Oscar Ouyang SS27

CSM graduate Oscar Ouyang chose the sunlit upper floor of Rochelle, a former school in Shoreditch, to present a collection he described as one of “youthful romanticism”. Born in Beijing and based in London, Ouyang was thinking about the way we “assemble” our identities as we move from youth into adulthood. The collection captured that slightly awkward in between stage, when you are no longer a teenager, but not quite an adult either, raiding your parents’ wardrobes to get dressed for a night out.

There was a playful sense of nostalgia throughout. Tailoring looked perfectly proper from the front before opening unexpectedly at the back, polos were cut lower than expected and running shorts puffed out into exaggerated silhouettes. It felt youthful without being overly sweet, capturing that strange and fun period of figuring out who you want to be.

Simone Rocha SS27

For SS27, Simone Rocha took over the Old Bailey with a collection inspired by the 1990 rediscovery of Caravaggio’s long lost The Taking of Christ, which had been hanging, misattributed, in a Dublin Jesuit house for more than 50 years.

Hand worked roses appeared across velvet and leather, while everyday pieces were elevated with more precious garments deliberately knocked out of shape. Silk organza slips hung loosely from the body, with twisted fabrics and imperfect silhouettes giving the collection a distinctly “touched” feel. This collection definitely found beauty in unexpected places.

Mulberry SS27

Mulberry’s SS27 collection marked a new chapter for Scottish designer Christopher Kane, who has taken over as creative director of the British heritage brand. Kane closed his own London label in 2023, making his return to runway much anticipated by the fashion world.

The collection leaned into clean lines, sharp edges and plenty of laser cut leather. Accessories played a major role too, with pared back, monochromatic looks allowing the bags to really take centre stage. There was something particularly satisfying about the contrast between the sharper, sculptural pieces and the softer movement of the collection. SS27 feels like a fresh start for Mulberry, and we’re excited to see where Kane takes the brand next.

Chopova Lowena SS27

Emma Chopova and Laura Lowena are known for their riotous runway shows, often pairing playful sets with a cast that feels like a reflection of their own eclectic community. This season was no different, with even ex Sessions Arts Club chef Nil Mutluer making an appearance on the runway.

The collection leaned into a world of otherworldly characters, drawing on Slavic folklore alongside nymphs, water spirits, ghouls and vampires.

As ever, there was plenty of humour woven into the clothes. T-shirts featured pigeons, horses and slogans like “Help Me Chop Ova Lowena”, alongside illustrations of three knife wielding schoolgirls. It was chaotic, playful and unmistakably Chopova Lowena, exactly the kind of joyful weirdness that makes the brand such a highlight of London Fashion Week.

JW Anderson’s Summer Series feels raw, sun faded, and a bit undone in the best way. Jonathan Anderson leans into play here, mixing craft with a sense of escape so nothing feels too perfect or controlled.

It’s a full sensory mix. Woven leather mules, goat suede loafers, and basket weave textures show up across bags and shoes. The cult Loafer Bag returns too, now handwoven and more irregular.

Then there are the Leaf Slides. Lime toned, softly padded, and veined. They’re less “poolside basic” and more wearable still life, echoing the collection’s ongoing love affair with botanical motifs.

The colour palette features bright yellows, fresh greens, deep emeralds. Everything feels light and easy to move in, from loose dresses to open knits and relaxed sets. Nothing is stiff or overworked.

The details keep it fun. Crochet charms shaped like fruit, vegetables, and small creatures hang from bags. It’s styling as storytelling, encouraging wearers to personalise, to play, to not take things too seriously. Because beneath the craftsmanship (and there is a lot of it), there’s humour here. It makes sense when you consider the man behind it. Jonathan Anderson, the Northern Irish designer who built JW Anderson into a cult name, has long blurred the lines between art, fashion, and wit. From reshaping Loewe into a craft driven powerhouse to stepping into his role at Dior, his vision has always leaned toward the unexpected and elevated, but never out of reach.

This is the kind of wardrobe that looks better slightly crumpled, slightly sunburnt, and entirely lived-in. 

Birkenstock’s 1774 “Romanticismo” collection takes a softer approach to its classics, landing just as some of its most recognisable styles hit the 50 year mark.

Available from 23 April, the collections lends a loose nod to Italian Romanticism. It’s more about mood than concept: slightly richer materials, cleaner lines, and a tight palette of mustard brown and black. Familiar, just dialled in.

This season centres on the Milano, which reaches its 50th anniversary in 2026. Introduced in 1976, it remains one of the brand’s more structured designs, defined by its back strap and straightforward construction. In this collection, it’s been subtly sharpened: smooth black leather, light contrast piping, and neater stitching that gives it a more considered finish.

Other styles in the collection include the Boston clog and Arizona Two Strap sandal. Both sit within the same language of restraint and refinement, with small tweaks in tone and detail that highlight their shape. Materials across the collection are sourced in Italy and assembled in Germany, keeping the emphasis on quality.

Balancing form with feeling, Romanticismo draws on the past but keeps things effortless and wearable.

Model, musician and underground style icon Gabbriette is taking over London this Halloween weekend, and she’s bringing Mexico City with her. In collaboration with Don Julio Tequila, she fronts Panadería Don Julio, a three-day fusion of fashion, flavour and nightlife that reimagines Día de Muertos through a London lens.

Hosted at Toklas Bakery from 31 October to 2 November, the event transforms the central London space into a living altar to modern Mexican culture. Panadería Rosetta, the cult Mexico City bakery led by Michelin-starred chef Elena Reygadas, serves pan de muerto, while Don Julio hosts cocktail workshops and Milagros curates a bodega of handmade Mexican crafts.

At night, Toklas becomes an intimate 80 person speakeasy, with a line-up reflecting Mexico City’s vibrant club scene. N.A.A.F.I, CC:DISCO!, and London’s queer-Latinx collective 2CPERREA provide reggaetón, techno, and experimental club sounds, creating a space where music, style, and ritual intersect.

On Sunday, the official Día de Muertos, the space fills with marigolds, papel picado and a glowing ofrenda. Guests can take part in nail art and face painting, while trying limited-edition Don Julio cocktails. 

You can sign up for the Don Julio Tequila x Panadería Rosetta Cocktail Workshop and explore the full After Dark speakeasy line-up here.

Dilara Findikoglu doesn’t do fashion shows. She crafts full-blown cinematic universes, each collection feeling like a portal into a world more rebellious, more mythic, and definitely more unbothered by reality. This season, she staged her AW25 show, Venus from Chaos, inside Electrowerkz—a fittingly industrial, underground haunt in North London. And what unfolded? A spectacle of transformation, power, and a whole lot of unapologetic sensuality.

Fresh off last season’s exploration of rage and rebellion, Findikoglu turned her gaze toward rebirth. AW25 imagined an escape—one where women aren’t just breaking free from societal expectations but transcending them entirely, shedding their skins (quite literally) and landing somewhere celestial. Venus, to be exact. But don’t expect soft, romantic Aphrodite vibes—this was Venus on her own terms.

From sculptural corsetry to leather molded like second skin, the pieces told a story of evolution. Seashell embellishments nodded to the goddess’s oceanic birth, while heavy-duty snakeskin dresses carried a sense of power and defiance. But it was the final look that really sent shivers down the spine—a fully tattooed, leather “naked dress,” created in collaboration with Whitaker Malem and tattoo artist Jonah Slater. A vision of someone stepping into their most unfiltered, untamed self.

Dilara’s world is one where historical references, punk edge, and divine femininity all collide. AW25 didn’t just present clothes—it asked, “Who are you when you’ve shed everything the world put on you?” And the answer? Someone unstoppable.

This season, Patou’s creative director, Guillaume Henry, has envisioned a cotton candy dreamscape, partnering with Onitsuka Tiger to deliver a collaboration where playful sophistication meets sporty elegance. 

To mark this collaboration, shoppers are invited to the “Sleepover at L’appartement PATOU Tiger” taking place at Onitsuka Tiger’s flagship store on Regent Street. This immersive holiday-season experience invites shoppers into a virtual world where two friends—one from Paris, the other from Tokyo—share a stylish apartment, blending French and Japanese cultures in a delightful medley. 

Patou, a couture line established in 1914 by Parisian couturer Jean Patou, transformed fashion by rejecting the rigid styles of its time, embracing liberating, fluid designs instead. Onitsuka Tiger, on the other hand, remains a trailblazer in blending fashion and sport, seamlessly merging tradition with modernity. Each collection of Onitsuka Tiger footwear, apparel, and accessories carries the essence of Japanese heritage, reimagined for a contemporary audience.

At the heart of this vibrant collaboration is the reimagined MEXICO 66. Fusing Onitsuka Tiger’s iconic stripes with Patou’s signature grosgrain accents, the sneaker is topped off with a removable charm of the brand’s tiger. The MEXICO 66 comes in playful colorways like pink and black, and beige with pink, blending contemporary style with a dash of whimsy. For those craving an extra dose of sweetness, the Mexico Rincan boots debut in a striking pink-on-pink ensemble. 

Beyond footwear, the collection extends to apparel and accessories, featuring unisex hoodies, t-shirts, socks, beanies and more. Anchored in Patou’s signature pink palette, these pieces seamlessly weave in Onitsuka Tiger’s sporty ethos. The collaboration logo ties it all together, a concoction of two distinct worlds.

From city streets to virtual dreamscapes, this collaboration redefines sporty femininity with a touch of Parisian flair. Find the collection now at Onitsuka Tiger’s Regent Street store and online. Shoppers are able to reserve a slot to explore the collection in-person via this link. Open from November 20, 2024 – December 22, 2024. 

Jacquemus continues its global expansion with the grand opening of its latest standalone store in London’s prestigious New Bond Street. Following successful launches in Paris, Dubai, and New York City, the new space is a testament to the brand’s soaring popularity and coastal aesthetic.

Creative director Simon Porte Jacquemus has launched the brand’s first flagship store in the UK, within a historic Victorian-style building adorned with an intricate frieze by artist Alexander Stoddart. Designed in collaboration with the renowned Dutch architecture firm OMA, the store’s interior juxtaposes the grandeur of Victorian architecture with a minimalist, Mediterranean-inspired makeover. Soothing, sunlit hues and organic textures evoke the essence of southern France, creating a serene escape from the bustling London streets. Angular forms blend seamlessly with soft, curving walls, embodying the effortless elegance of the brand. This London boutique delivers more than just a shopping experience—it’s a Provençal retreat.

Jacquemus’ playful designs—think the iconic Chiquito bags, double ballerina heels, and draped collar jackets —have long captivated British fans of the brand. For Simon Porte Jacquemus, who fell in love with London’s vibrant energy as a teenager, opening a store here is a full-circle moment.

With its doors opening this month, the London flagship solidifies Jacquemus’ reputation as a global tastemaker. It offers a thoughtfully curated brand experience where the charm of Provence meets the dynamism of one of the world’s fashion capitals.

London-based jewellery designer Solange Azagury-Partridge is known for her artful take on jewellery that incorporates provocative themes, often characterised by bold and playful uses of colours and gems.
Marking her time in the industry–over 35 years–she has teamed up with Rizzoli to launch her first book, SOLANGE: Jewellery for Chromantics. Inside, expect plenty of storytelling (as with her jewellery), an exploration of her enchanting jewellery world, and her fantasy-filled creations. It’s no wonder then, that her pieces has gained a following with fashion and jewellery enthusiasts from Julianne Moore to Sarah Jessica Parker–loved for her avant-garde designs that set Solange apart from the traditional jewellery houses.
Solange’s love of language and connotations have become central to her creative process, and as such, inform the names of her lauded collections: Scribbles, Chromance, Platonic, Supernature, Regalia, Poptails, Stoned, Sentimentals, Hotlips and Metamorphosis.

Solange’s expressive rings, full of life with colour, remain her most famous creations, cue the Hotlips ring that was first designed in 1995, and has established its legacy in the permanent collections of the Victoria & Albert museum and the Musée Art des Décoratifs in Paris, amongst

other Solange pieces.

“Her brains, impeccable eye and ability to continuously think outside the box are qualities to
be marvelled at. There are no jewels that make me more excited than Solange’s. Never boring, always innovative and unlike any other,” says Adwoa Aboah.
Solange: Jewellery for Chromantics is published by Rizzoli priced at £73.00.Available to purchase at Dover Street Market – 18-22 Haymarket, London, SW1Y 4DG and via solange.co.uk.

Written by Felicity Carter

Art Basel Paris 2024 has made a triumphant return to the iconic Grand Palais, reclaiming its spot after two years at the temporary Grand Palais Éphémère. Set against the Beaux-Arts grandeur of the venue, the event featured notable VIPs like Brad Pitt, Emmanuel Macron and his wife Brigitte, and Natalie Portman mingling among the art elite. Opening day buzzed with energy as sunlight streamed through the Grand Palais’s restored glass roof, illuminating 195 galleries from 42 countries, reflecting Paris’s growing global art scene influence. Expanded programming included a partnership with Miu Miu and off-site exhibitions at the Domaine National du Palais-Royal and Petit Palais, blending Parisian culture with the international art market.

The fair’s structure featured the main Galeries section, the Emergence section for young artists, and Premise, a new platform for nine galleries with curated exhibitions. Standout works included Barbara Kruger’s Untitled (Long Life), Kati Heck’s Tip-Toe Echo, France-Lise McGurn’s Feather Lite, and Jack O’Brien’s Allowance, all exploring varied themes from media critique to authority. Other highlights were Linder’s The Red Shoes, Shuang Li’s The Guillotine (Future) on dystopia, and Mathis Altmann’s Mid-City III (Dionysian Revel), a diorama evoking a decayed, chaotic warehouse. Paulina Olowska’s Laura with Wolves brought feminine energy to Pace’s witch-themed booth.

A new addition, the Oh La La! initiative, encouraged galleries to rehang booths on Friday and Saturday, offering new works for discovery. As the fair rolled into the weekend, sales were successful, with White Cube leading with a $9.5 million Julie Mehretu sale. With its stellar programming, glamorous clientele, and buzzing atmosphere, Art Basel Paris 2024 solidified its place on the international art fair circuit.

Around Paris, satellite exhibitions echoed Art Basel’s energy. Highlights included Tales & Tellers by Miu Miu at Palais d’Iéna, a Chantal Akerman retrospective at Jeu de Paume, and the Reena Spaulings Collective’s critique on consumerism at Galerie Hussenot. The Surrealismé exhibit at Centre Pompidou also celebrated Surrealism with over 500 works.

With its stellar programming, glamorous clientele, and a buzzing atmosphere, Art Basel Paris 2024 solidified its place as a key destination on the international art fair circuit, blending Parisian flair with the unmistakable excellence of Art Basel.

Written by Sofia Hallstrom.

The Art Basel Shop, curated by Colette’s co-founder and creative visionary Sarah Andelman, was a standout feature at Art Basel Paris, bridging the worlds of art, fashion, and eco-conscious design. Located within the Grand Palais Éphémère, this unique retail experience presented a carefully curated collection blending artist-driven designs with sustainable craftsmanship.

Showcasing Andelman’s innovative approach, the shop featured exclusive collaborations that spanned sustainable fashion to one-of-a-kind art pieces. Key items included scarves by artists Claudia Comte and Marcel Dzarma, created in collaboration with Parley for the Oceans, an organisation dedicated to repurposing ocean plastic waste. Guerlain presented the world’s first signature art-fair branded fragrance, crafted in partnership with artist Julie Beaufils, which embodied a sensory experience inspired by art and nature.

Among the shop’s most compelling offerings was Martine Syms’ clothing line, developed with the support of Lafayette Anticipations. Syms’ collection brought a fresh perspective to wearable art, highlighting thoughtful, minimalist design that was both stylish and eco-friendly. Additional partnerships added unexpected twists: the Uniqlo x Musée du Louvre collaboration reflected a fusion of high art and accessible fashion, while Paris Saint-Germain Football Club joined in with art-forward pieces, showcasing its influence in both sports and contemporary culture.

By bringing together art and sustainability, the Art Basel Shop offered more than just merchandise—it embodied a movement toward mindful consumption. Andelman’s curation reflected a new chapter in retail, one that emphasised the values of conscious artistry. For visitors to Paris+, the shop provided a glimpse into a future where art and sustainability intersect seamlessly.

London Fashion Week marks its 40th anniversary this year, with thousands of city venues being transformed into fashion show spaces for one-night-only events. Stylish crowds have been out in full force for the Spring/Summer 2025 collections, showcasing both established and emerging talent for the upcoming season.

Here are some of Twin’s highlights.

Chopova Lowena

On Friday evening, Chopova Lowena invited guests to the derelict basement of Shoreditch Town Hall, and combined  playful references like the Wild West, can-can dancers, and Victorian Halloween costumes. Their signature carabiner clip kilts were ever-present, along with whimsical charm details. Titled “Chuckaboo,” the show had models racing through abandoned rooms accompanied by heavy metal soundtracks.

The English-Bulgarian duo debuted two collaborations: one with Asics, reimagining the GEL Quantum 360 VIII sneakers with butterflies, rhinestones, and flowers; and another with Hellmann’s Mayonnaise.  A version of the brand’s leather “Margaret” shoulder bag was designed to carry a jar of the much-loved condiment, complete with a Victorian silver spoon and Hellmann’s blue charm.

JW Anderon

At JW Anderson, restriction is liberation.

Grounded in just four materials—cashmere, leather, silk, and sequins—  Anderson’s SS25 collection featured echoes of previous designs, including optical illusion fastenings, buttery leather, liquid dresses, and oversized Argyle knits. 

The Irish designer’s typical absurdity shone through in structural dresses with exaggerated hems and oversized pullovers mimicking sleek bomber jackets.

Nensi Dojaka

Albanian-born designer Nensi Dojaka returned to the runway after a two-season break, unveiling her collaboration with Calvin Klein and launching her e-shop on the same day. Since her rise in 2019, including winning the LVMH Prize in 2021 and dressing celebrities like Beyoncé and Dua Lipa, Dojaka has quickly become one of fashion’s most sought after brands.

Her signature lingerie-inspired designs were on full display, featuring stretch tulle layers, micro-drapes, and intricate strapwork. Models also were seen sporting body-clinging knitwear dresses, and leather bustier dresses. 

“I think femininity is about embracing the contrast that lives within us: the balance between softness and strength,” Dojaka said in the show notes. This balance was undoubtedly at the core of her SS25 collection.

Scottish designer Charles Jeffrey has marked a significant milestone in his career, celebrating the tenth anniversary of his brand, Loverboy, by taking over Central London’s Somerset House. In a turbulent period for the UK fashion industry, Jeffrey’s infectiously joyful brand offers a beacon of innovation. 

Loverboy originated as a queer club night in east London, and has since evolved into a celebrated fashion label with a dedicated following.  Jeffrey has dressed notable figures like Tilda Swinton and Harry Styles.

The SS25 showcase was a testament to Loverboy’s signature queer-meets-punk identity, presented with unapologetic flair. Models, as if struck by Cupid’s arrow, tumbled down the runway in a captivating display. The collection featured oversized jumpers, shirts with arrows shot through, reimagined army and sailor uniforms, paired with Loverboy’s distinctive animalistic headgear, with peeling banana boots adding a playful touch.

Somerset House, which has housed his studio since 2016, was a fitting venue for this celebration. The event also inaugurated The Lore of Loverboy, a retrospective exhibition in the Terrace Gallery, chronicling the brand’s evolution from a queer club night at Vogue Fabrics in Dalston to a fashion powerhouse.

As the music dimmed and models exited backstage, American icon Beth Ditto returned to deliver a rousing rendition of Patti Smith’s “Gloria.” The 41 looks then danced up and down the runway, honoring Charles Jeffrey Loverboy’s decade-long journey. The SS25 collection celebrated bright, queer identities, encouraging bold self-expression and cherishing life’s fleeting moments.

Visitors can view The Lore of Loverboy exhibition from 8 June – 10 September 2024 at Somerset House. Tickets operate on a pay what you can scheme to ensure accessibility.

In her Autumn/Winter 2024 show, Dilara Fındıkoğlu unveiled 36 captivating looks, weaving a narrative of feminine allure and sensuality. Titled “Femme Vortex,” the collection was showcased within the unlit confines of St Luke’s Old Street Anglican church, a powerful setting for a collection aimed at dismantling patriarchal structures.

The runway spectacle featured a concoction of deconstructed tailored jackets, form-fitting corsets, and avant-garde accessories. Actress and style icon Hari Nef opened the show, dressed in a sheer white corset paired with a button-up shirt and blazer cinched together with a bold safety pin, accentuated by lace-up chokers and eye-catching belts.

Nodding to a lack of pockets in womenswear, the look, entitled “Female Territory” saw objects like a pen, lighter and watch stuffed in the bra cups.

Another look titled “Man License,” featured disheveled business attire juxtaposed with sheer corsets and latex opera gloves as the model carried a handbag cleverly crafted to resemble folded newspapers. On it read “OMG Dilara is doing a satanic orgy at a London Church.”

Each ensemble, meticulously curated by Dilara, exuded an aura of subversive elegance. In her show notes, the Turkish-British designer elaborated on her vision. “This is a manifesto for a world order born of an unrelenting vortex of femme energy; a way of being and feeling that transcends the parochial strictures of conventional masculinity.”

Amongst the stunning cast, notable personalities such as Richie Shazam and Lana Rhoades made appearances on the runway.

Dilara’s distinct aesthetic, characterised by its ethereal beauty tinged with an edgy and provocative undertone, evoked memories of fashion icon Alexander Lee McQueen’s groundbreaking work. Again, Dilara Fındıkoğlu has succeeded in crafting a collection that not only captivates with its aesthetic brilliance but also serves as a poignant reflection of societal norms and values, urging us to reconsider our perceptions of beauty and the feminine identity.

Reebok and London-based fashion label Aries have cast their creative forces together, unveiling their first footwear collaboration. 

 Since its founding in 2010, Aries has been renowned for its bold, genderless design philosophy and nostalgic nods to ’80s and ’90s culture. This January, the homegrown streetwear brand seamlessly joins forces with Reebok, a hallmark in global sportswear. The collaboration pays homage to the timelessness of the Classic Leather, a quintessential symbol of British style.

Drawing inspiration from mystics, wizards, and magicians, the Aries x Reebok Classic Leather features the Mystic’s Shoe tinted with Aries’ signature aqua and adorned with gold. Premium leather, nubuck accents, reflective features, and Aries’ gold foil wizard graphic are just a few of the design elements that make this collaboration truly mystical.

Packaged in an exclusive custom shoe box with additional gold detailing, the Aries x Reebok Classic Leather invites wearers to embrace the mystique and craftsmanship of this iconic collaboration.

Aries Creative Director and Founder Sofia Prantera expressed her excitement, stating, “Reebok’s Classic Leather is such an important symbol of British style, so it was very flattering to be asked to interpret it.” The challenge, as she sees it, is to infuse an Aries twist without compromising the shoe’s inherent simplicity.

The Aries x Reebok Classic Leather is available January 19 exclusively from

Aries (ariesrise.com) and the Aries flagship store followed by a wider global release on January 24 from Reebok.com and select specialty retailers.

East London-based rapper Chase Tha Worst has been catching the internet’s ear with a stolid and infectious flow. Hailing from Trinidad and Tobago, he’s carved his own distinct aesthetic and sound; an intoxicating blend of hip hop and funk, challenging conventions and offering a fresh perspective. That same spark is on display on No Friendz, his new single and video out now.

Last week, the rapper and producer released his debut album Tha Worst Mixtape. Tongue-in-cheek lyricism and effortless delivery can be heard drifting across his 10 self-produced songs, crossing into different genres. In No Friendz, Chase channels an energetic and laid back flow, coupled with striking visuals shot in London. 

“I think in current times, music alone is not enough. I wanted to use all the creative fields I love- music, creative direction and comedy to bring the project to life and create a world around it,” says Chase.

Speaking further on his debut, “I hope that it inspires others to do the same. I hope to bring some originality and craft to not just the music but all that surrounds it – the promos, the videos, the visual identity. I think that a lot of people are caught up with trends and numbers. How do I get famous? How do I make my next song blow up? A lot of people are trying to use a formula but it’s killing the art form. I hope to inspire other artists to stop trying to feed algorithms, stop jumping on trends, and make what they really want to make.”

You can watch the official No Friendz video here, out now.

Designer Yasuko Furuta’s Tokyo-based luxury label, TOGA, is set to launch a collaborative collection with the American workwear brand Dickies. The lineup showcases timeless silhouettes infused with a Japanese Americana flair, drawing inspiration from TOGA ARCHIVES.

The collection is available from October 27. Click here for more details

Hypha Studios (HS) and Creative Land Trust (CLT) have come together to unveil MELT as part of Frieze 2023. The exhibition shines a light on 32 artists and creatives who have flourished through the support of these visionary organisations

The brainchild of Camilla Cole and Will Jennings, Hypha Studios emerged as an idea during the pandemic, prompted by the three-sided problem of increasing high street vacancies, loss of community spaces and deteriorating conditions for artists and creatives.

Set against the backdrop of London’s effervescent creative landscape, MELT stands as a testament to the city’s vibrant artistic spirit. The exhibition’s centerpiece features CLT’s remarkable studio holders from the Wallis Road site, including luminaries like Shiori Akiba, Enej Gala, and Zarina Khan. Notably, CLT’s esteemed ambassadors – Adelaide Damoah, Haroon Mirza, and Emmanuel Unaji – also take center stage, championing the cause of creating fertile ground for artists to thrive. Augmenting this eclectic gathering are Hypha Studios’ very own talents, comprising Margaret Ayres, Luca Bosani, and Kialy Tihngang.

The exhibition’s title, MELT, pays homage to the legendary FREEZE exhibition curated by Damien Hirst in 1988—a pivotal moment that reverberates through the current era of creative evolution.

Creative Land Trust’s mission revolves around the acquisition, preservation, and protection of long-term affordable workspaces for artists, while Hypha Studios facilitates free short-term studio and exhibition spaces for artists, in exchange for a public program that enriches local communities.

MELT marks a significant milestone as the inaugural exhibition at Hypha Studios’ brand-new central London location, Regent’s Place, as part of a transformative three-year partnership with British Land.

MELT will be open to public Monday 9th – 22nd October 2023, 12 – 6pm daily at Unit 3, Euston Tower, 286 Euston Road, London NW1 3DP

British shoe and accessories designer, Sophia Webster has just released a coffee table book.

Famed for her iconic butterfly heels, Webster’s eponymous footwear label was dubbed the shoe world’s new rising star since its inception in 2012, counting fashion’s key retailers -Dover Street Market, Harvey Nichols and net-a-porter.com as stockists. 

In Oh My Gosh, I Love Your Shoes!, Sophia shares an intimate narrative that unveils the highs and lows of a remarkable decade spent shaping the landscape of shoe-making and fashion. 

The book is part memoir, part homage to the world of high heels and haute couture. Sophia Webster takes the reins, recounting her captivating story in her own words. 

Oh My Gosh, I Love Your Shoes! launches October 5th. You can find out more here.

This coming fall, Offer Waterman Gallery will unveil On Foot, an exhibition curated by Jonathan Anderson. 

On Foot will bring contemporary artists into dialogue with iconic works of modern British art, from the likes of seminal artists Igshaan Adams, Frank Auerbach, and Lynette Yiadom-Boakye amongst many others.

Also on display will be Anderson’s pieces from recent seasons for JW Anderson and LOEWE, each hand-picked for its sculptural and transformative forms.

The exhibition transforms the galleries of Offer Waterman into the iconic streets of Mayfair and Soho, unfolding like a walk-through London. From your local watering hole to garden squares, the gallery’s corridors and stairways will transform into the city’s traffic-clogged streets, and busy pavements, with ceramics and sculptures representing the city’s energetic crowd. You may even spot JW Anderson’s pigeons taking over what was once the gallery’s storeroom.

British artist, Anthea Hamilton, has collaborated with JW Anderson to present a limited-edition version of the iconic pigeon clutch which will be available at both Offer Waterman and the JW Anderson Soho store.

The exhibition will open on September 18, two days after Anderson presents his S/S 2024 womenswear collection for JW Anderson as part of London Fashion Week on 16 September.

JW Anderson at Offer Waterman On Foot runs from 18 September – 28 October 2023. 

jwanderson.com

Highly acclaimed British artist, Tomo Campbell, has announced his latest exhibition, Spitting Feathers. From September 14th, the Cob Gallery will host Campbell’s exceptional works, marking his third solo exhibition at the coveted venue and promises to captivate art enthusiasts and connoisseurs alike. Spitting Feathers will showcase his most extensive collection yet, displaying an intricate fusion of past, present, and future themes.

Collected by notable figures such as Harry Styles and Alexa Chung, Campbell has garnered attention for his unique artistic voice that seamlessly blends the classical with the contemporary. His creative journey navigates the delicate balance between abstraction and figuration, weaving a narrative that delves into timeless subjects such as the hunt, parades, and exploration. What sets his art apart is his distinctive style, characterised by an interplay of bold and layered arrangements in soft pastel hues reminiscent of the elegant Rococo era.

Inspired by a diverse array of source material, the exhibition invites viewers to step into a realm where tradition meets innovation.

As we await the official reveal, it’s clear that Tomo Campbell’s creative prowess continues to make waves across London’s creative landscape. Spitting Feather opens to the public on Thursday 14 September and will be on view until Saturday 7 October.