Balmain SS15

16.12.2014 | Fashion | BY:

Balmain has revealed its Spring/Summer 2015 advertising campaign, photographed by Mario Sorrenti and art directed by Pascal Dangin. Creative Director Olivier Rousteing created an army for the Autumn/Winter 2014 season, and has carried this idea forward into the next, where we see models Adriana Lima, Joan Smalls, Rosie Huntington-Whiteley, Isabeli Fontana, and Crista Cober in their Balmain uniforms. Dangin wanted to take the theme even further, injecting a sense of pop-relevance into the campaign by plotting the models in surreal interpretations of everyday environments. Inspired by the distorted realism of 1970s French cinema, the imagery transforms familiar settings like subway platforms and diner scenes into surreal tableaus of the Balmain world.

“Balmain is all about diversity,” states Rousteing. “The incredible power that all those strong women bring in front of the camera, put into real life situations, helped me explore and create a new reality that represents the pop aspect of my generation. The Balmain reality, my reality. This is the new Balmain army and the game is on!”

balmain.com

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Steven Meisel: Role Play

15.12.2014 | Fashion | BY:

It’s not often that a fashion photographer wields enough influence to create an issue of Vogue featuring only black models; neither is it very common for just one person to photograph each and every cover of Vogue Italia for the past 20 years. But then, Steven Meisel’s extraordinary passion and talent set him up for an illustrious career from his early days as a fashion illustrator.

International auction house Phillips is launching a travelling selling exhibition of Meisel’s work. Role-play has already visited Paris, and will be arriving at 30 Berkeley Square in London from 16 December to 11 January next year, before heading to New York.

The show features 25 images that capture Meisel’s most notable contributions to fashion photography, including an image from the 1990s, when Meisel was instrumental in welcoming the grunge aesthetic into mainstream fashion. He has since concluded that the image is one of his favourite pictures, as, in his words, it ‘captured a real cultural moment of a music scene and a fashion scene fusing together to create a new look.’

Meisel has undoubtedly become one of the most significant fashion photographers working today and this exhibition is a brilliant opportunity to view his work as it is intended to be seen.

Steven Meisel: Role Play opens tomorrow, 16 December till 11 January 2015. Located at Phillips 30 Berkeley Square London. 

phillips.com

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Fashion Sunday’s Christmas Weekend

12.12.2014 | Fashion | BY:

Fashion Sunday are holding another one of their events, and this time they’re here to help with all your last minute Christmas shopping.

Representing the best of East London’s design scene, you’ll find and extensive list of brands: PAPER London, Leutton Postle, Alec Bizby, Pitchouguina, Kelly Love, Studio White Label, Florence Bridge, Age Of Reason, Silken Favours, Jessie Harris, Charlotte Valkeniers, Jenny Sweetnam, Benjamin Bertram, Hellespont, Monochrome, She’s Lost Control, Sarah & Sorrentino, Grace Gordon, The Blue Hour, Year One, Nylon Sky, Eleanor Linden, Henriette Lofstrom and Arlette Ess.

Food will be taken care of by food market favourites ‘What the Dickens’, tunes by Dalston party masters Cadillac and Tim Lawton of the Filthy Dukes (plus special guest DJs to be revealed) and the bar, will be serving up cocktails and drinks all day long.

Fashion Sunday is held at Oval Space 29-32 The Oval Bethnal Green London E2 9DT. Open 12-9pm on Saturday and 12-6pm on Sunday. 

thisisfashionsunday.com

VivaWomen!’s There’s a Good Girl Exhibition

11.12.2014 | Art , Blog | BY:

When you first saw the photo above, a candid-style shot of a Kim Kardashian lookalike being squeezed into a pair of Spanx by Kanye, your first thought probably wasn’t of who created it – and nor what it symbolises for women. In fact, the message behind it, and the other works appearing in the ‘There’s a Good Girl’ exhibition (at the Assembly rooms until 19 December), is that female creatives are now changing the rules on the way that women have appeared in advertisements for decades. The artist, by the way, is Alison Jackson, also known for her memorable campaign for Schweppes featuring a Camilla Parker Bowles lookalike sipping a G&T.

‘There’s a Good Girl’ is a VivaWomen! exhibition, curated by Saatchi & Saatchi,  and forms part of an initiative working to raise the profile of women in advertising. Sara Baumann, Talent Strategy Director of Leo Burnett Group and Chair of VivaWomen!, said “We are a creative business, working to engage women for the majority of our clients, yet women are under-represented in creative departments in our agencies.” The seed for the exhibition’s concept was planted after Saatchi & Saatchi Creative Director Jo Wallace attended an event organised by VivaWomen!

The exhibition features an extensive list of artists: Alison Carmichael, Alison Jackson, Arvida Bystrom, Cassandra Yap, Hattie Stewart, Jessica May Underwood, Jillian Lochner, Kathryn Ferguson, Malika Favre, Mary Nighy, Michela Picchi, Miss Cakehead, Nancy Fouts, Natasha Law, Pam Glew, Rhea Thierstein, Sara Pope, Soozy Lipsey, Toni Gallagher and Veronique Rolland. Many of these women started out as creative in the advertising industry and later carved out successful careers as artists. Jo Wallace drafted in Shelley Dobson and Lisa Robbins, as well as Suzie Quill, Camilla McLean, Layla Boyd and Lee Sharrock to form the TAGG team.

The unique and beautiful sculptures, photography, illustrations, drawings, and films are an exciting way to draw attention to this cause. Favourites include Sara Pope’s neon red lips, which she showed personally to His Holiness at the Vatican, and Pam Glew’s American flag featuring Anna Wintour’s face.

And to add to the exhibition’s appeal, a percentage of any artwork and exhibition merchandise sold will be donated to charity Plan UK, who work with the world’s poorest children so they can move themselves from a life of poverty to a future with opportunity. They help girls around the world who are threatened by poverty, gender inequality, violence, poor education, conflict and disasters.

plan-uk.org

saatchi.co.uk

 

V Jewellery Now In Whistles

10.12.2014 | Fashion | BY:

Not only has Whistles cemented itself as a high street hero, your go-to store for a certain type of elegance, now, it’s proving to become your go-to boutique for young brands that share its vision. Moxham and Wool and the Gang being case in point. It’s newest design talent is another Twin favourite, V Jewellery.

You will currently find V in the Whistles’ St. Christopher’s Place and Dover Street stores, with further locations being added in the New Year. “I have always modelled the V woman on the Whistles customer so seeing the jewellery in their stores will be so surreal,” states Laura Vann, V Jewellery Creative Director. “I couldn’t think of a more perfect home for V.”

vjewellery.co.uk

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NEWGEN AW15

09.12.2014 | Fashion | BY:

The latest womenswear recipients for NEWGEN autumn/winter 2015 have been announced. Ashley Williams and Ryan Lo will receive catwalk sponsorship next season, having both received presentation sponsorship last time round, as well as 1205 and Marques Almeida, who will be receiving catwalk sponsorship again. Claire Barrow, Danielle Romeril and Faustine Steinmetz will be receiving presentation sponsorship along with newcomer Molly Goddard. Two new names to the NEWGEN roster are Marta Jakubowski and Sadie Williams, who have been given exhibition sponsorship for the upcoming season.

“NEWGEN produces the stars of London Fashion Week – the phenomenal progress of Marques Almeida in six seasons of support is proof of that,” states Sarah Mower –  BFC Ambassador for Emerging Talent. “Following in their footsteps is a whole new slew of discoveries whose sparky originality and careful entrepreneurialism have won them the praise of the NEWGEN committee and Topshop’s invaluable sponsorship. We think the quality, colour and sheer desirability of the clothes audiences will be seeing from 1205, Ashley Williams, Claire Barrow, Danielle Romeril, Faustine Steinmetz and Ryan Lo will step up yet another rung this season. And now they’re joined by an influx of three brilliantly individualistic young women, Molly Goddard, Marta Jakubowski and Sadie Williams.”

britishfashioncouncil.co.uk

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Larsson & Jennings’ London Store

08.12.2014 | Fashion | BY:

Twin favourite Larsson & Jennings have just opened their first London store in Covent Garden.

Selling the complete Larsson & Jennings collection of Swiss-made watches and leather accessories, the store also gives customers a chance to design their own in the LJX Custom area. Here you’ll get to choose from a selection of Swedish and British Leathers and new hardware options to create a bespoke and personalised watch just for you. Perhaps the perfect Christmas gift.

While you peruse their collections, you can also enjoy a range of locally sourced coffee in store at the Larsson & Jennings Fika bar.

A spokesman from Larsson & Jennings said: “Modern and traditional elements are at the heart of our product and for us our first store in the UK had to reflect this. Seven Dials was the only area that lived up to our expectations; perfectly encapsulating a heritage feel in a prime central London location.”

The Larsson & Jennings store is now open at 53 Monmouth St, London. 

larssonandjennings.com

 

 

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Pamflet x Twin: Books of the Year 2014

05.12.2014 | Literature | BY:

These are the books we’ve loved, recommended, given and definitely won’t forget this year.

The reliably magnificent Siri Hustvedt’s sixth novel The Blazing World (Sceptre) is a dazzling book of ideas about gender, the contemporary art world and New York. The novel’s heroine is Harriet ‘Harry’ Burden, a frustrated, eccentric and talented woman who revives her abandoned artistic career after the death of her husband. Rather than making a traditional comeback, she instead engineers an ambitious experiment and hides her identity behind a revolving cast of male fronts to see whether they affect how her work is received. The story is told through Harry’s journals and is supplemented by accounts from her collaborators, family, lover and friends, an effective device which adds authenticity to what’s a high-concept novel about a high-concept world and made me ask ‘What if someone actually tried to do this?’ While I was reading it I got completely obsessed and all I wanted to do was finish it – but for it not to end at the same time: a good thing.

‘Have you heard of Elena Ferrante?’ Well, I hadn’t until earlier this year when a friend recommended her series of fictionalised memoirs, The Neapolitan Novels, to me, describing the mysterious Italian author as ‘the female Knausgaard’ which made me want to get the first book right away. The perfect summer (or winter) read, this is an incredibly vivid, sensuous portrait of childhood in grim poverty in 1950s Naples. At its centre is the obsessive, devoted friendship between Elena and Lila who we follow through adolescence, their academic successes and failures, jobs and boyfriends. Their two intertwined stories ask how much an individual can do to change the course of the life that her opportunities and circumstances have offered her. Three books have been published in the series so far, with the most recent released in September and the fourth and final installment expected in Italy next year. I had about 2 weeks in September when I felt like I had Elena all to myself, but I don’t mind that the secret’s already out because she’s too good to miss.

by Viv Albertine (Faber) that lengthy and chanty title is just the beginning of the uncompromising life story that Viv Albertine shares in her memoir. Guitarist in The Slits, Laura Ashley model, musician, director, actor, artist, mother – she has had a fascinating fifty-nine years and there’s a lot more to talk about than being a girl in the punk world (but that’s a good place to start).

In CCCMMMBBB she scrapbooks her vividly recalled memories together and adds a helpful appendix at the end detailing the most crucial bits of her biography – what she was wearing, listening to and who she was seeing during each of her eras. Her unconventional life story makes for compelling reading and her story illuminates some of life’s joyous feminist contradictions. It’s also worth mentioning that I haven’t read a book which so unashamedly and refreshingly reveals the secrets of the female bedroom since Caitlin Moran’s How to Be a Woman, bedsheets, wardrobe, dressing table and all.

Albertine laments the fact that she had no female role models as a would-be guitarist in the late seventies, but luckily for us with this book she’s shown why she should be a heroine to every music-loving, clothes-obsessed, odd-one-out-girl out there.

I knew nothing about the original kickass comic book heroine Wonder Woman’s back story so Professor Jill Lepore’s astonishingly thorough and readable book, The Secret History of Wonder Woman (Scribe) was a total revelation. It tells the story of the pop culture icon who was brought to life by Lynda Carter in the TV series, while also giving the reader a fascinating account of the evolution of the women’s movement throughout the twentieth century, from the Suffragettes and birth control pioneer Margaret Sanger to the issues facing feminists today.

The Amazonian superheroine’s creator, William Moulton Marston, was a charismatic, complicated man who invented the lie detector test and was a passionate believer in free love and feminism. The intelligent, emancipated women in his life were immortalised in the pen and ink adventures of Wonder Woman – a character who has commanded devotion from millions of fans over seven decades. Comic books are more popular than ever today and with new characters like Ms Marvel (the first female Muslim superhero) bringing the genre kicking and screaming into the 21st century, now’s the perfect time to learn about where it all began. The Secret History of Wonder Woman is the perfect Christmas gift for: sullen teenagers of both sexes, comic book geeks and kickass feminists.

If you loved Stef Penney’s The Tenderness of Wolves and Hannah Kent’s Burial Rites, you will adore The Miniaturist (Picador). Jessie Burton’s impressive debut follows the fortunes of 18 year old Nella Oortman as she enters the home of her enigmatic merchant husband in 17th century Amsterdam. As Nella tries to navigate a new world of commerce, secrets and a society as opaque as the city’s murky canals, she starts to receive disconcerting, perfectly beautiful miniatures that tell her more about her own precarious situation than she understands herself. This is an eerie, absorbing novel populated with characters who are totally vivid and compelling, despite the five hundred years between us and them.

We’ve been eagerly anticipating Vivienne Westwood (Picador) as much as Morrissey’s autobiography and it doesn’t disappoint. Told both in the High Priestess of Punk’s own words and through uber-biographer Ian Kelly’s evocative prose, it brings together the multicoloured threads of Dame Viv’s life, from her early days safety-pinning binbags in her shop on the King’s Road, to the glamour and high-octane drama of her 2014 Gold Label show in Paris. The narrative zooms in and out, part told by Kelly – a detached but fascinated visitor to planet fashion – and part intimate memoir as Vivienne recalls her childhood and intense relationship with Malcolm Mclaren, as well as the passion for climate revolution which drives her today. Whether you’ve worn one of Vivienne Westwood’s designs or not, her influence is undeniable. From her punk origins to her massive fame in the Far East, this sharp-as-a-tack, soft-voiced Derbyshire woman has played a part in creating the world we live in today.

Anna-Marie Fitzgerald and Phoebe Frangoul are the co-editors and co-founders of the London grrrl-zine and literary salon Pamflet. Follow them on Twitter and Instagram @Pamflet. 

Terminal 3 by Dior

04.12.2014 | Fashion , Film | BY:

An elegant woman storms down a corridor; the sound of her footsteps resonating against the floor creates a sinister heartbeat, drumming out the rhythm of a dramatic love triangle that ends in tragedy. This short film, Terminal 3, is Philip-Lorcia Dicorcia’s realisation of Dior’s stunning Cruise 2015 collection, inspired by Hollywood’s Golden Age.

dior.com 

 

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#WhosInYourGang

03.12.2014 | Fashion | BY:

Etre Cecile’s latest collection for Resort 15 is inspired by the 1979 cult classic, The Warriors, but instead of two downtown New York gangs battling it out, this rivalry is a little more European. Calling upon Creative Director Paula Goldstein Di Principe and Director Lucy Needs, they created a short film in which le French girls and It-Brits fight it out on neutral turf, Jersey, swan lake style.

Each team is kitted out in their Etre Cecile best; fine knitwear, denim and statement slogans, of course. Each one representing a certain personality type found in our own friendship groups. There’s the rock chick, the blonde, the rebel and the prim and proper girl. #WhosInYourGang sets out to unite all us Cecile girls everywhere, ultimately creating one huge girl gang that holds the same ethos and attitude.

“Right now I feel like we’re in an era of sisterhood,” states Paula Goldstein Di Principe. “Girl gangs are about power and support, celebrating a connection to women all over the world.”

etrececile.com

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British Fashion Awards 2014 Winners

02.12.2014 | Fashion | BY:

Last night over 2000 people gathered to celebrate the successes of the fashion industry in 2014, with guests such as Samantha Cameron, Anna Wintour OBE, Valentino Garavani, Naomi Campbell, Kate Moss, Lewis Hamilton, Lana del Rey and Courtney Love.

Many of Twin‘s favourite designers and brands walked away with awards, including Marques’Almeida who were recognised as Emerging Womenswear Designer of The Year. Other winners on the night were Prism – Emerging Accessory Designer, Nicolas Ghesquière – International Designer, Simone Rocha – New Establishment, Victoria Beckham – Brand and Cara Delevingne – Model of the Year, unsurprisingly.

For the full list of winners head to britishfashionawards.com

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Juce – 6th Floor

01.12.2014 | Blog | BY:

If there’s one girl band that should be on your radar right now, it’s Juce. The three-piece from London’s new video for 6th Floor sees them practising voodoo on someone that had it coming. Director Lucy Luscombe stated “I wanted to give Juce something cool, cinematic and fun – all in line with who they are as people.”

The track is another pop-R&B hybrid and Cherish, Georgia and Chalin are sure to keep us dancing and singing along for albums to come.

Download their EP Taste The Juce here.

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Gifts For The Twin Girl

28.11.2014 | Culture , Fashion | BY:

The Twin girl knows exactly what she wants. Which, in theory, should make it easier when deciding what to get her. Problem is, she probably already bought herself whatever you had in mind. In fact, she bought two, one in black and one in white. So what do you buy her? Someone notoriously in tune with her own style, not exactly trend led. Someone cultured, well-read and, let’s face it, cool, with an impeccable aesthetic that extends way beyond the wardrobe. Readers, take note…

Rick Owens Purse, £160, thecorner.com | Marques’Almeida Frayed Denim Jacket, £375, matchesfashion.com | Moxham Oni Slim Choker in Black, £160, moxhamstore.com

 

Kenzo Colour Block Sweater, £295, farfetch.com | Tracey Emin The Last Great Adventure Is You, £25, whitecube.com | By Larsson Kubus 8 Candlestick, £182, darkroomlondon.com

Bella Freud Gainsberg is God Candle, £38, harveynichols.com |  This Works Deep Sleep Bath Oil, £80, thisworks.com | Bjorg Mysteries of Then Earcuff, £140, parlaonline.com

 

Byredo La Tulipe Hand Cream, £23.21, byredo.com | Twin Magazine XI, £14.99, boutiquemags.com | Alexander Wang Marble Coaster Set, £142, alexanderwang.com

 

Shrimps Faux Fur Pablo Clutch, £185, selfridges.co.uk | Jenny Sweetnam Silver Drop Ring/Necklace, £81, celestineeleven.com | Tom Dixon Stone Pestle and Mortar, £149, tomdixon.net

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Edward Enninful receives the Isabella Blow Award for fashion creator

27.11.2014 | Fashion | BY:

Edward Enninful – of The September Issue fame – has been honoured with the prestigious Isabella Blow Award for fashion creator by the British Fashion Council.

Enninful has a history of innovation, becoming the youngest editor of a major magazine when he was appointed Fashion Director of i-D at the tender age of 18. This was soon followed by becoming Contributing Fashion Editor to Italian Vogue and then American Vogue in 1998 and 2005 respectively. Since 2011, he has been at W Magazine as Fashion and Style Director.

His creative vision has also led him to pivotal contributions to advertising campaigns and catwalk shoes at Christian Dior, Dolce & Gabbana, Jil Sander, Céline, and Valentino, amongst others.

His work is much lauded by key figures in the industry, including Natalie Massenet CBE, Chairman of the BFC, who said, ‘His influence spans the entire globe, intersecting the worlds of fashion, art and business’.

britishfashionawards.com

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Kenzo Holiday Pop-Up

26.11.2014 | Fashion | BY:

Kenzo is popping up in London’s Mayfair just in time for the holiday season. The new store will house both their men’s and women’s collections, accessories and limited edition items. You’ll also find their Holiday Collection, a capsule range full of festive sweaters and T-shirts featuring all the famous motifs and emblems we’ve come to love from the brand, such as the tiger, the eye and the Eiffel Tower, as well as newcomer, the Statue of Liberty.

The news of the new location also comes with the announcement that Kenzo Bruton Street will be closed for renovations until 2015.

Kenzo opens at 99 Mount Street London W1K tomorrow, November 27th. 

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REMIX London Summit

25.11.2014 | Art , Culture | BY:

Next week creatives from all over will be coming together at Google’s London HQ for the REMIX London 2014 Summit. The event is the European edition of an annual series of global events exploring culture, technology and entrepreneurship.

With over 100 speakers from companies and brands such as YouTube, Red Bull Academy, British Museum, Virgin, Manchester International Festival, Mumsnet, Time Out, Sonos, Ace Hotels, Burning Man, Maker Faire, Natural History Museum, Dubai Design District, The Barbican, Sony, General Assembly and Google, REMIX looks to provide a ground-breaking forum to explore issues facing cultural and creative organisations from the inside-out.

“REMIX London is an opportunity to shine a light on the world-class creative entrepreneurs in the city, as well as showcasing cultural influencers from across the UK and Europe. REMIX brings together creative leaders at the highest level in a unique forum, exploring the evolution of contemporary culture, technology and the creative economy.” says Peter Tullin, co-founder of REMIX.

The launch party will take place at Shoreditch’s Ace Hotel on December 1st where you’ll be able to network in the hotels new top-floor event space.

Tickets are running out so head to eventbrite.co.uk to get yours.

remixsummits.com/ldn

Issey Miyake’s Holiday Message

24.11.2014 | Fashion | BY:

There’s no escaping it any longer, the Christmas season is upon us. To celebrate, Issey Miyake has created a limited edition animated typeface to make sending holiday messages much more playful this year. Each letter of the alphabet is allocated a unique sound, so that every message will contain a one-of-a-kind melody. Create your own at isseymiyake.com/message.

If you take a closer look at the typography, you’ll see limited-edition products from six of the Issey Miyake brands that feature Araishu, a traditional colour of Japanese lacquerware. The holiday products, which include tops, bags and wallets, are now available from the recently opened Issey Miyake flagship store in London.

Issey Miyake Flagship, 10 Brook Street London W1S 1BG

isseymiyakelondon.com

 

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Death In Paris Q&A

21.11.2014 | Fashion | BY:

Death In Paris is the name of a creative studio based between Paris and London. They focus on motion, web and print design, but their latest venture sees them designing accessories reflective of the brand values they’ve created for themselves. For spring/summer 2015 they looked to skylines, rooftop swimming pools, vast open spaces and Japanese city life, focusing on the concept of utilising small living spaces using clever design to give us their version of contemporary luxury in a monochrome palette.

Twin spoke to the designers behind the brand and creative studio to find out more.

Tell us a bit about starting a brand from a creative studio.
The brand is an extension of the Death In Paris studio identity.  We are both into fashion and have similar tastes so it was a natural progression from traditional graphic design to product design. With the studio we tried to stay multidisciplinary: exploring web, branding, photography, video and motion, mostly for premium lifestyle brands. Designing accessories is a new output for us and an alternative way of expressing our love of clean, minimal products that are functional yet sophisticated.

What elements of your studio work did you translate to your brand?
The way we approach design is similar in both disciplines; it is similar to how you would design a book layout. You spend a lot of time organising text and photos, and then search for what works best to deliver the overall message. That is the approach we had when we designed the Vasistas, to design a bag that helps you to organise your daily life, with an option to hide certain things and showcase others. We want the bags to be visually pleasing in their simplicity, but with an understated sense of luxury.

You focus a lot on transparent accessories. What was the inspiration behind that?
Again its the idea of being able to display certain items while concealing others. We’ve always been obsessed by containers and organisational items, and basically anything transparent. I guess that’s the Asian influence coming through.

What is your creative/design process like?
We are split between London and Bangkok, which hopefully brings together an interesting combination of influences. Most of the designs are inspired by our day to day lifestyles in both cities; our passions lie in cuisine, architecture, cosmetics and stationary, combined with a love for fashion.

We always try to get together as much as possible and spend days sharing ideas, the rest is a back and forth over Skype. Half of the time we focus on the designs and visuals, while the other half is focused on sourcing new materials and production.

Who is the Death in Paris girl?
She is understated, independent and confident with an interest in aesthetic and design.

What can we expect for SS15?
We have introduced some new designs and added some twists to popular existing styles! New materials such as perforated leather and neoprene add an unexpected dimension to the bags.

deathinparisstore.com

 

 

 

 

Allen Jones RA

20.11.2014 | Art , Fashion | BY:

Allen Jones knows how to sell sex. Since he first exhibited his fibreglass women in the late 1960s – the prototype fembot, down on all fours, arse practically over head, strapped into bondage gear – he’s owned it. They were – are – the literal representation of sex-on-legs. And who’d have thought that the place to get a little artistic perversion in London these days would be at the Royal Academy?

It’s clear that Jones’ coterie of fetishised furniture sculptures represents a very specific sort of fantasy. It’s everyman erotica; pert tits, big lips, hard-bodied, submissive, available. Serving you cocktails, ready to take your hat. They’re expensive whores on all fours. Yet, even as a feminist, you have to relish in how aggressively politically uncorrect it all is. Jones makes incredibly, obviously, seductive art. And you might feel a bit grubby about it afterwards, but then we’ve all been there, right?

Jones’ paintings provide a little counter balance to the implied misogyny of his sculptures. In these colourfully kitsch scenes he paints about power-play with cross-dressing inferences, of the dominate female, the submissive male, of the animalistic rituals of mating and the delicate interplay of coupling represented in the form of dance. It’s the paintings and later sculptures that suggest a much more complex side to Jones than the ones his critics would have you believe. To reduce Jones to a fetish artist, means you ignore a lot of the richness and ambiguity in his work. And it’s this that makes you want to go back and take a second look at the sculptures – maybe it’s not all about oppression and submission, maybe there’s something deeper at play? Maybe it’s not a male-female thing after all. Maybe she’s in control. Hell, maybe she’s even enjoying herself. Imagine that.

Allen Jones RA is at the Royal Academy, London until 25th January 2015

royalacademy.org.uk

IMAGE CREDIT: Allen Jones RA, Body Armour, 2013 Photograph, 127 x 127 cm London, Private Collection / Image courtesy of the artist © Allen Jones

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The Fractured and the Feline

19.11.2014 | Art | BY:

The Fractured and the Feline is a new exhibition opening at The Vinyl Factory today. It showcases the work of multi-media artist Quentin Jones in collaboration with innovative spatial designer Robert Storey, both of whom are previous Twin contributors. The show itself proves to be Jones’ most comprehensive and varied to date, as it delves into her work on paper, in sculpture, film and photography. Storey creates a unique world for her pieces to be displayed, giving us intriguing spaces to explore.

We caught up with the artist to find out what to expect.

Tell us about a little about the showcase…
Lots of the exhibition is work that may have been seen somewhere in some form, but in its layered up, painted on, collaged natural form. Its a chance for me to show people my process, that is surprisingly art-based and hand made. One of the main focuses of the show will be a series of large scale works that no one has seen before… because I am still working on them. I am playing with the idea of blowing up my collages 10-fold and working back into the image at a level of detail I usually wouldn’t be able to – and having the fluidity of paint at that scale.

Oh and one of the coolest parts of the show will be the film rooms – Robert Storey who is designing the whole space for the show has come up with a really cool way to warp and reflect the films multiple times. His whole vision for transfroming the space is amazing and so cool for us to be collaborating in a more physical way than usual.

How would you personally describe your style of work?
Messy, montaged, quick, accidental, planned and exploring contrasts.

You’ve worked with Robert Story in the past, was he an obvious collaborator?
Yes he was the only person I wanted to work with in this space. He has a very architectural approach to design and his minimal structures are perfect for my chaos to to sit within. We both like things to be graphic and strong rather than subtle and ‘pretty’ and both have an outlook that straddles fine art and fashion.

What was it like working with Robert on this particular show?
So far very simple – we have worked out what we both want to show and how it can exist together. But the real fun will be in the installation weeks, when we will make many of the decisions for the show. We like to work quite spontaneously.

The Fractured and the Feline: Quentin Jones with Robert Storey is presented by The Vinyl Factory at their space in The Brewer Street Car Park, London from 19 November to 13 December 2014.  

thevinylfactory.com

Image 1: Quentin Jones, Adult Series, 2014, acrylic, ink and collage, first published in Adult Magazine. Image 2: Quentin Jones, 2013, photography, acrylic and ink, first published in Flair Magazine. Image 3: Quentin Jones, Self Portrait series, 2014, photography, acrylic and ink, first published in  i-D Magazine

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