Twin Talks: Azur – Luxury Sustainability from the South of France

07.01.2020 | Blog , Fashion | BY:

Images courtesy of Andreas Lumineau

Late last year graphic design & textile design duo Lisa Favreau and Lisa Guedel-Dolle launched their luxury sustainable brand from the coast of Marseille, France. Dubbed AZUR, the brand prides itself in the design and production of high quality fashionable clothing and accessories using processes and techniques which are ethically and environmentally compatible. Each piece is made from a mix of natural fibres, antique 20th century textiles and luxury materials sourced in France. Textiles and buttons are naturally dyed with with plants, labels are made in Italy from recycled plastic bottles & packaging is crafted from recycled & recyclable textiles. The scale of production is closely monitored to match demand and to ensure that each garment pockets its own unique story with fabrics that hold their own history. Twin sat down with the design duo, to find out some more about their process. 

What sparked the idea of launching a sustainable brand ?

During the past years we were less and less comfortable with the fact that what we were doing was often too far from our beliefs. We thought that we could use our creative skills and energy for a more positive purpose. Step by step the project started to take shape in our minds.

Long before turning into a clothing project, Azur was first and foremost a strong desire to change the way we were working and creating, to go towards more sustainable practices. At first we didn’t know if it was going to turn into objects, furniture or pieces of clothing. Making truly ethical and eco-conscious clothing ended up being the most challenging of them all. 

Why did you decide on naming the brand Azur ? 

Azur is the color that is often described as the color of the sky on a clear day.

We were deeply touched by the way Paul Virilio, a french philosopher, evokes nature and colours while talking about l’azur:

«L’azur c’est l’épaisseur optique de l’atmosphère, la grande lentille du globe terrestre, sa brillante rétine. De l’outremer à l’outre-ciel, l’horizon départage la transparence de l’opacité. De la matière-terre à l’espace-lumière, il n’y a qu’un pas, celui du bond ou de l’envol capables de nous affranchir un instant de la gravité.» 

Paul Virilio in La vitesse de la libération.

We also liked that Azur is a much-used word in south of France for any kind of brand or business. It gives the brand a déjà vu feeling while remaining quite mysterious and poetic. 

How long did it take to create an entire collection using completely sustainable techniques and materials? 

To avoid overproduction and enhance existing raw materials, we source high quality natural antique fabrics woven in France in early 20th century. Fabrics and buttons are naturally hand-dyed with dye plants by us in our studio, using no chemicals or heavy metal. Our 100% cotton thread and natural corozo buttons are made by the last French sewing thread mill and the last button manufacturer in France. Except our labels which are made in Italy from recycled plastic bottles, we avoid any plastic. The lining of our clothes is made of cotton without glue and our packaging is made in France with recycled and recyclable materials. Each piece is sewn in Marseille by our prototypist or a garment workshop run by a mother and daughter. Our silk pieces are hand-pleated in Marseille in an atelier running by two sisters and own by their family since 1937. Everything is made by us, craftsmen or small companies located as close as possible from Marseille.

Every step of the production process is meticulously watched out by the two of us, to be fundamentally respectful of the environment and others.

It took about a year to set up our sourcing and production processes : finding the best materials, the right partners and finally the proper way to combine them all. 

Once all these parameters settled, create an entire collection made in a sustainable way sure takes a longer time than in an ordinary way, but still allows to create a full collection, even in significant quantities. 

What was the most difficult part of the process ? 

Trying to be fundamentally respectful of the environment and people impact a lot our designs and the creative direction of our brand in general. The major part of our creative result is inherent to the artisanal process and the sustainable approach we have set up.

The sourcing of our raw materials is the biggest constraint and restricts many of our desires. We have to reverse the usual creative process. First we list what and how we can produce following our ethos, and then, we start the creative process. 

It was important to us to make clothes that you can keep for a long time and make compatible to every wardrobe. We create mainly unisex pieces, with simple cuts but unique details, which can fit most bodies. 

We are aware that not everything can be produced within our constraints, which can be frustrating sometimes, but which is also really challenging and exciting. 

Do you think the industry in general is on its way to becoming less wasteful?

People are now more aware and concerned about the environmental issues, and big brands have to follow this movement and adapt themselves to the new consumers expectations. Most of the time it’s unfortunately more about their image rather than real commitments.

On an other hand, many independents and emerging fashion brands are really active and aware when it comes to sustainability, and are opening a new path. Through Azur we hope to show in some way that you can make truly eco-conscious and ethical clothes that can also be luxurious.  

No one has the perfect formula, and both makers and designers should work together to build fairer and cleaner making processes.

How many collections can we expect a year from Azur?

We don’t follow the exact same calendar as the fashion industry. We will launch 2 collections per year, and the rest of the time will be punctuated by few drops, according to our desires and fabrics we find.

Where can one buy the products? 

You can buy the collection online on our website at azur.world

In February we will move into an atelier-boutique where you will be able to see and try the collection and unique pieces that will not be available online. The address is 19 rue du Chevalier Roze, 13002 Marseille, France. We’re currently working on supplying to shops internationally for our next few collection. 

Keep up with the brand via instagram on @AzurWorld 

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Sustainability, Made in Italy and Women on The Verge of a Nervous Breakdown: A conversation with Marco Rambaldi

25.09.2019 | Blog , Fashion | BY:

Images courtesy of Giacomo Cabrini

Marco Rambaldi is nervous. He is jittering with emotion. We’re sitting backstage moments before the debut of his latest Spring Summer 2020 collection and we’re sipping on champagne, a bubbly remedy which seems to calm his nerves down. 

Marco Rambaldi is nervous just like the women who inspired his latest collection, women on the verge of a nervous breakdown. 

He explains: “We took a different approach to this collection in respect to the others. Whilst before we would always start by looking at a specific time period or a person who would inspire us, this collection was born out of a more abstract idea, a social consideration of the society around us.”

This isn’t the first time that the Bolognese but Milan based designer has made a reflection which veers on the political throughout his clothing. His past collections include references to Italy’s emergence of feminism in the 70s and the socialist student revolts of the late sixties. 

However, this collection, titled ‘Lapse’, is a reflection on the now. It’s a reflection on the broken nature of today’s society and how it is already affecting us currently. 

The IUAV graduate and winner of Camera Della Moda’s Next Generation competition wanted for this theme of broken beauty to be extremely visible throughout the collection, like holes, gatherings are left unmended; whilst straps at a certain point stop and turn into pieces of rope. Knits feature a series of jumping points, designed specifically to create floating threads as if the mesh were broken; the sole of the shoes is designed in a way which doesn’t follow exactly the upper of the shoe, so it seems like it is composed of different pieces of separate shoes. The stitching on the suits is wrong, even though it is evidently handmade as if following the silhouette of another garment. The same thing can be seen in the patterns: flowers from different bouquets are grouped together, whilst pieces of destroyed neo-classical statues float around as if left behind. 

This season is also the first season Rambaldi, who auto-produces his collections, has ventured into accessory, shoe design and production. Yet, the designer doesn’t have plans on expanding his menswear offering yet.

“Not at the moment, but definitely in the future, for now, I want to focus on letting my womenswear collection grow slowly,” he says. 

And the importance of slow production is something which has been stressed quite a lot lately, and of which Rambaldi is very aware of. Being Italian and very proud of his roots (although not of his government – who can blame him!) he is trying to grow his brand slowly until he finds the right distributor who will support his way of thinking and working. 

“I believe young brands like mine can stand out over brands who focus on marketing only if they manage to follow the slow production path, focusing on the importance of Made in Italy and the crafts which are slowly dying because of mass production,” he states. 

Indeed and unfortunately, the death of original craftsmanship is upon us. 

Yet Rambaldi has hope for the future: “I believe that if we’ll manage to teach the importance of going back to the roots to the younger generations, then they’ll understand that they won’t have to follow trends in order to build a successful brand. They must understand that it is crucial they work with what is available to them, developing new ways to work with most often are scraps of materials.”

Well, if these are part of his plans for the future, we can’t wait to see what this young designer has in store for us next. 

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