Harriet Horton’s Camouflage

29.09.2016 | Art | BY:

Harriet Horton is heading to Paris. But not before she lets UK-based fans of her brand of taxidermy take a look at the new collection – ‘Camouflage’ – at her London studio.

Having beens fans of Harriet’s work for some time now, firstly becoming enamoured with her ‘Sleep Subjects’ exhibition of 2015, Twin is excited to see such an exciting and irreverent artist continue to develop.

Harriet Horton

Harriet Horton, Owen, 2016

For 2016 the signature neons are still gleefully present, but there is a new, multi-textured element to the works. Materials such as marble dust and cement have been introduced, and create a staggering contrast to the exquisite delicacy of the taxidermy itself, transcending each piece onto an almost angelic plane.

“I’ve always said that when animals are deceased their natural colouring and camouflage becomes redundant,” Horton explains. “I have explored this idea further [for ‘Camouflage’] by either using animals that have no existing markings or stripping them of their original colouring and reconstructing it with light.”

It is fitting then, that a city such as Paris, which is so often known for both its light and its love, should be host to such a stunning example of the two used to breathtaking effect. Unmissable beauty.

‘Camouflage’ opens at the mi* gallery in Paris on 26th October, and runs until 16th January 2017.

Harriet will be holding a private view of the new work at her studio, Darnley Road Studios, on 29th September.

Harriethorton.com

Main image: Harriet Horton, Lovers, 2016

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