Frida Escobedo to design Serpentine Pavilion 2018

10.02.2018 | Art , Culture | BY:

The Serpentine Pavilion 2018 will be designed by the Mexican artist, Frida Escobedo – the youngest architect in the project’s 18-year history to accept the invitation. Born in 1979, the architect, who set up her Mexico City-based practice in 2006, is the first solo woman to have been awarded the commission since the project’s founding, which begin in 2000 with Zaha Hadid.

Escobedo’s Pavilion will take the form of an internal courtyard, a common characteristic of domestic Mexican architecture. A lattice of dark cement roof tiles, designed to mimic a celosia – a traditional feature in Mexican architecture that allows a breeze to flow through a building – will form the walls that enclose the courtyard and diffuse the view out into the park. The structure will equally comprise two pivoted blocks set at an angle to reference the Prime Meridian Line at London’s Royal Observatory in Greenwich.

“My design for the Serpentine Pavilion 2018 is a meeting of material and historical inspirations inseparable from the city of London itself and an idea which has been central to our practice from the beginning: the expression of time in architecture through inventive use of everyday materials and simple forms”, said Frida Escobedo.

Frida Escobedo | Photography: Ana Hop

“For the Serpentine Pavilion, we have added the materials of light and shadow, reflection and refraction, turning the building into a timepiece that charts the passage of the day.”

The combination of these materials will work in tandem to provide visitors with a heightened awareness of time spent in play, whilst conveying how the very concept of time is central to Escobedo’s design.

The pavilion will be open to the public from 15 June until 7 October and “promises to be a place of both deep reflection and dynamic encounter. With this bold interior, Frida draws history into the present and redefines the meaning of public space. We hope visitors of all ages will create their own experiences in the Pavilion this summer as we continue in our aim of bringing the urgency of art and architecture to the widest audiences” notes Serpentine Galleries Artistic Director, Hans Ulrich Obrist and CEO, Yana Peel.

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Twin’s top five from Miami Art Week 2017

13.12.2017 | Art | BY:

The sun has well and truly set over the “art world’s” hedonistic winter break: Miami Art week. Now we have returned to our respective corners of the world, (almost) shaken off the jet lag and managed to gather our thoughts, here, below, are five highlights from last week’s events in the Magic city. 

Tanya Layton, Art Basel Miami 2017 – Nova, Booth N17

The seemingly unusual set up of Tanya Layton’s booth was particularly intriguing this year. Blurring the line between fashion boutique and art fair booth, the Berlin-based gallery featured the new menswear collection created collaboratively by artist Sanya Kantarovsky and designer George McCracken. Comprising of three limited-edition shirts, the collection is patterned with imagery from Kantarovsky’s watercolour compositions that depict uncomfortably chaotic scenes; one shows nude men attempting to sprint through a field of cacti, the other shows a network of old white men dressed in patriotic colours strangling each other in their attempt to get to the top. While the Hawaiian-like prints are complementary to the surrounding Miami Beach, it goes without saying that the collaborative “campaign” reaches beyond the irony, commenting on male ambition, self-interest and competitiveness in today’s society.

Tanya Leighton

Tanya Leighton

ROOM 2022, Es Devlin, Edition Hotel, Miami Beach

Located at the Miami Beach Edition hotel, artist and award-winning stage designer, Es Devlin, presented ROOM 2022; a large-scale immersive installation that takes visitors on a journey from reality to illusion. Devlin’s first site-specific art installation in Miami and first in a hotel setting, begins in a re-imagined hotel room and ends in a vaulted elliptical mirror maze. Spanning over 7,000 square feet, ROOM 2022 invited guests “to participate in a collective exploration and reimagine a new version of the familiar hotel ecosystem.”

Es Devlin

Es Devlin

Franchise Freedom, Studio Drift, Faena, BMW and PACE

Marking the opening of Art Basel Miami Beach and debuting their most recent innovation, Lonneke Gordijn and Ralph Nauta of Amsterdam-based Studio drift, presented their spectacular sculpture, Franchise Freedom: a flying sculpture comprising of 300 autonomously flying illuminated drones that together imitate the natural flight patterns of starlings. Inspired by this phenomenon, the artists translated these patterns into software specifically embedded into drones to create a powerful display that asks us to question the very principles of freewill, self-organisation and programmed behaviour.

Screen Shot 2017-12-13 at 16.56.15

The Rubell Collection – Still Human

If looking to escape the crowds of the fairs in South Beach, a trip across to the mainland is all the more welcomed during this time of year. The Rubell Collection, housed in a formed DEA warehouse, is nothing short of being an anchor for the now very hip Wynwood Design District. Its current exhibition, Still Human, addresses the complex nature and consequences of the digital revolution and recent technological developments as they redefine the human condition. Presenting works from twenty-five artists, including Jon Rafman, Ed Atkins and Cécile B. Evans, the exhibition seeks to address increasing concerns around topics related to artificial intelligence, surveillance, social justice and virtual existence.

Josh Kline, Thank you for your years of service (Joann_Lawyer) (2016)

Josh Kline, Thank you for your years of service (Joann_Lawyer) (2016)

COS Collaboration with Studio Swine (Alexander Groves + Azusa Murakami)

Oversaturation and the need to escape the chaos of the fairs is by no means uncommon. Thankfully, the surrounding area is (overly) populated with parallel happenings waiting to be discovered. The graceful bubble tree at The Temple House in Miami Beach was the perfect antidote to the traditionally stress-filled bustle of Art Basel. The multi-sensory installation, New Spring, commissioned by king of minimalism COS in collaboration with London-based duo Studio Swine, comprised of a central sculpture ejecting scented bubbles, only to evaporate into ashy smoke upon contact with contemplative visitors below. Inspired by the unique shape of the Japanese Cherry Blossom tree, the British artist Alexander Groves and the Japanese architect, behind Studio Swine, Azusa Murakami, sought to create an environmentally-friendly sculpture drawing awareness to the impermanence of matter.

COS x StudioSwine

COS x StudioSwine

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