susan pui san lok: A COVEN A GROVE A STAND

18.02.2019 | Art , Blog | BY:

Earlier this month at the Firstsite gallery Colchester,  opened an uncanny exhibition titled “A COVEN A GROVE A STAND.”  The exhibition pioneered by artist susan pui san lok, is an exploration of the age-old practice of witchcraft and the history of witch persecutions across East Anglia during the 16th and 17th centuries where over 300 witches were executed by the Witch Hunter General Matthew Hopkins. 

Throughout the exhibition , the artist’s focus is on an 800 year-old oak tree called the ‘Old Knobbley’ located in Mistley, Essex and is rumoured to be where witches were thought to have hidden.  The exhibit also includes a sound installation which echoes several versions of the folk song “Cruel Mother” around the tree. The showcase is set to conclude in April and will evolve overtime as the artist will encourage her audience to participate in the exploration of the themes of voice, place, collective remembrance and resistance.  

Famous Old Knobbley oak tree in forest in Mistley, Essex – Image by Callum Redgrave
 A COVEN A GROVE A STAND, 2019. Photo Douglas Atfield, Courtesy Firstsite
 A COVEN A GROVE A STAND, 2019. Photo Douglas Atfield, Courtesy Firstsite

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Twin Magazine presents “Twin X” : Jan 31 – Feb 02

04.02.2019 | Art , Blog , Fashion | BY:

This week Twin Magazine opens our doors in London to a group exhibition  entitled “Twin X” which celebrates a decade of local emerging talent and creativity.  The showcase, which opens on January 31st at The Store X in East London, pulls on the visual archive of our biannual print publication featuring the works of several creatives throughout the industries of fashion, photography and art. Collectively curated by Twin Founder Becky Smith; Twin art editor and curator Francesca Gavin; curator and gallerist Antonia Marsh; image director Holly Hay and Twin fashion editor Naomi Miller, the exhibition is an amalgamation of the personal taste and perspective of each curator. 

It is a display which collectively showcases specially-commissioned editorial images that focus on independence and individualism, which are themes that have been carried throughout the magazine since it’s conception in 2009. 

“As publications have come under increased pressure to compromise over the last decade, Twin has remained a distinct and independent platform for pure creativity. The show celebrates the artists that have helped shaped and define independent publishing as it stands today, ” says Founder Becky Smith.

With work from photographers such as Stef Mitchell, Cass Bird, Boo George, Bibi Cornejo Borthwick, Dexter Navy and Akinola Davies Jr, the show deconstructs a central narrative into four sections: Photographers, Models, People and the Unseen. Exploring the thoughts behind these characters, faces and creatives who are defining the nature of contemporary creativity. The Unseen section of the exhibition will also feature never-before-seen outtake shots from the magazine’s photographic archive, providing spectators with a rare insight into the world of image-making and its process. Twin X features free admission and concludes on February 3, 2019. 


Photograph by Yaniv Edry, Issue 19, 2018.

Photograph by Akinola Davies Jr., Issue 19, 2018.

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V & A : “Christian Dior, Designer of Dreams”

21.01.2019 | Art , Blog , Fashion | BY:

On February 2nd, London based Victoria and Albert Museum will open the doors to the largest comprehensive exhibition to be staged in the UK on the fashion house of Dior. Titled “Christian Dior: Designer of Dreams,” this exhibition will trace the impact of one of the 20th century’s most influential couturiers while exploring the works of the six artistic directors who succeeded him. Although based on the major exhibition “Christian Dior: Couturier du Reve,” at the Musée des Arts Décoratifs in Paris, the showcase is reimagined for the V & A by curator Oriole Cullen and includes a brand new section which explores the designers fascination with British culture. 

“There is no other country in the world, besides my own, whose way of life I like so much. I love English traditions, English politeness, English architecture. I even love English cooking,” a quote from Christian Dior. The designer deeply admired the British  way of life, even his first fashion show took place at London’s Savoy Hotel and he then later established the brand as Christian Dior London. 

The exhibition also gives insight to Dior’s creative collaborations with jewellers, shoemakers, and glove makers as well as a focus on some of his earliest elite clients. These include author Nancy Mitford, dancer Margot Fonteyn and a special highlight of the Christian Dior dress worn by Princess Margaret for her 21st birthday. The exhibition will presents over 500 objects and over 200 rare Haute Couture garments displayed alongside the designer’s personal possessions. The show will reveal the sources of inspiration which help define the Dior aesthetic, from the intricate designs of Yves Saint Laurent to Maria Grazia Chiuri’s feminist vision. The showcase will be held across 11 sections which include titles such as The Dior Line, Dior In Britain, Historicism, Travels, among others. Christian Dior: Designer of Dreams opens February 2nd until July 14th , to book your tickets visit V & A.

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OSL Contemporary: The Future Stands Still But We Move In Infinite Space

21.01.2019 | Art , Blog | BY:

Norwegian gallery OSL contemporary in it’s latest venture has teamed up with a few artists for part two of their group exhibition called “The Future Stands Still but We Move in Infinite Space.” Opened earlier this month at their HQ in Oslo, the exhibition brings together a group of creatives who challenge our perception and also create an awareness of how different elements are entangled in a network of relations. Through the forms of sculpture, photography collage, film and drawing, these artists tell a story as they perceive the world as a continuous difficult dialogue with objects, memories, sensations, possibilities and prohibitions. Featured throughout the exhibition are collaborative works of Toril Johannessen and Marjolijn Dijkman with a diverse group of microorganisms seen through a light microscope. Also from photographer Kamilla Langleand who creates vintage photographs into fascinating collages and interdisciplinary artist Andrew Amorim who skilled in photography, film and video installation. These among others are the contributing creatives to the exhibition curated by Randi Grov Berger, which will conclude on February 23, for more info , visit OSL. 

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Hanna Moon & Joyce Ng: English as a Second Language

09.01.2019 | Art , Blog , Fashion | BY:

English creative hub Somerset House has recently tapped two of fashion’s headlining Asian photographers Hanna Moon and Joyce Ng for the conception of an upcoming exhibition entitled ‘English as a Second Language.’  The exhibition, set to open on January 25th, will be driven mainly by the work of these two Asian-born London-based photographers. It will offer a series of images with an interesting perspective, which shall incorporate cultural signifiers, set design and of course fashion as they present their take on Western aesthetics and fashion ideals. While at the same time bringing distinct Asian perspective to their works and challenging the concept of “otherness” to reflect upon the power fashion photography holds in shaping our general perceptions of beauty style and taste. Curated by Shonagh Marshall,  ‘English as a Second Language’ is set to be arranged across three rooms. The first of which visitors will be welcomed by the works of Hannah Moon in her series called ‘Heejin and Moffy’ where she uses the architecture of the Somerset House to capture the imagery of the models who respectively hail from South Korea and London in a dramatic re-imagination of Somerset’s neoclassical setting. The exhibition will then continue with the work of Joyce Ng , whose speciality is working with street casted models and natural environments. She will present a body of work which features a cast from the House’s community across a six week period as she invited visitors to take part in on-site shootings. The series will include inspiration from renowned Chinese novel Journey to the West, which the photographer selected participants to embody each character from the novel within the hidden public spaces of Somerset House. The exhibition  will also feature an extensive wardrobe from iconic names such as Vivienne Westwood, Phillip Treacy, Molly Goddard, Yohji Yamamoto among others.  For further details check out Somerset. 

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Five Art Works To See In Vienna

30.11.2018 | Art , Blog | BY:

No one needs an excuse to come to Vienna – as the portfolio of talents in the current issue of Twin proves. Vienna Art Week each November grew out of the contemporary art sales at the Dorotheum, the second oldest auction house in the world. It is essentially a celebration of exhibitions and events across the city is chance to see some stunning work – much of which is still on view for the rest of 2018. Here are five highlights of works to see in Vienna right now.

Giorgio Griffa

This painting on raw jute was the highlight of the auctions at the Dorotheum, amongst work by Lucia Fontana, Maria Lassnig and Egon Schiele. The Turin-based abstract painter, who is getting some serious attention in his later years, has helped redefine abstraction with a dose of quantum physics and emphasis on process. See Dorotheum.com

Spitzhaus Mummy in a coffin and other treasures from the Kunsthistoriches Museum

Film director Wes Anderson and his illustrator-art historican partner Juman Malouf have raided all the museums of Vienna to create this delightful cabinet of curiosities grouped together thematically. If you wanted to see what it feels like to walk into a Wes Anderson film, visit here. 

Donna Huanca

Bolivian-American artist Donna Huanca, who works with Berlin’s Peres Projects, has been given carte blanche to fill the classical surroundings of the Belvedere museum with her large scale paintings and performance works, where bodies covered in paint give a much needed injection of life into the history of sculpture and classicism. For more info check out Belvedere.at.

Pieter Breughel

This is the biggest Breughel exhibition you will ever see in your life is also on at the Kunsthistoriches and the work is on another level. One special highlight is this very strange countryside fantasy and sci-fi politics and reinforces how truly incredible the 16the century artist really was. Visit khm for info.

Chadwick Rantanen

Project space Guimares has a brilliant exhibition of small works entitled Schmaltz on until January 19. It includes this very weird and very wonderful twitching pulsating kinetic sculpture made from a hacked battery powered toy by American artist Chadwick Rantanen, alongside works by Thomas Jeppe, Ken Kagami and Urara Tschuiya. Visit here for info. A

Image by Gregor Titze

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Lajevardi Foundation: Mimicry — Empathy

20.11.2018 | Art , Blog | BY:

Visual artist Susanne burner recently launched an exhibition at the Lajevardi Foundation at the Karim Khan, Tehran, Iran which explores the topic of the dissolution of self as a gesture of empathy. The exhibit, titled MIMICRY — EMPATHY,  opens visual and oral conversation on the visual adaptations of different life forms in humans and general biology to secure survival.  It touches on the topic of teenagers’ attempts of blending into a prevailing society in different ways to ultimately develop their own identities or soldiers who during wartime opt to make themselves invisible in camouflage gear for obvious reasons. These are forms of mimicry —  an evolved resemblance between an organism and  another object or organism. This process requires a level of empathy from one or both of the parties involved in order to achieve a complete form of similitude by blurring the boundaries between the imitator and model. The Mimicry — Empathy exhibition negotiates these emotionally uncontrollable aspects of adaption and challenges the contract of cultural identities. It showcases a panel of seven artists which includes names such as Bless, Ulla Von Brandenburg, Susanne Burner, Berta Fischer, Sofia Hultén, Annette Kelm and Jochen Lempert. It also includes a screening of films curated by Anne-Sophie Dinant and Amirali Ghasem. The exhibition will run until November 30 and is set to travel to the  Museum of Contemporary Art in Isfahan next year, for more information, check out http://lajevardifoundation.com/

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Sadie Coles HQ: Katja Seib, Dear Diary

15.11.2018 | Art , Blog | BY:

London based contemporary art gallery Sadie Coles HQ introduces their most recent collaboration with German visual artist Katja Seib in an exhibition entitled Dear Diary at their gallery in Mayfair. This is the artist’s first solo exhibition in London which will feature a collection of new paintings which go by the theme of lucid figuration blurs into dreamlike symbolism, sharing a quality of psychological depth in common to her previous work.  On large burlap canvases, Seib depicts characters from real-life models to imaginary personae with materials which permeate both texture and imagery.  The artist’s paintings are often marked by reoccurring symbols and themes such as female sexuality and subjectivity and reality shading ambiguously into fantasy. She explores the use of light and colour using fluctuations in shadow and tones to render spatial depth. Also installed upstairs of the gallery will be an exhibition of her smaller works made on square canvases. This collection is mainly based on photographs she has taken of people she encounters during her life in Los Angeles. The exhibition is set to open on November 16th and will conclude on January 05, 2019. Be sure to stop by and have a look.

Eve’s Curse, Katja Seib (2018)

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Jane Dickson in Times Square

15.11.2018 | Blog , Literature | BY:

American author Chris Kraus,  culture critic Carlo McCormick and visual artist Fab 5 Freddy have all recently joined forces on the embarkment of a new hardcover creation titled Jane Dickson in Times Square.  The book tells a tale of the artistic, seedy and criminalistic night-time world of Manhattan in the 70’s and early 80’s through the eyes of renowned painter Jane Dickson. As a distinct creative voice of this period, Dickson has made her marks within the legacies of downtown art, punk rock and hip hop through her involvement with the Colab art collective which included her work in iconic exhibitions such as The Real Estate Show (1980) and Times Square Show (1980). Throughout this all,  the artist has lived her success from her apartment of 43rd street while raising two children in a time where the neighbourhood experienced it’s most crime-infested period. Through her journey, the artist has photographed, drawn and painted scenes of life in Times Square. In this book, many of these art works are reproduced for the first time along with candid shots, sketches and paintings.  The book tells the visual tale of a wild, manic, beautiful New York City with a foreword by Chris Kraus, afterword by Fab 5 Freddy and an interview by Carlo McCormick. This is the first first time Dickson has chosen to place her personal speech alongside her finished work as unfiltered personal memories.  “I was a flâneur, documenting this crazy scene: A painter, using the camera to take notes, trying to get some grip on what the hell was going on.. One of my main goals is to leave a record of how the world looked and felt, in this place, at this time, to this woman. The female gaze is not disembodied — it is very much embodied and grounded within the fame form and experience, here in my experience.” The book, published by Anthology Editions, is now on shelves in select stores in the US, UK and Australia, for more information on where and how to purchase, check out the official site. 

Imagery courtesy Jane Dickson In Times Square
Imagery courtesy of Jane Dickson In Times Square

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The National Museum of Women in The Arts x Rodarte

13.11.2018 | Art , Blog , Fashion | BY:

The National Museum of Women in The Arts (NMWA) in collaboration with American luxury fashion house Rodarte is hosting the museum’s first fashion exhibition at their headquarters in Washington, DC this month. The exhibition which started last weekend, showcases the works of the designer-duo sisters Kate and Laura Mulleavy within the industries of contemporary art and fashion. From an archive of 13 years, composed of nearly 100 looks, each one will be presented as they were on the runway which will highlight selections of the brand’s most pivotal collections. With themes of high fashion and modern femininity, Rodarte has drawn critical acclaim from both the art and fashion worlds since its launch in 2005.  “Rodarte continually prompts a dialogue between the worlds of contemporary art and fashion” says NMWA Director Susan Fisher Sterling.  “This exhibition will continue that discussion with new insights, illustrating the Mulleavy sisters’ highly creative practice and sources of inspiration.”  Early Rodarte collections have made critical acclaim for their use of unconventional material which fused dressmaking and art together with strong influences from Vincent Van Gogh, nature, films etc. “We are honoured to be the first designers to have a fashion exhibition organized by the NMWA,” said the Mulleavy sisters. The exhibition will conclude on February 10, 2019, do ensure to catch a glimpse before it ends.

Rodarte designer-duo sisters Kate (left) and Laura Mulleavy Photo © Clara Balzary
Rodarte, Fall/Winter 2008 backstage; Photo © Autumn de Wilde
Rodarte, Spring/Summer 2018 backstage; Photo © Autumn de Wilde

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Sarah Sze, Gagosian Roma 2018

06.11.2018 | Art , Blog | BY:

Italian contemporary art gallery Gagosian in collaboration with American artist Sarah Sze presents her first gallery exhibition following the artist’s participation in the Biennale di Venezia in 2015. The exhibition which is being hosted at the Gagosian headquarters in Rome, features a collection of Sze’s works which unites intricate networks of objects and images across several dimensions and mediums, from sculptings to paintings, drawings, printmakings and video installations. Sze’s Timekeeper series, a video installation which began in 2015, transforms the oval gallery of the Gagosian into an immersive environment that is part sculpture and part cinema. The exhibition acts as a form of Plato’s Cave, which confronts the viewer from simultaneous points of view and includes people, animals, scenes and abstractions in motion, flickering and orbiting randomly. In the paintings, her nuanced sculptural language adapts to the conditions of the flat support. In delicate yet bold layers of paint, ink, paper, prints, and objects, the three dimensions of bricolage are parsed into the two dimensions of collage. Here, colour draws its substantive energies as much from the innate content of found images from paint and ink. The artist is set to add her first outdoor stone sculpture to the exhibition in November, which will feature a natural boulder split open like a geode. Each of the two revealed cuts will have a sunset sky embedded in its surface, alluding to both the images perceptible in gongshi and the heavenly subjects of renaissance paintings. The exhibition will end it’s course on January 12, 2019.

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Ami Sioux, From The Road Exhibition

31.10.2018 | Art , Blog | BY:

Photographer and musician Ami Sioux debuts her first monograph of personal work in a photography exhibition and book titled From The Road. The book is curated as a collection of portraits, landscapes and abstracts shot during the photographer’s journey in New York, Berlin, Paris, Tokyo and Los Angeles from 2001 through 2018. 

Sioux’s path as a photographer initially began in the 1990s which has been a journey which has took her throughout all these cities. She is a photographer who has shot for brands such as Hermes and Maison Margiela, but also prides herself as a photographer who demands a certain type of presence of the subjects of her images. Her work in the exhibition documents and engages a time passage with portraits of lovers and friends alongside landscapes and abstracts captured in a painterly way along with outtakes of celebrities and artists she has shot for magazines throughout the years. The entire series was shot on 35mm film and the cover of book was designed by musician and artist Matt Fishbeck. This will count as Ami’s fourth personal book. The others; Paris 48°N, Reykjavik 64°N and Tokyo 35°N are series exploring the relationships of creatives and their abiding cities. The exhibition will eventually travel to New York, Los Angeles and Tokyo, but is currently running in Paris at the Mannerheim Gallery until November 11, 2018.   

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Fondation Louis Vuitton: The Courtauld, A Vision for Impressionism

30.10.2018 | Art , Blog | BY:

As of February 2019, the Foundation Louis Vuitton will the hosting the collection of English industrialist and art collector Samuel Courtauld (1876-1947) in Paris for the first time in over sixty years. Courtauld’s family’s held significant historical ties to France. They were Hugenots, which is a group originally from the Isle of Oléron, who emigrated to London at the end of the 17th century. His family’s business, thrived as one of the greatest textile manufacturers of artificial silk in the world. Samuel traveled regularly to Paris to purchase impressionist and post-impressionist works from French dealers. He compiled one of the greatest collections of impressionist art which includes 100 pieces paintings and graphic work. The exhibition includes pieces from the end of 19th century which gives a clear idea of the pioneering role the collector held  and his influence on the art of impressionism in the UK.

The collection will include works such as A Bar at the Folies-Bergère (1882) by Edouard Manet, Nevermore (1897) by Paul Gauguin, La Louge (1874) by Pierre-Auguste Renoir and one of Van Gogh’s most famous paintings, Self Portrait With a Bandaged Ear (1889) which will be displayed for the first time since its presentation in 1955.  After a decade of collecting art pieces, his collection was first exhibited in his neoclassical home in Portman Square in central London. Thereafter, he created the Courtauld Institute of Art and Gallery in London which was one the first university establishments in the UK devoted to art which he donated the majority of his pieces in 1932.

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NOMA : Lina I. Viktor, A Haven. A Hell. A Dream Deferred

25.10.2018 | Art , Blog , Culture | BY:

For her most recent body of work, London raised Liberian multi-media artist Lina Iris Viktor partnered with the New Orleans Museum of Art (NOMA) to present an exhibition which explores the factual and fantastical narratives surrounding America’s involvement in the founding of the West African nation of Liberia. The nation was founded by the American Colonization Society in 1817, and was used as a conduit of resettlement upon and throughout the abolition of slavery. Through the exhibition which is titled “A Haven. A Hell. A Dream Deferred,” the artist reimagines Liberia’s colonial past through the eyes of the  ‘Libyan Sibyl’ which is an ancient prophetic priestess who was said to predict ill-fated futures and would later re-emerge as a common motif in American art and literature. For the exhibition, which began on October 5, 2018,  Viktor uses paintings, paper works and installations to connect these references to modern and traditional West African textile culture and evocation figurative imagery.  “Liberia appears in Lina’s re-imagining as a kind of paradise lost, and as a cautionary tale,” said Allison Young, Andrew. Mellon Fellow of Contemporary Art. “ At the same time her work transcends this narrative, revealing how examples of visual culture — from Dutch Wax fabrics to national emblems to gestures in the history of portraiture—exists as remnants of these colonial histories.”  The exhibition runs until January 6, 2019 in the Great Hall of the  New Orleans Museum of Arts.

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Manchester Science Festival 2018: A Collision of Arts and Science

18.10.2018 | Art , Blog | BY:

The merging of arts and science is an ancient practice embedded into our daily lives in the simplest ways which one might not even notice. Both are attempts to understand and describe the world around us. And this year, the Manchester Science Festival produced by the Science Industry Museum, presents an immersive collection of exhibitions, performances, and installations which magnify the fusion of these two industries in over 65 venues beginning today, October 18, 2018. The festival will feature a list of both international and local artists and scientists exploring a wide variety of topics; from the impact of nuclear explosions on the human body to the controversial future of cloning and the definitions of the concept of beauty.

Three of the fair’s selected headliner events are You Have Been Upgraded, Distortions in Spacetime and Electricity: The Spark of Life. You Have Been Upgraded is a one-night-only gathering of the world’s leading scientists, academics, entrepreneurs and biohackers to showcase the art of human enchantment technologies. The event will also include themed body tattooing and will open conversation on the limits and advances of artistic and technological body modifications.  While Distortions in Spacetime is an immersive installation which will replicate the experience of being within the gravitational waves of a black hole, curated by audio-visual pioneers.  Electricity: The Spark of Life will be a self-explanatory event of interpretive art which explores the high-tech dependency humans hold on electricity and its transformational impact of human life.  This event will feature the world premiere of new work by data design studio Tekja. Other highlights will include musical, dance and theatrical performances. The festival will run until October 28, for tickets and further information , check out Manchester Science Festival.

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Gucci ft. Maurizio Cattelan: The Artist Is Present

15.10.2018 | Art , Blog | BY:

On their latest venture, Italian fashion house Gucci partners with artist Maurizio Cattelan to curate a project which raises conversations about the significance of originality in an exhibition titled The Artist Is Present. Creative Director Alessandro Michele is said to have shared utopia with the artist which is a dream of the Chinese metropolis; homeland to the idea of “the copy is the original.”

Launched on October 10th at the Yuz Museum in Shanghai, curated by Cattelan, the exhibition is described as an act of of appropriation. The project explores the complex relationship between image and reality and representation and presentation in the art industry. The title of the exhibition itself aims at demonstrating how the act of copying can be considered a noble act of creation. The line up features a list of over thirty foreign and Chinese artists of which propose simulation and copy as a paradigm of modern and global culture. These artist display both site-specific and existing works which question some of the most basic principles of art such as originality, intention and expression.  The show explores how originality can be reached through the act of repetition, and how originals can be preserved through copies. “ Copying is like a form of blasphemy, it could seem disrespectful towards God but at the same time it is the significative recognition of its existence, ” comments Maurizio Cattelan. It is an entire appeal to prove the idea of originality is overrated. The exhibition is on display until December 16th and feature artists such as John Ahearn, John Armleder, Nina Beier, Brian Belott etc. For more information , visit Gucci.

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Her Stories 2018: For Womxn, By Womxn

15.10.2018 | Art , Blog | BY:

‘Her Stories’ is a campaigning body founded by British feminist extraordinaire Hannah Philip in 2017 to support marginalised women in the U.K through the use of the arts. “ Having been involved in both feminist activities and politics for several years, establishing the East London Fawcett group (ELF) and working with the 50/50 Parliament campaign, I became increasingly aware of the desperate circumstances of marginalised women in the UK. I wanted to create something for these women who have been failed by our society.”

Since then the organisation has lead annual events in raising funds towards women in need. This year their focus is aimed towards raising essential for funds for charities dedicated to womxn seeking asylum and refuge in the U.K. Spelling the word women differently in an effort to emphasise the inclusion of trans women, people of colour, self-identifying genderqueer and non binary people. Following a BBC article published earlier this year which revealed figures of the existing gender imbalance in art auctions, Her Stories has launched the first womxn-only arty auction; for womxn, by womxn.

The organisation is supported by titled sponsor H&M in partnership with several female artists who have donated their work in an effort to raise funds for the cause. All funds raised will go directly to the three selected charities of which provide support service to some of the UK’s most marginalised womxn : Maternity Action, Women for Refugee Women and Ella’s Home. The movement will begin on November 8th 2018 with a series of events including an online and live auction at The Arts Club on Dover Street, an exhibition and a party at Protein Studios.  Participating artists include Zoe Bedeaux, Juno Calypso and Phoebe Collings. The auction will be the second that the organisation has put on following their successful 2017 events which raised over £30, 000 through the auction of the works of 14 womxn artists in support of Young Women’s Trust, Solace Women’s Aid and Beyond The Streets. For more information follow up on the Her Stories website.

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Saint Hoax: MonuMental 2018

10.10.2018 | Art , Blog , Culture | BY:

Saint Hoax is one of instagram’s latest front runner accounts known for it’s well-edited controversial and often accurately curated memes and photos which make light of socio-political issues in fun spirits. The pseudonymous artist behind the account is not only a humorous composer of memes and images, but also a creator of what is described as POPlitical Art — an art form which repurposed political and popular ethos as a commentary on the briefness of adulation. This is displayed through the artist’s oil paintings, lenticular prints and installations.

Saint Hoax’s latest venture is an exhibition titled ‘MonuMental’ set to debut tomorrow in Beirut, Lebanon following the artist’s last two exhibitions which showed in Bangkok and New York ‘MonuMental is an iconographic study of the pathos lurking beneath the immaculate facades of idols.’ It features version of the artist’s work in exaggerated dimensions which represent a reflection of the icons’ magnified personas in comparison to the vulnerability of the souls behind them. The exhibition is scheduled to take place in one of Beirut’s most historical buildings called The Egg. This is a cinema built in the 1950’s that was destroyed during the Lebanese civil war which throughout decades has experienced several stages of political and physical deteriorations and renovations. The exhibition  is curated by Plastik Gallery and will open to the public on October 11 until October 14.

Saint Hoax, Killer Queen, 2018
Saint Hoax, God Save The Queens, 2018
Saint Hoax via Instagram

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Marni’s Mattress Recipe

24.09.2018 | Blog , Fashion | BY:

For Marni’s spring summer 2019 collection creative director Francesco Rizzo invited his audience in bed as he presented a collection which celebrated the importance of human touch. Rizzo imagined a designer’s world where the clothing was all handcrafted as opposed to being manufactured, similar to the world of a painter or chef.

The collection glorified the inaccuracy of an artist’s hand in a way which highlighted the creative process. It was about that aha moment in the studio where the fabric is draped on the dress form with pins and tape and the light hits it and the character comes alive. The moment before the finished hems and tightened seams,  or as he said, “a journey from the white of the rough canvas to colour, seasoned with prints and embellishments.”  Vivid splashes of colour were complemented by prints of the human form along with draped skirts, finger painted patterned coats and skirts. Each piece of jewellery was crafted to mimic leaves and miniature versions of the female form. It was just the right balance between artistry and commerciality while still keeping in mind a very playful Marni signature. It might be safe to say the designer at Marni is just the perfect pairing. He has caught his stride on the path of equilibrium for high sales while still withholding the characteristics poetry and craftsmanship.

Marni SS19 seating

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Salon 63

16.09.2018 | Art , Blog | BY:

Londoners heading south should leave room for a longer bus journey this week thanks to a new project opening along the 63 bus route.

Curator Sasha Galitzine has partnered with 13 artists with 10 hair and beauty salons to make site-specific works throughout the route. Each work explores and celebrates the role of the salon in the local community, and the journey runs from Clerkenwell to Peckham. 

The participating artists Larry Achiampong, Gabriele Beveridge, Ellen Gallagher, Gery Georgieva, Paul Kindersley, Eloise Lawson, Andrew Logan, Isaac Olvera, Paloma Proudfoot, Hans Rosenström, Stasis, Freddy Tuppen and Kirsty Turner Jones.

One of Lewis Barbers clients in Eloise Lawson’s workshop there whilst waiting for a haircut.

The participating salons are Barber Streisand, La Bodeguita & Elephant & Castle Shopping Centre, Diamond Nails, Manuel Guerra Skin Care & Sylvio’s Juice Bar, Old Kent Road Barber Shop, Lewis Barbers, Miami Health Club, Sam’s Barbers, DKUK and Divine Destiny.

The project draws attention to the vital role that these salons play in the local community, how they act as spaces for socialising and support as well as for beauty treatments and hair styling.

Eloise Lawson and Lewis barbers.

In doing so Sasha seeks to raise questions about the role of the salon in London, and beyond that to investigate notions around what a social space is, and how it is made.

For more information about Salon 63: Artist & Salon collaborations down the 63 bus route, click here.

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