GUCCI Presents, “No Space , Just A Place”

13.05.2020 | Art , Blog | BY:

One of Gucci’s last exhibitions was their iconic collaboration in Maurizio Cattelan two years ago in Shanghai which gained much critical acclaim. Which is why we’re so excited for their latest venture. The house has returned to the content in the city of Seoul for their recently opened exhibit entitled “No Space, Just A Place.” Gucci’s Artistic director Alessandro Michele teamed up with curator Myriam Ben Salah to create a visual story which pays homage to the city’s art and culture. 

Hosted at the Daelim Museum, the showcase poses questions of cultural identity, nonconformity and belonging at the hands of several local Korean artists and institutions including d/p , the Boan1942, Hapjungjigu, OF, space illi, Tastehouse, Post Territory Ujeongguk , White Noise as well as the likes of some international artists like Meriem Bennani, Cecil B. Evans , Martine Syms, Olivia Erlanger & Kong Seung. 

Each project within the exhibit opens a door to an alternate world, as an exploration of several dimensions of utopia. Among the project titles included in the showcase are ‘Psychedelic Nature’ by Boan1942; ‘Secret of Longevity by White Noise which is a exploration of collaboration among artists and  ‘Swimming QFWFQ’ by space illi which speaks on what society deems natural through the eyes of female artists. The exhibition is one that is sure to leave it’s audience thinking for hours and even days, and as a result of the COVID outbreak m the house has managed to treat us to virtual rendition of the exhibit which can be viewed here. The physical exhibit is currently active and will run until July 12th, for more information visit No Space, Just A Place.

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“Inside Helmut Newton 100″ – A Digital Initiative

07.05.2020 | Art , Blog | BY:

Helmut Newton is known by many as one the most dexterous photographers of the 20th century. His notorious black and white work pushed the boundaries for fashion and fine-art photography, as he was one of the pioneers to explore themes such as sexuality and femininity within fashion.  The Newlands House Gallery was recently opened which is a space located in Petworth dedicated to contemporary art, photography and design. 

The space’s inaugural exhibition titled HELMUT NEWTON 100, which debuted in March was temporarily closed as a result of the current health crisis, but in response the gallery has introduced “Inside Helmut Newton 100.”

Curated by the gallery’s artistic director, auctioneer, art dealer and DJ Simon De Pury, the digital exhibition features a virtual tour of the exhibition which can be viewed via instagram and facebook as he takes the audience through the collection of iconic portraits, landscapes and fashion images, as well as glimpses of some never before seen artwork from the photographer.  The virtual initiative will also feature a section titled “friends of Helmut” which will engage some of the photographer’s friends such as Mary McCartney & Juergen Teller in discussion . Keep up with gallery’s digital endeavours by following Newlands.House.Gallery.

Jenny Capitain, Pension Dorian, Berlin, 1977’ by Helmut Newton
Neewlands House Gallery by Elizabeth Zeschin
Neewlands House Gallery by Elizabeth Zeschin

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Musée des Arts Décoratifs : “Christian Dior, Designer of Dreams” Virtual Tour

23.04.2020 | Art , Blog , Fashion | BY:

French Maison Christian Dior recently launched a virtual tour to their latest exhibition’s in partnership with Musée des Arts Décoratifs. Titled “Christian Dior: Designer of Dreams,” this exhibition traces the impact of one of the 20th century’s most influential couturiers while exploring the works of the six artistic directors who succeeded him.

“There is no other country in the world, besides my own, whose way of life I like so much. I love English traditions, English politeness, English architecture. I even love English cooking,” a quote from Christian Dior. The designer deeply admired the British  way of life, even his first fashion show took place at London’s Savoy Hotel and he then later established the brand as Christian Dior London. 

The exhibition also gives insight to Dior’s creative collaborations with jewellers, shoemakers, and glove makers as well as a focus on some of his earliest elite clients. These include author Nancy Mitford, dancer Margot Fonteyn and a special highlight of the Christian Dior dress worn by Princess Margaret for her 21st birthday. The exhibition will presents over 500 objects and over 200 rare Haute Couture garments displayed alongside the designer’s personal possessions. The virtual show reveals the sources of inspiration which help define the Dior aesthetic, from the intricate designs of Yves Saint Laurent to Maria Grazia Chiuri’s feminist vision. Discover the link to the virtual showcase below.

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Life Doesn’t Frighten Me -Michelle Elie Wears Comme Des Garçons

16.04.2020 | Blog , Fashion | BY:

Later this month, Frankfurt based museum Museum Angewandte Kunst is set to open doors to their latest exhibition in collaboration with Haitian couture icon Michelle Elie and Paris based label Comme des Garçons. During the past few seasons, many have noted Elie as one of the reigning queens of Couture Week as she can always be spotted in the streets and in the front rows serving the most inspiring yet flamboyant looks, many of which often happy to be Comme Des Garçons.

“Life doesn’t frighten me” traces the her journey in fashion and the spark of her love story with the brand beginning with her first purchase in 1997 from the brand’s Body Meets Dress, Dress Meets Body collection, to her fondness of how the brand’s clothing shaped her body during her first pregnancy, to the vast collection of pieces she holds in her closet today. The exhibition will showcase all of the key pieces that speak to her by means of defying ideal standards of beauty and body, while also touching on themes of representation not just in the world of Couture but fashion in general. Which was why she opted for each piece in the showcase to be worn by custom-made black mannequins made to resemble her. 

The exhibition was set to open on April 2nd, but as a result of the current health crisis the opening has been pushed back to April 19th and will run until August 30th 2020. In the meantime the Museum’s director Prof.Matthias Wagner K and curator Dr. Mahret Ifeoma Kupka invites guests to virtual opening where one can get a taste of the exhibition online through the museum’s instagram channel. 

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To Survive On This Shore – A Compelling Visual Documentary of the Older Trans Community

13.03.2020 | Art , Blog , Culture | BY:

All images are Courtesy of the Catherine Edelman Gallery, Chicago

Cover Image: Hank, 76, and Samm, 67, North Little Rock, AR, 2015

Over the past five years photographer Jess T Dugan and social worker & professor Vanessa Fabbre traveled throughout the United States in documentation of the stories and imagery of transgender and gender nonconforming older adults in the country. Traveling from coast to coast , the duo sought out subjects whose experiences of life exist in the intersections of gender identity, age , race , ethnicity , sexuality, socioeconomic background &  geographic location. The result of their venture, a moving body of work giving voice & visibility to an underrepresented group of older individuals with a wide variety of narratives spanning throughout the last ninety years, offering a historical record of transgender experiences & activism in the USA in the form of a book and several exhibitions. 

“So many trans-related stories in the media are about people being murdered orare about discrimination of some kind. With this project, I wanted to create representations of many different ways of living and aging as a trans person. I also wanted to record the history of people who, in many cases, paved the road for the world we live in now. I worried their stories were at risk of being lost or forgotten, and I wanted to record and preserve them,” explained Jess T. Dungan.

“For me, part of the inspiration for this project also came from thinking about the limits of knowledge dissemination in the social sciences, especially in terms of our ability to engage in broader cultural forces and public discourse. I saw the potential to make an impact beyond academia by creating this project together, ” added professor Fabbre.

Each story, each image captured and included in the photo series, shines a brighter light on stories that have been long overlooked, and in many ways creates blooms of hope and validation for onlooking generations of trans individuals.

Dee Dee Ngozi, 55, Atlanta, GA, 2016

“This coming into my real, real fullness of knowing why I was different is because I was expressing my spirit to this world. And I didn’t know how God felt about it, but I believe in God and I have a deep spiritual background and I talk with the Holy Spirit constantly who’s taken me from the Lower West Side doing sex work to being at the White House.” – Dee Dee Ngozi .

Sky, 64, and Mike, 55, Palm Springs, CA, 2017

One of the hardest things in terms of transitioning was the difference in personal space. When I was perceived as female, there wasn’t a lot of touching. Women don’t get into each other’s space. When two women are attracted to each other they don’t immediately put their hands on the other woman’s body. It’s not considered appropriate. Whereas the way men cruise, there’s about two seconds of eye contact, and then an approach, and either hands on your chest or hands in your crotch or some other type of immediate physical contact.I started out with a lot of insecurity in terms of my body, insecure about myself, and it has taken time to build confidence.” – Mike

Duchess Milan, 69, Los Angeles, CA, 2017

“I just know I’m me. I don’t think in terms of names and forms and all that. It doesn’t matter.I’m just myself and that’s who I am.I am at peace with myself. It is the most wonderful feeling in the world because you’re never in a hurry to get somewhere, you know, to prove to anyone that you’re who you know you are. I know who I am, and what other people think about me is none of my business. So that’s who I am. I identify as the Duchess.

I knew that I might lose family, that people might reject me. But I weighed that, and I thought,“If I lose everything and everybody, but I keep me, that’s all that matters. That’s all that matters, because I’m not going to live a life that I’m not happy in, for other people.Why?It doesn’t make any sense.”So I put my money down and took my chances. My family accepted me. They came to accept me, and I’ve had kids around me, I’ve gone to all the weddings, all the funerals, and it’s a situation that everybody just thinks of me as who I am. It’s not even an issue anymore. “Oh, you mean her? Oh, that’s just Auntie.” – Duchess Milan

David, 63, Hull, MA, 2015

“When I was five years old,I found my older brother’s first communion suit. It was a very cool looking suit, white and double-breasted, and it fit me perfectly. I wouldn’t take it off.I wore it everyday. Day in and day out, until my parents got so tired of seeing it on me, they turned it into a Halloween costume as a way to get rid of it.When I was older,I played in this little rock band and one time whenI was over at my friend’s house I heard his mother mention a story about a person named Christine Jorgenson who had “changed sex.”I couldn’t keep my mind on practice after that!I wanted to find out more about this person, but you couldn’t Google it, of course, and so it took me months to find it. I was finally able to piece together that this was a person who knew their gender and went somewhere and there were people who could help.” – David

SueZie, 51, and Cheryl, 55, Valrico, FL, 2015

When we got married, I never imagined that someday my husband would become my wife,” Cheryle said. “Right from the start, SueZie confided that she identified as female on the inside, but transition never appeared to be an option. But, I never had a problem with her wearing lingerie. You know, it’s just clothes. I fell in love with the person inside, and what’s on the outside is more about what they feel comfortable with.”

For more information on the ongoing exhibition and book purchases visit To Survive on This Shore.

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Museum of Contemporary Art Chicago – Duro Olowu: Seeing Chicago

12.03.2020 | Art , Blog | BY:

Recently the Museum of Contemporary Art Chicago (MCA) opened it’s doors to its latest exhibition entitled Duro Olowu: Seeing Chicago. Curated by internationally acclaimed Nigerian-British designer Duro Olowu known for his womenswear label, the exhibition is a recollection of the public and private art pieces of Chicago which are anchored by the MCA’s art collection.

The exhibition is a conversation, a map between artists, media and geography which using a combination of paintings, sculptures, photographs and films in layered textured scenes to incorporate fashion. On the ocassion, Olowu engaged with numerous institutional and private collections in Chicago and selected artworks that reflect mutual ways of seeing, selecting, and acquiring across the city, which he curated  in manner to reveal unexpected connections, patters and common interests in  ‘salon-style,’ using vertical wall space and playful combinations to place works in surprising conversations with one another. Olowu has organized the show to prioritize aesthetics and the visual experience of the visitor, with wall colours including saturated shades of orange, purple, and teal – inspired by the exhibition. 

Duro Olowu: Seeing Chicago is currently underway at the MCA and will run until May 10th.

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Hen’s Teeth: HONEY DIJON -Black Girl Magic

05.03.2020 | Art , Blog , Culture | BY:

This evening Hen’s Teeth London launches their latest production HONEY DIJON: Black Girl Magic with Marina Esmeraldo at Dover Street Market which will be followed by an exhibition at the Hen’s Teeth Dublin 8 Gallery. 

The project is a celebration of six black iconic female music icons handpicked by DJ Honey Dijon herself with large-scale neons crafted by Brazilian artist and collaborator Marina Esmeraldo . 

The graphic neon pieces with powder coated aluminium backing feature the likes of names such as Chaka Khan, Diana Ross, Grace Jones, Sade, Erykah Badu and Sylvester and also in limited edition A2 & A3 giclée prints, canvas totes and postcards which will be onsale at DSM and online the Hen’s Teeth website post launch. 

Speaking about the concept for the show, Greg Spring, creative director at Hen’s Teeth, said: “This is Hen’s Teeth’s first big international show and the first in a series of planned exhibits that will see us creating shows with musicians and artists who have never curated shows before. To be doing it with our longtime collaborator Marina Esmeraldo and Honey Dijon, an icon in her own right, who has collaborated with COMME des GARÇONS and Dior in the past year and now Hen’s Teeth, is an unbelievable honour.”

Visit Hen’s Teeth for further details.

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Camera Nazionale Della Moda Italiana – MEMOS: On Fashion in This Millenium

02.03.2020 | Art , Blog , Fashion | BY:

Late last month during Milan Fashion Week , the Italian chamber of fashion Camera Nazionale Della Moda Italiana launched an exhibition entitled Memos on Fashion in this Millenium, in collaboration with Museo Poldi Pezzoli and with the support of the Italian Ministry of Foreign Affairs and International Cooperation.

The exhibition was inspired by the series of lectures written by author Italo Calvino  called Lezione Americane which he was set to give at Harvard in 1985, but was never given the chance as a result of his sudden death. During the time, his wife opted to publish the lectures with the author’s original title, Six Memos for The Next Millenium. 

Calvino’s work inspired the exhibition simply because it poses the question  as to whether fashion, as a cultural industry, a communication system, a rich, hybrid yet problematic terrain, be considered a scientific and a poetic practice, and therefore naturally literary? By using his words as a guide , the exhibition takes its audience through a guide throughout the history of fashion by way of memorable images and garments created with deeper meanings to them. 

Featuring a collection of garments, images, objects, magazines that serve as a part of fashion history by designers and creators such as :

Giorgio Armani,  J.W. Anderson for Loewe, Arthur Arbesser, Demna Gvasalia for Balenciaga, Boboutic, Riccardo Tisci for Burberry, Karl Lagerfeld for Chanel, Gabriele Colangelo, Maria Grazia Chiuri for Dior, Marco de Vincenzo, Fendi, Maria Sole Ferragamo, Paul Andrew for Ferragamo, Alessandro Michele for Gucci, Maison Martin Margiela, Francesco Risso for Marni, Noir per Moncler Genius, Moschino, MSGM, Fausto Puglisi, Prada, Pier Paolo Piccioli for Valentino, Giambattista Valli, Random Identities Versace and Zegna, all of whom help to shape the 3 dimensional structure of the exhibition’s aesthetic visually designed by Stefano Tonchi.

The exhibition is now underway at the Museo Poldi Pezzoli in Milan and will be open until the 4th of May.

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Signature African Art: The Way We Were by Oluwole Omofemi

29.02.2020 | Art , Beauty , Blog , Culture | BY:

Cover image : Oluwole Omofemi, ‘Omonalisa II’, Oil and acrylic on canvas, 121 x 121 cm, 2019. Courtesy Signature African Art

Mayfair based art gallery Signature African Art is set to open it’s new space with an exhibition by Nigerian artist Oluwole Omofemi entitled The Way We Were . In the words of the artist herself , the exhibition will be a celebration of Afrocentric pride and a reflection on the post colonial era. Throughout the exhibition Omofemi explores the importance of black hair in the black community as a call for people to assert their own identity through their own stories and shedding traces and definitions of identity left from colonialism.  

The artist also references more recent times regarding The Civil Rights Movement of the ‘60s and ‘70s and the natural hair movement that came with it, made popular by icons such as Diana Ross , Jimi Hendrix and Angela Davis. 

Throughout her work hair is a metaphor for something deeper , a level of freedom prized with the owning of ones own identity, very much similar to the significance and thought process of black woman choosing to keep or go natural in the community. Rendered in oil and acrylic, her paintings at times have simple primary coloured backgrounds, which lend them a vivid Pop Art sensibility; in others, a darker mood is created, referencing the works of the Old Masters.

Located in Davies Street, Mayfair, Signature African Art was founded by Rahman Akar. Of its first show, he says: “We are delighted to be opening a space in London, and thrilled that Oluwole Omofemi, one of Nigeria’s most compelling young artists, is our first show. In addition to his mastery of composition, his works are at once both celebratory and deeply thought-provoking.”

The Way We Were exhibition opens on the 12th of March at the Signature Art Gallery in Mayfair, it will run until the 9th of April.

Oluwole Omofemi, ‘Root II’, Oil and acrylic on canvas, 121 x 121 cm, 2019. Courtesy Signature African Art
Oluwole Omofemi, ‘Omonalisa’ Oil and acrylic on canvas, 121 x 121 cm, 2019. Courtesy Signature African Art
Oluwole Omofemi, ‘Root III’, Oil and acrylic on canvas, 121 x 121 cm, 2019. Courtesy Signature African Art

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Tallawah: A Jamaican story by Jawara & Nadine Ijewere

17.01.2020 | Art , Beauty , Blog , Culture , Fashion | BY:

Later this month photographer Nadine Ijewere and hair stylist Jawara will reveal an exhibition titled Tallawah in collaboration with Dazed Beauty at the Cob Gallery in London.

The showcase takes it’s name from the Jamaican patois word Tallawah, which means small but nonetheless fearless and strong-willed. Throughout the exhibition, Jawara explores his childhood of growing up in Kingston during the peak of Dancehall culture and the influence of creativity in the fashion & hairstyling by the women around him. For photographer Nadine Ijewere, she dives into her Nigerian-Jamaican heritage and aims to paint an image of the stories shared by her mother about the island of Jamaica. 

“This project is very close to my heart,” said Ijewere in a statement. “It was empowering to be able to explore part of my heritage by photographing these beautiful, strong people. The relationship between hair and identity is one I wanted to capture and celebrate – it’s a story that’s important to tell.”

Jawara added: “Small but Strong. Likkle but Tallawah. The strength and beauty of Jamaica.”

Tallawah opens it’s doors at the Cob Gallery in London on January 23rd and will run until February 1st. 

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Theaster Gates: “Amalgam” at Tate Liverpool

02.01.2020 | Art , Blog | BY:

Cover Image: Theaster Gates: Amalgam, installation view at Tate Liverpool© Mark McNulty

American  social and practice installation artist Theaster Gates has opened his first major UK exhibition in collaboration with Tate Liverpool. Titled Amaglam, the exhibit explores the complex issues of race, territory and inequality in the USA. 

More specifically, the artist zooms in on the history of Malaga, a small island off the coast of Maine which served as home to an ethnically mixed community in the 19th century. Close to the end of their time, the inhabitants were forced to leave the mainland sans any offerings of housing jobs or support. Amalgam explores this narrative using a combination of sculpture, installation, film and dance.  An accompanying film , dubbed Dance of Malaga 2019, features the work of acclaimed American dancer Kyle Abraham as well as the artist’s musical collective – The Black Monks , who produce the film’s score. Their music also echoes throughout the exhibition . Theaster Gates: Amalgam is currently on show at Tate Liverpool until May 3rd 2020.  

Installation View of Amalgam at the Palais de Tokyo, Paris © Theaster Gates , Photo: Chris Strong
Installation View of Amalgam at the Studio of Theaster Gates © Theaster Gates , Photo: Chris Strong

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Keith Haring | Jean-Michel Basquiat: Crossing Lines by The National Gallery of Victoria

20.12.2019 | Art , Blog , Culture | BY:

Cover Image: John Sex, Jean-Michel Basquiat and Keith Haring at AREA Club, New York, 1985
Photography © Ben Buchanan

The 1980’s in New York City was a period known for several genres of creativity including music, fashion and of course art. There exists a fair share of names who have all helped define contemporary art as it is today, but two of the most prominent influential names are Jean Michel Basquiat and Keith Haring.

Which is why the National Gallery of Victoria in Melbourne has presented the work of the two artists in an exhibition entitled Keith Haring | Jean-Michel Basquiat: Crossing Lines.

The exhibition offers interesting insights into the artists’ unique visual languages, and reveal for the first time, the intersections between their lives and ideas throughout their friendship. Curated by Dr Dieter Bucchart, it features over 200 artworks including samples of their work to exclusive collaborations as the audience is given a glimpse inside their star studded world with names like Grace Jones , Andy Warhol and Madonna. The exhibition is currently open to the public and will run until the 13th of April 2020. For more info visit NGV

Grace Jones body painted by Keith Haring, New York, 1985 Art © Keith Haring Foundation Photography Tseng Kwong Chi © Muna Tseng Dance Projects
ean-Michel Basquiat in his studio at the Annina Nosei Gallery, May, 1982Photography © Marion Busc

“Ishtar” (1983), synthetic polymer paint, wax crayon and photocopy collage on canvas and wood – Jean-Michel Basquiat Artwork © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York, from Collection Ludwig, Ludwig Forum für Internationale Kunst, Aachen

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“The Hoodie” – An exhibition by the Het Nieuwe Instituut

14.12.2019 | Art , Blog , Culture , Fashion | BY:

If one was to compose a list of the most political articles of clothing in modern day fashion, the hoodie would undoubtedly be in the top five of that line up. The garment which went through it’s prime evolution period with Champion in the 1930’s has grown to tell a variety of several narratives including perspectives in music, subculture, androgyny, gender fluidity and most pressingly tales of social equality. Throughout the past two decades with the aid of the media, the hoodie has come to be accused as the narrators in many cases of police brutality & racism. 

“The Hoodie” exhibition, recently opened at the Het Nieuwe Instituut Rotterdam curated by water and curator Lou Stoppard is an in-depth mixed media showcase involving artworks, garments, printed matter, digital footage, social media posts and other cultural artefacts to tell the story of the garment’s history in society.

It explores and examines conversation themes which enable its viewer to consider and reflect on the hoodie’s complicated relationship with contemporary culture from streetwear icon to workwear to political garment. It features work from a lineup of seminal artists and photographers including David Hammons , Campbell Addy, Sasha Huber, John Edmonds & Lucy Orta as well as brands such as Rick Owens, Off-White, VETEMENETS and Vexed Generation.  The exhibition will run until April 2020 and will also be accompanied by a digital magazine featuring specially commissioned essays, interviews and visuals. 

‘February II, 2019’ by Devan Shimoyama
‘EUnify – Berlin 2019’ by Ari Versluis & Ellie Uyttenbroek,  Exactitudes 168 

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The New Black Vanguard -Photography between Art and Fashion

06.11.2019 | Art , Blog , Fashion | BY:

Cover image: Renell Medrano, Untitled, Harlem 2017

A few weeks ago, NYC based not-for-profit foundation Aperture opened its doors to The New Black Vanguard — an exhibition of photography between art and fashion curated by Antwaun Sargent. 

The New Black Vanguard is a visual  documentary of fifteen artists who works fuse the genres of art and fashion through innovative perspective. It compiles the images of these talents that have recently been on reign in magazines,  ad campaigns & museums across the world , be it New York, London, Johannesburg or Lagos.  Each piece of work opens up conversations from different perspectives around the roles of the black body and black lives as a subject matter, collectively celebrating black creativity in fashion and art.

Not only through the hands of photographers, but stylists, designers and other creatives as well. The exhibition includes selected works from photographers including Campbell Addy, Arielle Bobb-Willis, Micaiah Carter, Tyler Mitchell, Daniel Obasi, Justin French and a few others. It will be open throughout the rest of the year and will come to a close on January 18, 2020. For more information visit Aperture. 

Jamal Nxedlana, Late Leisure, 2019
Campbell Addy, Adut Akech, 2019
Dana Scruggs, , Nyadhour, Elevated, Death Valley, California, 2019

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Ingrid Deuss Gallery presents : “When I saw the mountains for the first time, I thought they were clouds ” by Joost Vandebrug

01.11.2019 | Art , Blog | BY:

Later this month, Antwerp based Gallery Ingrid Deuss Gallery is set to present an exhibition by Dutch photographer and filmmaker Joost Vandebrug. The showcase, titled “When I saw the mountains for the first time, I thought they were clouds,” will feature fifteen of Vanebrug’s photographs made between 2011 and 2018 when he immersed himself in the street life of Romania’s capital, Bucharest. 

The images are an honest documentary of the photographer’s six years spent, where he captured the daily lives of the street children of the city. The photo series represents an extension of his acclaimed film “Bruce Lee and the Outlaw (2018)” where he followed the life of the young Nicu who becomes his muse as well as his guide to the emotional underworld of homeless children and people protected under the wings of Florin Hora, a.k.a Bruce Lee. 

All the images for the exhibition will be showcased on Japanese washi paper, which helps in showcasing a similar unpredictability and vulnerability related to the way in which the photographer experienced the project in Romania.

The exhibition will open its doors on November 24th and will run until January 25th. 

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“Nearness” – an exhibition in celebration of British Black History Month

24.10.2019 | Art , Blog , Culture | BY:

Imagery courtesy of Ronan Mckenzie

This evening Brixton Village will celebrate UK Black History month with an exhibition curated by British acclaimed designer Bianca Saunders. The showcase, titled ‘Nearness’ is a pop up installation that explores black creativity in a vast variety of forms. It will include the works of multi-disciplined filmmaker & video artist Akinola Davies Jr, fashion designer Jazz Grant, poet and director Caleb Femi as well as photographer director and curator Ronan Mckenzie. 

“As London continues to grow and evolve in this age of gentrification, we need to keep stoking the fires of multiculturalism and inclusivity by celebrating creativity in up and coming areas. 

The concept of this exhibition is something that speaks to me on a personal level — supporting other artists of colour in London. I reached out to each of these artists personally, based on their unique creative vision: my favourite multidisciplinary talent from the community that enriches London’s culture dialogue,” explained curator Bianca Saunders. 

The exhibition will open it’s door tonight at 6pm at the Market Row in Brixton and will run until the evening of October 27th.

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Thierry Mugler: Couturissime at Kunsthal Rotterdam

18.10.2019 | Art , Blog , Fashion | BY:

Cover Image: Manfred Thierry Mugler , Photo by Max Abadian

Last spring Montreal Museum of Fine Arts launched an exhibition at its headquarters in collaboration with the Clarins Group and the Maison Mugler. The exhibit titled “Theirry Mugler: Couturissime” showcases some of the work of the great French creator Thierry Mugler through his time as a couturier, director, photographer and perfumer with a special focus on his ready-to.wear and haute couture creations. After closing its doors in Montreal, the exhibition has now found its way to the Kunsthal Museum in Rotterdam having opened only a few days ago. 

It features over 140 ensembles, many of which are being put display for the very first time since their creation between 1973 and 2001, with an additional collection of stage costumes, videos and sketches. Of course imagery also plays a major part, as the photographs of industry icons such as Avedon, Bourdin, Goude, LaCapelle, Newton, Ritts and Isserman have been curated all around the gallery to give an even wider perspective of the mythical extravagance which surrounded and still surrounds the designer.  

“I have always been fascinated by the most beautiful animal on Earth: the human being. I have used all of the tools at my disposal to sublimate this creature: fashion, shows, perfumes, photography, video… I am not a person who dwells in the past, but the MMFA, through Nathalie Bondil, was the first to propose to me to stage my creations and imagine together a free, global and reinvented artistic vision. How could I refuse?” said creator Manfred Thierry Mugler. 

Thierry Mugler: Couturissime is only display at Kunsthal Rotterdam from October 13th 2019 to March 8th 2020. 

Yesmin Le Bon wearing Thierry Mugler photographed at the London Palladium for ES Magazine
Patrice Stable, Outfit by Thierry Mugler
Helmut Newton, Outfit by Thierry Mugler
David LaChapelle, Outfit by Thierry Mugler

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Jamea Richmond-Edwards presents Prom Night at the Kravets Wehby Gallery

09.10.2019 | Blog | BY:

Cover Image : Fly Whips and Fly Girls, 2019

We all know of the commemorative event that signals towards the end of teen hood as being high school prom night. If we haven’t witnessed it first hand, then we’ve lived vicariously through the likes of films as old as Grease or as recent as High School Musical. But why is it that this event is such a milestone ?  

Later this month, New York based gallery Kravets Wehby will present an exhibition by American artist Jamea Richmond-Edwards that gives interesting insight on the momental event as a ritual for black American teenagers.

 Opening on October 17th , the artist will take her audience on a visual journey of paintings as she explores the question of why prom is such a right-of-passage for Black America.  Each of the artist’s paintings tells a story that hints to the bilateral perspectives surrounding the event. In her piece “Fly Whips and Fly Girls,” she depicts two prom goers posed against their cars ( a photo op. that has become somewhat of a staple on prom night ), implying a sense of autonomy. In another painting, “Seated Girl on Serpent Thrown with Stink Pink Gators,” Richmond-Edwards nods in references to her Southeastern American heritage through the girl’s pink alligator boots. Each painting tells a different story and offers an elevated perspective of the event that has become the norm so much so that we barely even think about it , through the eyes of black America. 

If in New York, this exhibition is not one to miss, and will run until November 16th. For more information , visit Kravets Wehby.

Slow Dance with Big Chief, 2019
The Prettiest Dress, 2019
Seated Girl on Serpent Throne with Stink Pink Gators, 2019

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“When you dance you make me happy ,” ft selected artworks from the Luciano Benetton Collection

12.09.2019 | Art , Blog | BY:

Cover Image – Boakye Pass  by Lynette Yiadom

This week Italian contemporary gallery Gallerie Delle Prigioni opens it doors to a new exhibition entitle  “ When you dance you make me happy ft selected artworks from the Luciano Benetton Collection”. The exhibition , set to open tomorrow at the gallery’s location in Treviso has been curated by Nicolas Vamvouklis, and will include themes which focus along the lines of the human body. 

“ The starting point of the exhibition is the tension between inner and outer worlds, public and private realms interpreted through the idea of the body as a shell that is both a home and a prison,” reads the press release. Throughout the exhibit the themes then extend to the collective dimension and observe the performative roles the body plays in social gatherings of celebration, mourning or protest.

The collection include pieces from names like Helmut Lang, Maripol , Nick Cave, Hermann Nitsch and other gems from Italian Billionaire Luciano Benetton’s private collection. The exhibition entrance is entirely free and will run until November 10th. For more information visit Imago Mundi Art. 

Barkley L. Hendricks – Fela Amen
Image by Maripol

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PUBLIC Gallery: Echolocation by Charlotte Edey

31.08.2019 | Art , Blog | BY:

Early this month on the 4th of September, British artist Charlotte Edey is set to present her debut solo exhibition Echolocation at the PUBLIC Gallery space in London. Edey’s exhibition is set to speak along themes that have influenced the artist through her experience in career, identity, spirituality and femininity as she explores how we navigate our environment with a series of drawings, embroidery, women tapestry and silk georgettes.

“Employing organic symbolism and the traditionally gendered mediums of embroidery, weaving and textile, the fabric of the worlds is shaped and informed by the idea of femininity and how it intersects with the multiple facets of identity. Anthropomorphic landscapes and atmospheres punctuated by curls and waves speak to expanding beyond the body,” she comments.

“Across the series a desire for harmony is communicated through curvilinear landscapes and symmetry of form. Edey’s attempt to resolve divisions also manifests within the physical nature of the works. Distinctions between synthetic and natural processes are blurred as drawings are translated via a digital jacquard loom to woven tapestry, displayed alongside hand-embroidery and hand-weavings.”

The exhibition is set to run throughout the month and will eventually close its doors on the 28th of September. 

Freshwater, 2018, Woven jacquard tapestry with hand embroidery
Garden, 2019, Woven jacquard tapestry with freshwater pearl, mirror detail and hand embroidery
Biform, 2019, Graphite pencil

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