Public Image

28.12.2010 | Art , Blog , Culture | BY:

Since the Seventies artist Cindy Sherman has successfully used her own image as her canvas without revealing her true identity. Though the artist is her own sole subject, her photographs are a world away from atypical self-portraiture.

A consummate performer, over the years Sherman has cast herself across the gamut of female identities – from Playboy centrefold and clown, to ageing American socialite and B-movie star.

For her latest turn at Spruth Magers in London, Sherman’s image is again central, but hidden. This time under a fresh array of bizarre costumes and ridiculous personas. Departing from her usual framed photograph format, she has embraced digital techniques, casting her eccentric characters onto large toile style murals, reminiscent of French parlour wallpaper.

Sherman’s surreal universe is populated by dowdy middle-aged women with broken ankles, and naked female warriors whose comedic appearance is at odds with the bucolic backdrop. Disturbing AND funny. This show is not to be missed.

Cindy Sherman is at Spruth Magers London from 12 January- 19 February
spruethmagers.com

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