Looking Through Lockdown with Jessica Madavo

16.07.2020 | Art , Blog | BY:

All images courtesy of Jessica Madava

Exploring the self during London’s lockdown, photographer Jessica Madavo took the time she found herself immersed in to turn her photography on her own form. Being granted this time to explore her own representation, Jessica shared her images captured and spoke to us about her own motivations and artistic drive.  

Tell us a little about your book you have just created

Its a book full of self portraits I took during lockdown. 

What compelled you to create this book?

I’ve been alone during lockdown, and that that meant no people around me to shoot. I then started experimenting more with different ways I could capture myself and really loved the process. I did find it strange to begin with, as I don’t see as being in front of the camera. 

How did you get into photography?

I moved from Johannesburg when I was 15 years old, five years ago and had the most amazing photography teacher Mr Wallace. He really encouraged me to spend as much time taking analogue photographs, building small light box cameras and working on the images in the darkroom and it kind of kept on going from there. 

What subjects and themes do you explore in your photography?

I’m super interested in people, and faces specifically. It’s interesting to me, how I am able to convey how that person is making me feel in an image and that’s the collaboration that keeps me going. 

What power has photography proved in the last few months for you?

Photography really has become a tool for me to look at the world, and in a sense respond visually to issues I see as important. That, and really just being able to almost have a document for each of the periods in my life. 

What photographers have you taken inspiration from?

I always find this a hard question because I have a lot of love and appreciation for a few photographers, for a lot of different reasons. Someone who jumps to mind immediately because of his dreamy use of light is Paolo Roversi, while Leo Colombo’s colour images constantly catch my eye. Other favourites are include Malick Sidibé, and probably Vivanne Sassen. 

What inspires you in a broader sense?

Since leaving South Africa, I’ve really loved relearning parts about my heritage that I pervious hadn’t really thought about. Music too is something that I truly love. 

What is on your horizon?

I’m still studying, so I’m hoping to go back to university in October, but apart from that I’m just collaborating as much as possible and keeping an open mind to my work. 

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