Foam Talent Exhibition: March 21st – April 10th

15.03.2019 | Art , Blog , Culture | BY:

For the third year in a row,  Amsterdam based international talent organisation Foam returns to Red Hook Labs in New York for their annual group exhibition Foam Talent. Set to debut on March 21, the exhibition will feature the work of twenty international photographers who were selected through the organisation’s annual talent call from a pool of 1853 creatives under the age of 35. 

The showcase will feature the works of these artists under several tabs of contemporary themes and topics such as social politics, nostalgia, night fall, homesickness and grief. A few of the names featured will include French duo Durimel,  Chinese photographer He Bo, Australian Sophie Gabrielle, Italian Salvatore Vitale, British Maisie Cousins, among others. For further info on how to cop tickets visit Foam

Cover image: “Untitled” from the series Worry for the Fruit the Birds Won’t Eat, 2018 by Sophie Gabrielle

“Kaelyn and the girls” from the series Frères dune île pas très proche, 2018 © Durimel
“Ants” from the series grass, peonies, bum, 2018 © Maisie Cousins
Model Angela and her personal story”, 2016, from the series Separation Anxiety, 2018- ongoing © Dima Komarov
“Untitled” from the series How to Secure a Country, 2015-2018 © Salvatore Vitale

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The Art of Women Exhibition

03.03.2019 | Art , Blog | BY:

This week, British organization The Art of Women launches their exhibition in support of women across the United Nation. The Art of Women is a solidarity movement for the empowerment of women which unites UN Women with fashion models in an effort to amplify their voices. The organization is a commitment to human rights and is a form of advocacy for respect towards women and  diversity by promoting change through art and raising awareness around issue surrounding feminism . The Art of Women opens the doors of their exhibition tomorrow March, 4th through 6th at the Florence Loewy in Paris. The exhibition shot by Nikki Esser, provides a perspective on a diverse representation of women, authenticity and empowerment as the photographer captures the personalities of her muses through her warmth and the connections she creates with them. For further information visit The Art of Women.

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J Hammond Projects: “Fuck Paintings, Etc.” by Betty Tompkins

01.03.2019 | Art , Blog , Culture | BY:

This week London based exhibition space J Hammond Projects presents the opening of their latest exhibition “Fuck Paintings, Etc” by pioneering feminist artist Betty Tompkins. The exhibition which opens today features a series of pornographic images aimed predominantly at men missing heads, hands and other identifiers until the work takes a form of abstractionism. The artist tells the stories of sexuality and desire from a female perspective, in attempt to break the monopoly of the male gaze. The  series will include a selection of ‘Fuck’ , ‘Cunt’ , ‘Pussy’ and ‘Dick Paintings’ which the artist has completed throughout the last decade along with four brand new text works from Tompkin’s “Insults/Laments” series. 

The “Insults/Laments” is a combination of the artist’s work featuring quotes of crude and degrading language directed at women. “I’m always moved by what I’m quoting, by including the words in my paintings, I’m showing respect for how women have survived these awful experiences,” stated Tompkins.  

The artist began her journey of making giant genitalia ‘Fuck Paintings’ over half a century ago and was presenting a body of work which had initially been rejected by all corners of the art world for its sensitive subject matter. As a result, despite a handful of group shows during the early 1970’s these  paintings have been ignored for the past three decades stored in the Tompkins’ New York studio until a solo exhibition in 2002 and her participation in La Biennale de Lyon the following year. The exhibition is set to run throughout March until April 13th. 

Betty Tompkins Who Will… Acrylic on canvas 2019
Betty Tompkins Cunt Painting 2017, Acrylic on Canvas

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Homage To Karl Lagerfeld: 30 Years of Photography at Galerie Gmurzynska

26.02.2019 | Art , Blog , Fashion | BY:

Swiss art gallery Galerie Gmurzynska has recently opened it’s door to an exhibition in honour of the artwork of the late Karl Lagerfeld. Many might not have  known that one of the iconic designer’s talents were photography but over the decades Galerie Gmurzynska has worked with Lagerfeld on numerous shows, publications and projects. The gallery is also said to be the very first to put his photography on display. 

“We wanted to honour this long collaboration and this man whom we regarded as one of the last true renaissance genius. We were all incredibly saddened by his passing and spontaneously wanted to show our respect for Karl by remembering our two decades of collaboration, showing a wider public his lesser known passion for photography,” said co-owners Mathias Rastorfer and Krystna Gmurzynska. The exhibition features nearly 50 pieces of Lagerfeld’s work which has been curated  Rastorfer in a way to take it’s audience on a comprehensive journey throughout his body of work.  The exhibition will conclude on May 15th. Visit the gallery’s website for more information.

Cover image: Benicio Del Toro (Hollywood Stars) 2002

Nicole Kidman (1995) by Karl Lagerfeld
Gone with the Wind (1996) by Karl Lagerfeld
Series BodyParts (1998) by Karl Lagerfeld

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susan pui san lok: A COVEN A GROVE A STAND

18.02.2019 | Art , Blog | BY:

Earlier this month at the Firstsite gallery Colchester,  opened an uncanny exhibition titled “A COVEN A GROVE A STAND.”  The exhibition pioneered by artist susan pui san lok, is an exploration of the age-old practice of witchcraft and the history of witch persecutions across East Anglia during the 16th and 17th centuries where over 300 witches were executed by the Witch Hunter General Matthew Hopkins. 

Throughout the exhibition , the artist’s focus is on an 800 year-old oak tree called the ‘Old Knobbley’ located in Mistley, Essex and is rumoured to be where witches were thought to have hidden.  The exhibit also includes a sound installation which echoes several versions of the folk song “Cruel Mother” around the tree. The showcase is set to conclude in April and will evolve overtime as the artist will encourage her audience to participate in the exploration of the themes of voice, place, collective remembrance and resistance.  

Famous Old Knobbley oak tree in forest in Mistley, Essex – Image by Callum Redgrave
 A COVEN A GROVE A STAND, 2019. Photo Douglas Atfield, Courtesy Firstsite
 A COVEN A GROVE A STAND, 2019. Photo Douglas Atfield, Courtesy Firstsite

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Fondazione Prada: “Surrogati – Un Amore Ideale”

12.02.2019 | Art , Blog | BY:

Later this month Fondazione Prada will present a peculiar exhibition curated by Melissa Harris entitled “Surrogati. Un Amore Ideale” (Surrogate. A Love Ideal).  Set to be opened on February 20th at their Osservatorio venue in the Galleria Emanuele,  Milan, the exhibition will feature the works of American photographers Jamie Diamond and Elena Dorfman which will explore the notions of romantic and sexual love. Each of the photographer’s works create visual and oral discussions around the theme of emotional linkages between male and female with the notion of synthetic representations of humans. 

“Together, Diamond’s and Dorfman’s work presented in ‘Surrogate’ vividly and non judgementally documents the interactions of humans with their lifelike, inanimate companions” says curator Melissa Harris.

The exhibit will showcase three subcategories of work, by Jamie Diamond:  Forever Mothers (2012-2018) and Nine Months of Reborning (2014). The prior captures the lives of an outsider art community called the Reborners who are self-taught female artists who create, collect and interact with hyper-realistic dolls which help them fulfil a certain desire for motherhood.  “Working with this community allowed me to explore a grey area between reality and artifice where relationships are constructed with inanimate objects,  human and doll, artist and artwork, uncanny and real.”

Elena Dorfman’s segment of the exhibition features her series titled Still Lovers (2001-04) which highlights the lives of men and women who have relations and often devote themselves to life-size, realistic sex dolls. This series instantly ignites conversation about the power of lover and the value of an object that has the power great enough to replace human beings. Dorfman’s intentions behind creating the series was not to exploit or shun the deviancy of these unconventional relationships but to instead reveal the fascinating world of intimacy between flesh and silicone. “ My ambition is never to judge, but to allow the inhabitants of this secret world to share their daily lives with me. In familiar surroundings  of their homes, I watch the scenes of domestic life unfold, the artist explains.”  The exhibition set to conclude on July 22,  will also carry an illustrated publication in the Quaderni series published by the Fondazione, which will consist of conversations between the curator herself, the artists along with some of the image subjects.

Forever Mothers, (2014) Jamie Diamond
Rebecca 1, Still Lovers, (2001) Elena Dorfman
CJ & Taffy 5, Still Lovers, (2002) Elena Dorfman
Forever Mothers, (2014) Jamie Diamond

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Three Welcome Returns at BRAFA

26.01.2019 | Art , Blog | BY:

How does the art world decide what is hot? Often it is something emerging from institutions and curated shows, reflecting cultural change, politics and the contemporary moment. At other times the litmus test of a great artist is coming from the commercial world. Brussels fair BRAFA is like the Chanel of art fairs. It is classic, classy and daydream worthy. What was so fascinating at this year’s 65th fair is how across multiple booth three 20th century artists emerged as hot tickets. All three of these artists are worth rediscovering.

BRAM BOGART                                                                                                            

One of Brussels own, the Belgian expressionist painter Bram Bogart made textured, chunky paintings that look like sculptures on walls. Affiliated with the playful avant garde. COBRA group, Bram’s pieces mixed media from concrete to chalk in colourful, inventive, thick waves. He represented Belgium at the Venice Biennale in 1971 and died in 2012.
Bogart’s work is also on show now at the Tate Modern in a room devoted to paintings made with the colour white. At BRAFA you could spot him at least four booths, including stand out pieces at Rodolphe Janssen and Whitford Fine Art.

Bram Bogart, Russian-way, 1993 at Rodolphe Janssen

SERGEI POLIAKOFF


Born in Moscow in 1900, Poliakoff left home age 12 to be a musician, enrolled himself in art school age 19 and spent years playing guitar in cabarets across Europe – from Constantinopole to Vienna, Belgrade to London. After meeting Kandinsky and Sonia Delaunay in the 1940s, he began to make art seriously. Based in France, he became a very
successful painter in the 1950s and 60s but fell out of fashion in recent years. Poliakoff’s beautiful painterly interconnecting shapes are now having a welcome return. You could spot him at Zurich’s Galerie Von Vertes and Axel Veervordt among other booths at BRAFA.

Serge Poliakoff, Composition abstraite, 1966 at Galerie Von Vertes

PIERRE ALECHINSKY


Another Belgian COBRA artist, Alechinsky’s scrawled colourful abstract canvases were all over BRAFA. He work at first has a lot in common with the wildness of Dubuffet and contemporary hot Norwegian painter Ida Ekblad definitely has been eyeing up Pierre. In the 1950s, he began fascinated by Japanese calligraphy, was the Paris correspondent for the
Japanese ink magazine Bokubi and moved there with his wife. Later back in Europe, he taught at the Ecole des Beaux Arts in the 80s and hung out with surrealist pioneer Andre Breton. BRAFA was loving him with work at Die Galerie, Samuel Vanhoegaedern and a stunning early piece at Rodolphe Janssen.

Pierre Alechinsky, Untitled at Rodolphe Janssen
Pierre Alechinsky, Le Point du Jour, 1966 at Die Galerie

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V & A : “Christian Dior, Designer of Dreams”

21.01.2019 | Art , Blog , Fashion | BY:

On February 2nd, London based Victoria and Albert Museum will open the doors to the largest comprehensive exhibition to be staged in the UK on the fashion house of Dior. Titled “Christian Dior: Designer of Dreams,” this exhibition will trace the impact of one of the 20th century’s most influential couturiers while exploring the works of the six artistic directors who succeeded him. Although based on the major exhibition “Christian Dior: Couturier du Reve,” at the Musée des Arts Décoratifs in Paris, the showcase is reimagined for the V & A by curator Oriole Cullen and includes a brand new section which explores the designers fascination with British culture. 

“There is no other country in the world, besides my own, whose way of life I like so much. I love English traditions, English politeness, English architecture. I even love English cooking,” a quote from Christian Dior. The designer deeply admired the British  way of life, even his first fashion show took place at London’s Savoy Hotel and he then later established the brand as Christian Dior London. 

The exhibition also gives insight to Dior’s creative collaborations with jewellers, shoemakers, and glove makers as well as a focus on some of his earliest elite clients. These include author Nancy Mitford, dancer Margot Fonteyn and a special highlight of the Christian Dior dress worn by Princess Margaret for her 21st birthday. The exhibition will presents over 500 objects and over 200 rare Haute Couture garments displayed alongside the designer’s personal possessions. The show will reveal the sources of inspiration which help define the Dior aesthetic, from the intricate designs of Yves Saint Laurent to Maria Grazia Chiuri’s feminist vision. The showcase will be held across 11 sections which include titles such as The Dior Line, Dior In Britain, Historicism, Travels, among others. Christian Dior: Designer of Dreams opens February 2nd until July 14th , to book your tickets visit V & A.

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OSL Contemporary: The Future Stands Still But We Move In Infinite Space

21.01.2019 | Art , Blog | BY:

Norwegian gallery OSL contemporary in it’s latest venture has teamed up with a few artists for part two of their group exhibition called “The Future Stands Still but We Move in Infinite Space.” Opened earlier this month at their HQ in Oslo, the exhibition brings together a group of creatives who challenge our perception and also create an awareness of how different elements are entangled in a network of relations. Through the forms of sculpture, photography collage, film and drawing, these artists tell a story as they perceive the world as a continuous difficult dialogue with objects, memories, sensations, possibilities and prohibitions. Featured throughout the exhibition are collaborative works of Toril Johannessen and Marjolijn Dijkman with a diverse group of microorganisms seen through a light microscope. Also from photographer Kamilla Langleand who creates vintage photographs into fascinating collages and interdisciplinary artist Andrew Amorim who skilled in photography, film and video installation. These among others are the contributing creatives to the exhibition curated by Randi Grov Berger, which will conclude on February 23, for more info , visit OSL. 

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Hanna Moon & Joyce Ng: English as a Second Language

09.01.2019 | Art , Blog , Fashion | BY:

English creative hub Somerset House has recently tapped two of fashion’s headlining Asian photographers Hanna Moon and Joyce Ng for the conception of an upcoming exhibition entitled ‘English as a Second Language.’  The exhibition, set to open on January 25th, will be driven mainly by the work of these two Asian-born London-based photographers. It will offer a series of images with an interesting perspective, which shall incorporate cultural signifiers, set design and of course fashion as they present their take on Western aesthetics and fashion ideals. While at the same time bringing distinct Asian perspective to their works and challenging the concept of “otherness” to reflect upon the power fashion photography holds in shaping our general perceptions of beauty style and taste. Curated by Shonagh Marshall,  ‘English as a Second Language’ is set to be arranged across three rooms. The first of which visitors will be welcomed by the works of Hannah Moon in her series called ‘Heejin and Moffy’ where she uses the architecture of the Somerset House to capture the imagery of the models who respectively hail from South Korea and London in a dramatic re-imagination of Somerset’s neoclassical setting. The exhibition will then continue with the work of Joyce Ng , whose speciality is working with street casted models and natural environments. She will present a body of work which features a cast from the House’s community across a six week period as she invited visitors to take part in on-site shootings. The series will include inspiration from renowned Chinese novel Journey to the West, which the photographer selected participants to embody each character from the novel within the hidden public spaces of Somerset House. The exhibition  will also feature an extensive wardrobe from iconic names such as Vivienne Westwood, Phillip Treacy, Molly Goddard, Yohji Yamamoto among others.  For further details check out Somerset. 

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Serpentine Gallery x Grace Wales Bonner

07.01.2019 | Art , Blog , Fashion | BY:

London’s Serpentine Art Gallery and British-Jamaican designer Grace Wales Bonner, have teamed up for the release of an exhibition at the gallery in honour of the designer’s iconic work and research. The exhibition set to be opened on January 19th will explore the themes of mysticism, rituals and magical resonances throughout black cultural and aesthetic practices. The audience will be treated to a multi-sensory installation which will include an assemblage of shrines, a carpet installation by Rashid Jognson and a series of meditation workshops led by musician Laraaji during the opening days. The designer will draw inspiration from the improvisation, intentionality and repurposing of shrines from the Black Atlantic as material portals into multiple worlds and frames of experience. As she references images, rituals and ceremonies from across the world into a unique collective. The exhibition will culminate on February 16th and will lead into the presentation of her upcoming Autumn Winter 2019 collection titled Mumbo Jumbo. To RSVP, visit Serpentine.

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Dior: From Paris to the World

21.11.2018 | Art , Blog , Fashion | BY:

This week The Denver Art Museum (DAM) opens its doors to one of it’s most recent exhibitions entitled Dior: From Paris to the World. The exhibition is in celebration of the  legacy of French fashion house Christian Dior and it’s influence on the industry since its inception over 70 years ago. It includes a collection of over 200 haute couture dresses, accessories, photographs, original sketches and runway videos which showcases the visual evolution of the house throughout decades.  The exhibition not only highlights the founding father Christian Dior, but also profiles the work of artistic directors Yves-Saint  Laurent  (1958–1960), Marc  Bohan  (1961–1989), Gianfranco  Ferré (1989–1996),  John Galliano (1997–2011),  Raf  Simons  (2012–2015)  and Maria  Grazia Chiuri  (2016–present). “Dior: From Paris to the World will give our visitors  insight into the  House of Dior’s creative  process and inspirations that contributed to  its  unparalleled impact on the fashion world, which continues to reverberate today,” said  Christoph Heinrich, Frederick and Jan Mayer Director of the DAM.  “This exhibition encourages audiences to think differently about the boundaries of fashion as art, and advance the museum’s commitment to taking viewers behind the scenes to reveal Dior’s imaginative and innovative endeavours.” Curated by Florence Müller, DAM Avenir Foundation Curator of Textile Art and Fashion, the exhibition will be open from Nov 19, to March 3, 2019.

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Lajevardi Foundation: Mimicry — Empathy

20.11.2018 | Art , Blog | BY:

Visual artist Susanne burner recently launched an exhibition at the Lajevardi Foundation at the Karim Khan, Tehran, Iran which explores the topic of the dissolution of self as a gesture of empathy. The exhibit, titled MIMICRY — EMPATHY,  opens visual and oral conversation on the visual adaptations of different life forms in humans and general biology to secure survival.  It touches on the topic of teenagers’ attempts of blending into a prevailing society in different ways to ultimately develop their own identities or soldiers who during wartime opt to make themselves invisible in camouflage gear for obvious reasons. These are forms of mimicry —  an evolved resemblance between an organism and  another object or organism. This process requires a level of empathy from one or both of the parties involved in order to achieve a complete form of similitude by blurring the boundaries between the imitator and model. The Mimicry — Empathy exhibition negotiates these emotionally uncontrollable aspects of adaption and challenges the contract of cultural identities. It showcases a panel of seven artists which includes names such as Bless, Ulla Von Brandenburg, Susanne Burner, Berta Fischer, Sofia Hultén, Annette Kelm and Jochen Lempert. It also includes a screening of films curated by Anne-Sophie Dinant and Amirali Ghasem. The exhibition will run until November 30 and is set to travel to the  Museum of Contemporary Art in Isfahan next year, for more information, check out http://lajevardifoundation.com/

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Sadie Coles HQ: Katja Seib, Dear Diary

15.11.2018 | Art , Blog | BY:

London based contemporary art gallery Sadie Coles HQ introduces their most recent collaboration with German visual artist Katja Seib in an exhibition entitled Dear Diary at their gallery in Mayfair. This is the artist’s first solo exhibition in London which will feature a collection of new paintings which go by the theme of lucid figuration blurs into dreamlike symbolism, sharing a quality of psychological depth in common to her previous work.  On large burlap canvases, Seib depicts characters from real-life models to imaginary personae with materials which permeate both texture and imagery.  The artist’s paintings are often marked by reoccurring symbols and themes such as female sexuality and subjectivity and reality shading ambiguously into fantasy. She explores the use of light and colour using fluctuations in shadow and tones to render spatial depth. Also installed upstairs of the gallery will be an exhibition of her smaller works made on square canvases. This collection is mainly based on photographs she has taken of people she encounters during her life in Los Angeles. The exhibition is set to open on November 16th and will conclude on January 05, 2019. Be sure to stop by and have a look.

Eve’s Curse, Katja Seib (2018)

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The National Museum of Women in The Arts x Rodarte

13.11.2018 | Art , Blog , Fashion | BY:

The National Museum of Women in The Arts (NMWA) in collaboration with American luxury fashion house Rodarte is hosting the museum’s first fashion exhibition at their headquarters in Washington, DC this month. The exhibition which started last weekend, showcases the works of the designer-duo sisters Kate and Laura Mulleavy within the industries of contemporary art and fashion. From an archive of 13 years, composed of nearly 100 looks, each one will be presented as they were on the runway which will highlight selections of the brand’s most pivotal collections. With themes of high fashion and modern femininity, Rodarte has drawn critical acclaim from both the art and fashion worlds since its launch in 2005.  “Rodarte continually prompts a dialogue between the worlds of contemporary art and fashion” says NMWA Director Susan Fisher Sterling.  “This exhibition will continue that discussion with new insights, illustrating the Mulleavy sisters’ highly creative practice and sources of inspiration.”  Early Rodarte collections have made critical acclaim for their use of unconventional material which fused dressmaking and art together with strong influences from Vincent Van Gogh, nature, films etc. “We are honoured to be the first designers to have a fashion exhibition organized by the NMWA,” said the Mulleavy sisters. The exhibition will conclude on February 10, 2019, do ensure to catch a glimpse before it ends.

Rodarte designer-duo sisters Kate (left) and Laura Mulleavy Photo © Clara Balzary
Rodarte, Fall/Winter 2008 backstage; Photo © Autumn de Wilde
Rodarte, Spring/Summer 2018 backstage; Photo © Autumn de Wilde

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Pink: The History of A Punk, Pretty, Powerful Colour

09.11.2018 | Art , Blog , Fashion | BY:

In celebration of Mark Kay’s 55th anniversary, the American beauty brand has recently teamed up with The Museum at FIT New York to present a special exhibition called Pink: The History of A Punk, Pretty, Powerful Colour. For years the brand has held a strong association to the colour pink, from makeup palettes to pink Cadillacs, and now after 55 years in the business they’ve made this partnership to honour the multifaceted colour in several ways.

“Since our inception in 1963, our brand has inspired and empowered millions of aspiring entrepreneurs across the globe. In that time, Mary Kay has become synonymous with the colour pink, and this exhibition shows the world what we’ve known for years, that pink is a symbol of power passion and purpose,” said Sheryl Adkins-Green, Chief Marketing Officer for Mark Kay. The exhibition features a collection of clothing from present day to pieces which date as far back as the 18th century. It includes looks from designers such as Alessandro Michele for Gucci, Christian Dior, Elsa Schiparelli, Yves Saint Laurent, Jeremy Scott for Moschino Rei Kawakubo for Comme des Garçons and several others. The exhibition extensively  explores the history behind the colour and also how it has been used in Western Cultures. How for example in Mexico, the colour called Rosa Mexicano is associated with national identity, or in India it is worn by both genders. It also speaks to reason behind the colour’s erotic connotations, and its role in political protest and pop music culture in association to rebellious youth. The exhibit is currently open to the public The Museum at FIT New York , and will run until January 5, 2019. If you’re in town, be sure to catch a glimpse.

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Sarah Sze, Gagosian Roma 2018

06.11.2018 | Art , Blog | BY:

Italian contemporary art gallery Gagosian in collaboration with American artist Sarah Sze presents her first gallery exhibition following the artist’s participation in the Biennale di Venezia in 2015. The exhibition which is being hosted at the Gagosian headquarters in Rome, features a collection of Sze’s works which unites intricate networks of objects and images across several dimensions and mediums, from sculptings to paintings, drawings, printmakings and video installations. Sze’s Timekeeper series, a video installation which began in 2015, transforms the oval gallery of the Gagosian into an immersive environment that is part sculpture and part cinema. The exhibition acts as a form of Plato’s Cave, which confronts the viewer from simultaneous points of view and includes people, animals, scenes and abstractions in motion, flickering and orbiting randomly. In the paintings, her nuanced sculptural language adapts to the conditions of the flat support. In delicate yet bold layers of paint, ink, paper, prints, and objects, the three dimensions of bricolage are parsed into the two dimensions of collage. Here, colour draws its substantive energies as much from the innate content of found images from paint and ink. The artist is set to add her first outdoor stone sculpture to the exhibition in November, which will feature a natural boulder split open like a geode. Each of the two revealed cuts will have a sunset sky embedded in its surface, alluding to both the images perceptible in gongshi and the heavenly subjects of renaissance paintings. The exhibition will end it’s course on January 12, 2019.

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Ami Sioux, From The Road Exhibition

31.10.2018 | Art , Blog | BY:

Photographer and musician Ami Sioux debuts her first monograph of personal work in a photography exhibition and book titled From The Road. The book is curated as a collection of portraits, landscapes and abstracts shot during the photographer’s journey in New York, Berlin, Paris, Tokyo and Los Angeles from 2001 through 2018. 

Sioux’s path as a photographer initially began in the 1990s which has been a journey which has took her throughout all these cities. She is a photographer who has shot for brands such as Hermes and Maison Margiela, but also prides herself as a photographer who demands a certain type of presence of the subjects of her images. Her work in the exhibition documents and engages a time passage with portraits of lovers and friends alongside landscapes and abstracts captured in a painterly way along with outtakes of celebrities and artists she has shot for magazines throughout the years. The entire series was shot on 35mm film and the cover of book was designed by musician and artist Matt Fishbeck. This will count as Ami’s fourth personal book. The others; Paris 48°N, Reykjavik 64°N and Tokyo 35°N are series exploring the relationships of creatives and their abiding cities. The exhibition will eventually travel to New York, Los Angeles and Tokyo, but is currently running in Paris at the Mannerheim Gallery until November 11, 2018.   

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Fondation Louis Vuitton: The Courtauld, A Vision for Impressionism

30.10.2018 | Art , Blog | BY:

As of February 2019, the Foundation Louis Vuitton will the hosting the collection of English industrialist and art collector Samuel Courtauld (1876-1947) in Paris for the first time in over sixty years. Courtauld’s family’s held significant historical ties to France. They were Hugenots, which is a group originally from the Isle of Oléron, who emigrated to London at the end of the 17th century. His family’s business, thrived as one of the greatest textile manufacturers of artificial silk in the world. Samuel traveled regularly to Paris to purchase impressionist and post-impressionist works from French dealers. He compiled one of the greatest collections of impressionist art which includes 100 pieces paintings and graphic work. The exhibition includes pieces from the end of 19th century which gives a clear idea of the pioneering role the collector held  and his influence on the art of impressionism in the UK.

The collection will include works such as A Bar at the Folies-Bergère (1882) by Edouard Manet, Nevermore (1897) by Paul Gauguin, La Louge (1874) by Pierre-Auguste Renoir and one of Van Gogh’s most famous paintings, Self Portrait With a Bandaged Ear (1889) which will be displayed for the first time since its presentation in 1955.  After a decade of collecting art pieces, his collection was first exhibited in his neoclassical home in Portman Square in central London. Thereafter, he created the Courtauld Institute of Art and Gallery in London which was one the first university establishments in the UK devoted to art which he donated the majority of his pieces in 1932.

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NOMA : Lina I. Viktor, A Haven. A Hell. A Dream Deferred

25.10.2018 | Art , Blog , Culture | BY:

For her most recent body of work, London raised Liberian multi-media artist Lina Iris Viktor partnered with the New Orleans Museum of Art (NOMA) to present an exhibition which explores the factual and fantastical narratives surrounding America’s involvement in the founding of the West African nation of Liberia. The nation was founded by the American Colonization Society in 1817, and was used as a conduit of resettlement upon and throughout the abolition of slavery. Through the exhibition which is titled “A Haven. A Hell. A Dream Deferred,” the artist reimagines Liberia’s colonial past through the eyes of the  ‘Libyan Sibyl’ which is an ancient prophetic priestess who was said to predict ill-fated futures and would later re-emerge as a common motif in American art and literature. For the exhibition, which began on October 5, 2018,  Viktor uses paintings, paper works and installations to connect these references to modern and traditional West African textile culture and evocation figurative imagery.  “Liberia appears in Lina’s re-imagining as a kind of paradise lost, and as a cautionary tale,” said Allison Young, Andrew. Mellon Fellow of Contemporary Art. “ At the same time her work transcends this narrative, revealing how examples of visual culture — from Dutch Wax fabrics to national emblems to gestures in the history of portraiture—exists as remnants of these colonial histories.”  The exhibition runs until January 6, 2019 in the Great Hall of the  New Orleans Museum of Arts.

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