering a range of homewears, accessories and fashion sourced from the very best artisans in Morocco and India, we caught up with its founder, the stylist Hope von Joel, to discover more…

Tell us about Okka Block…
Okka Block was started from my love and need for wanderlust. I’ve travelled extensively over the last few years, but these countries really inspired my love of textiles and tribal stuff – India, Guatemala and Morocco which is where I took much of my inspiration. The warm coloured streets, the food, smoke and smells, the beautiful traditional clothing and lifestyle and the vibe really stuck a cord with what I believe works in interior design and accessories. The bold combination of colours, the warm tones, the exotic plants and amazing hand made accents really make it exciting.

I first started buying stuff a year or so ago with the idea in mind of selling them back in London. I am working on the new website at the moment and mostly selling through our Instagram until it launches. Have a look it’s a colourful treat.

Where are the items sourced?
Items are sourced here, there and everywhere. I travel all the time and have an eye for beautiful things. Carpets and pillows sourced from the deep Atlas Mountains at 4am after a several hour drive into a local market surrounded by donkeys with my great friend Patrick. Beautifully adorned and jewelled traditional banjara skirts are from the ladies of northern India. Then there are the embroidered bags and tops from the ladies in the hills of Guatemala. The busy bustling markets of the nestled into tents adorned with treasures. Embroideries depicting flowers and multi-coloured pom-poms make my heart sing.

What do you love most about it?
I love that every piece is individually sourced by me for its individuality, uniqueness and quality. I have a story for nearly every item; each has been lovingly packed and transported back to London. Everything is then photographed individually and sold as seen.

Do you have any favourite products at the moment?
I’m totally in love with the rainbow stitched kantha blankets and the massive Moroccan rugs in the amazing colours with sequinned embroidery. The rugs are originally for marriages and are a real statement.

Do you think being a stylist has an impact on what you offer?
Definitely – I have a strong style and know exactly what I like in fashion, interiors and design. I just buy what I love.

Do you have any more exotic trips planned?
More trips for sure, to Mexico, Guatemala and Uzbekistan hopefully this year.

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Richie Culver

Richie Culver to show at Protein Studios

06.07.2016 | Art | BY:

Richie Culver rose to fame in 2010, when he took a magazine cut out of a Jesse Owens photograph and stuck the words ‘Have you ever really loved anyone?’ onto it. Although he had never had any formal training, this first artwork was featured in a group exhibition at the Tate Modern. Richie has since experimented with photography, mixed-media installations and painting, and he has become synonymous with his use of text to accompany his artwork.

This July, a show entitled ‘Things that didn’t really work out – most things’ will combine Jesse’s autobiographical inclination with his text-based medium, providing a dark and humorous look into his life. In Culver’s own words, the exhibition “looks into the realms of sanity, humanity and depravity”. The work began as a book project following a particularly challenging period in Culver’s life and has been developed into a series of wall based works and prints.

The exhibition, which will run from the 28th July until the 2nd of August, will be on display at Protein Studios in Shoreditch. It is Culver’s first London show in three years, and is being exhibited as one of four events put on by Shelter, as part of their Gimme Shelter series. The events are focused around literature, art, music and film and will support Shelter’s work to help people facing homelessness and poor housing. Tickets for each event are allocated via a ballot.

To enter the ballot visit: Successful entrants will be asked to purchase tickets for their chosen event for £10, with all proceeds going directly to support Shelter’s crucial work.

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Marianna Goulandris

All Eyes On Marianna Goulandris

04.07.2016 | Fashion | BY:

With a background in luxury swimwear, Greek designer Marianna Goulandris has recently turned her hand to luxury jewellery. Consisting of refined yet statement-making gold pieces, her debut collection has caught our magpie eye, and is destined to inspire all other who encounter it. Recently, Twin had five minutes with the woman herself – here’s what was discussed:

What made you want to move into jewellery design?
It was a natural transition from swimwear. Starting a company so young you grow and change and what turned out being a hobby on the side ended up becoming full time! The continuity of heritage and ancient Greek influence is also strongly shown in the jewellery.

How would you describe the collection in five words?
Quirky, chic, glamorous, gold, luxury.

Who is you customer?
It often ends up being a confident woman who is sure of what she likes. She can immediately target the piece she likes and wears it then and there.

Which is your favourite piece from the collection?
I love my spiral earrings that come in small and large size.

Tell us about the materials you have worked with for this collection and why…
I have worked with a lot more gold vermeil. I wanted to create a luxurious goddess collection with affordable prices!

Can you give us a clue as to what’s in store for next season?
Moving away from the Greek heritage and looking at other forms of good luck charms, not only the Greek mythological matti (eye).

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The Art of Storytelling

30.06.2016 | Art | BY:

Filmmaker and artist Charlotte Colbert is one of those women that make you feel very dull, and impossibly unaccomplished, by comparison. From the outside looking in, her world seems one of perfection. She’s beautiful yet effortless, undoubtedly talented, boundlessly intelligent – and to all intents and purposes, managing to live by doing what she loves, which is – and let’s be honest, always has been – something of a rarity.

Emerging as a master of the surreal narrative, Charlotte’s work has documented everything from faces obscured with giant ’emoji heads’, to the stripped-back grace of nude figures in a former lesbian commune in East London. Her aesthetic is ethereal but not whimsical; there is real, transportive substance there, in among the solitary figures and exquisitely desolate surroundings, you can see relatable and raw emotion.

Ahead of her upcoming shows – one solo exhibition at Gazelli Art House, and another group exhibition to celebrate the genius of Kubrick at Somerset House – we caught up with Charlotte to delve a little deeper into her creative process.

You’re described as a filmmaker and artist – which did you embark on first? And how?
I’ve always been interested in stories and ever since I can remember I’ve been collecting them, putting them down in strange formats, inventing them. As a teenager I’d spend all my nights just wandering through cities talking to people, vagrants, partygoers, down-and-outs and up-and-comings. And when asked what I wanted to do and who I wanted to be, all I could ever think of was the desire to be everyone, to experience life from as many different perspectives as possible. I’d always been scribbling down people’s stories, taking their pictures and little by little it got more formal, not in the sense of square but in the sense of shapely, and the stories started articulating themselves over longer formats as I wrote screenplays for people, and the photographs moved away from documenting, becoming more staged as I tried to capture what had settled in my head rather than what I could immediately see.

How does each discipline differ in terms of inspiration through to execution? Do you have a preference?
Photography is much quicker. It creates little windows into other dimensions and although there is a whole world there, the viewer only gets glimpses into it. Whereas in a film all the details of the world have to be thought out and solved because both viewer and performer will actually inhabit it together for a specific length of time.

In a fine art work only the artist needs to fully understand and believe in the world of its fiction whereas film is much more collaborative and everyone needs to fully inhabit it while making it and viewing it. An actor will need to incarnate a character and for that to happen that character needs a fully fledged logic, language, body language, imaginary world, family situation, back story, quirks etc.

If you create a crazy looking Chewbacca type creature, the writer will know how that monster goes to the toilet, because, even if it doesn’t feature in the film, it will be necessary to the believability and the coherence of the fictional world.

Odyssey 03

For your participation in the upcoming Kubrick exhibition at Somerset House, you’ve referenced A Space Odyssey – was this something that you chose or was it assigned to you? Can you remember when you saw the film first? What kind of feelings did it leave you with?
A while back I wrote a screenplay on Lou Andreas Salome, a really interesting writer and intellectual who at the turn of the 19th century wanted to live her life, controversially at the time, in a free spirited, independent, thoughtful way. She became well known for her collection of lovers, from Nietzsche, the young poet Rainer Maria Rilke twenty years her junior, to Freud. During the research, I became quite touched and fascinated by the character of Friedrich Nietzsche – this half-blind, hunchback, outcast of a man who strove the be the Ubermensch, the ‘SuperMan’. He wrote this amazing book called Thus Spoke Zarathustra, which strongly inspired 2001 A Space Odyssey. Kubrick said: “Somebody said man is the missing link between primitive apes and civilized human beings. You might say that is inherent in the story too. We are semi-civilized, capable of cooperation and affection, but needing some sort of transfiguration into a higher form of life. Man is really in a very unstable condition.” It’s that fragility and the desire to overcome it that I was interested in exploring further.

I’ve read that in that work you wanted to explore the astronaut “caught within the limitations of being human” – where there any limitations in particular that you had in mind?
For the Kubrick show I wanted to recreate an odyssey but rather than sending the lone figure of the astronaut into space, I decided to send her to explore our past. The images were shot in the former site of the infamous In and Out Club on Piccadilly. I was interested in the juxtaposition between the astronaut, symbol of the future, symbol of Man’s power to surpass, and this totally decayed building of faded grandeur. The Astronaut, an iconic reference to exploration, the overcoming of nature, the constant attempt to push back the boundaries of our condition, here wanders, tiny and humbled by history and time, through the large, gilded and abandoned rooms. Both the building and the astronaut seem united in their solitude. However grand the quest, however beautiful the endeavor, we can’t escape time and the limits of our own humanity – loneliness, despair, short-sightedness, the need to be loved, sores, our temporality, itchiness, our physicality, our ailments, diseases etc.

Your work has a beautiful ability to be both introspective and yet outward looking at the same time – from ‘A Day At Home’ to the endless expanse of the universe – do you identify with one trait more than the other?
As we haven’t yet developed a way to experience that isn’t human or at least from a human perspective, it feels the world as we perceive it is only ever a mirror to our interiority. They seem to exist in and within each other. When I took the space images, I double exposed them with images of the galaxy and images of cells from our bodies. And it was amazing how similar looking they were. The macro and micro like mirrors. Both containing infinity.

Derelict, empty buildings have featured in your work on more than one occasion, what is it that they say to you? Are your surroundings important to you on a daily basis?
I love derelict buildings. The sense of adventure and discovery at finding them. The putting together of all the pieces and clues to build up a mental image or story of what happened in the space. Derelict buildings are like the architecture to a story. They contain past lives, dreams, loves, hurts all washed away by time. They are like memento moris.

Is there anything in particular reaction that you want people to have to your work?
It depends on the piece – if it’s a film a photograph, a script. But hopefully some kind of feeling. Of solitude, eeriness, a little window into a different world.

How do you feel about the future? Does it scare or inspire you? What are you working on next?
The future scares and inspires me. I’ve got a wee show coming up, ‘Ordinary Madness’ at Gazelli Art House, playing with the idea of our relationship to digitalisation, and am working on a new series of photography on the theme evolution and a feature film, which I am writing, and will be directing.

Charlotte Colbert’s solo show Ordinary Madness opens at Gazelli Art House 1st July, as well as group show Daydreaming with Stanley Kubrick at Somerset House on 6th July

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The Magnificent Manfredi

29.06.2016 | Fashion | BY:

Born in 1990 to an Italian father and Argentine mother, Mandredi Manara was raised between Milan and London. This year has seen the launch of his eponymous footwear label, which merges luxury with ultimate femininity. The collection features thoughtful details such as custom-made trims and hand-woven passamaneria for a feeling of classic romanticism.

Tell us your background…
I grew up back and forth between Milan and London, where I eventually studied photography, but soon realised I was inept with anything as remotely technological as jpegs and light meters.

How would you describe your label in five words?
Romantic, nostalgic, graceful, delicate and… divine!

Who is your customer?
A woman who desires a truly exquisite shoe for a special occasion.

Tell us about your debut collection…
The collection is composed of classic high heel sandal and pump shapes that focus on slenderness, many of which are embellished with custom-made trims and “passamanerie”, such as playful tassels and coloured fringes that evoke scenes of lavishly decorated interiors and palatial rooms draped in baroque fabrics.

Do you have a favourite style in the collection and why?
Possibly the Bradamante, it’s the ultimate princess shoe, very dainty and sweet on the outside with just a hint of mischievousness.

Who or what has had the biggest impact on your designs to date?
My grandmother and her sense of not only fashion, but also interior decoration. Her house was filled with custom upholstery from velvet curtains adorned with tassels to plush cushions and tapestered walls.

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Citizens of Humanity x Mytheresa

27.06.2016 | Fashion | BY:

This month, an exciting collaboration between premium denim line Citizens of Humanity and luxury retailer will become available online. The six-piece collection will launch exclusively on the respective websites and is comprised of limited edition denim outerwear and bottoms.

Heavily inspired by the ’80s and early ’90s heavy metal scene, the designs have drawn a lot of influence from cult band Metallica, introducing subtle details in the designs which hint at the ’90s grunge era. The women’s capsule collection goes against the grain, keeping in mind Metallica’s uniform of denim jackets and distressed jeans. To showcase the line and capture its heavy metal influence, Metallica drummer and founding member Lars Ulrich shot the collection, choosing his wife Jessica Miller to model it.

The collection was designed by the Citizens of Humanity Founder Jerome Dahan and Women’s Creative Director Catherine Ryu. Working in collaboration with, each piece has been produced in Los Angeles, using Citizens of Humanity’s in-house laundry and manufacturing facilities to produce items unparalleled in quality and fit.

Three new outerwear silhouettes have been introduced in the collection, including the Classic Jacket, an oversized boyfriend fit in a light blue wash, a slimmer fit denim jacket in a vintage blue wash called the Trucker Jacket, and the Trucker Vest, a sleeveless washed black denim vest. Three new trouser styles will also become available, these include a high-rise skinny jean in washed black, a mid-rise straight leg jean in a vintage blue wash, and a mid-rise straight fit in washed black.

Head to or to browse the pieces for yourselves, which are now available online.

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