Gucci’s Prêt-à-porter FW19 Campaign sees Fashion with a capital F

17.07.2019 | Blog , Fashion | BY:

In the past few seasons, Italian fashion house Gucci has become renown for the creative direction behind their elaborately artistic fashion campaigns. For Fall Winter 2019, the campaign released earlier this week, creative director Alessandro Michele pays homage to the evolution of prêt-à-porter from the 1950’s to the 1980’s, a period in which ready to wear was at it’s peak. Shot by Glen Luchford, the campaign features the concept of fashion as a genre of science or art form, where each subject is shot surrounded by spectators and analysers inspecting each and every elaborate look from the FW19 collection.   

“The fabula of fashion, however, begins at the drawing table, then moves to the workshops, during fittings, trials and fault finding… It is a tale of manual and material skills, the result of a specific know-how that today we tend to discount, to take for granted,” the team stated. 

See the full story at Gucci.com

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Fendi Launches Men’s Version of Iconic Baguette

16.07.2019 | Blog , Fashion | BY:

For the first time during the FW19 menswear season earlier this year Italian luxury fashion house Fendi debuted their iconic Baguette in several men’s versions on the catwalk. The brand’s iconic bag, originally launched in 1997 by Silvia Venturini Fendi, was reimagined in different styles, materials and sizes to fit. The baguette has been featured in three different sizes including mini, regular and maxi and is crafted in different materials such a croco, mink and Selleria leather.  An additional feature is although it may be a baguette, thanks to the flexibility of it’s straps it can be worn in several ways, from cross body to hand-carried or even as a belt bag. Today launches the digital campaign featuring a group of influencers friends including Marc Forné, Leo Mandella and Nasir Dean as they are shot sporting different versions of the baguette while decked out in their FENDI wardrobe. The baguette will be available in FENDI boutiques worldwide and online starting from mid-July. 

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Saatchi Gallery Presents – Sweet Harmony: Rave ft Seana Gavin and others

12.07.2019 | Art , Blog , Culture | BY:

Today,  London’s Saatchi Gallery opens it’s doors to an immersive retrospective exhibition devoted to presenting a revolutionary survey of rave culture through a variety of various voices who have experienced it. The exhibition, titled Sweet Harmony: Rave| Today is set to open on Friday July 12th and will include several portrayals of the new world which emerged from the acid house scene. Throughout the exhibition, the space will feature multimedia room installations and audiovisual works by some of the rave movements experienced by first hand. As the concept of the acid house revolution is set to be recalled through photo series , live music events, talks and panel discussions by the movements’ architects and influencers of the 80s and 90s. 

The Saatchi Gallery’s director Philly Adams in partnership with co-curator Kobi Prempeh have assembled a team of youthful visionaries and photographers including Sheryl Garratt, Agnes Bliah, photographers Tom Hunter, Vinca Petersen and a Twin favourite Seana Gavin. In anticipation for the upcoming event, we called upon the London based artist for a quick chat on what to expect. 

. In anticipation for the upcoming event, we called upon the London based artist for a quick chat on what to expect. 

For the exhibition, your work is mainly based off your time during the Spiral Tribe,  what would you say was the definition of  the term “rave” during a time such as this?

The raves I attended began in London. They were parties put on by collectives and sound systems such a Spiral Tribe who would take over abandoned empty buildings like office blocks, factories, post offices and outdoors in fields and quarries and would transform them into spaces where people from all walks of life could sweat the night away on a dance floor surrounded by likeminded individuals. The parties were run on a donation only entrance policy. Their ethos were all about the freedom to party as a way to break away from the commercial club culture that was emerging at the same time. They were illegal, very underground and it became a subculture. When Spiral Tribe left the UK in 1993 they would continue their mission across Europe. Other sound systems followed and raves turned into multi sound system Techno Festivals known as  ‘Teknivals’.

New Years day,Barcelona by Seana Gavin

 How would you say rave culture has changed since then and in what ways has the way in which you document rave culture since then evolved?

Overlapping with the scene I was part of, rave culture expanded from illegal warehouses into ticketed commercial club events. Even though raves and Teknivals still go on today they can’t have the same energy and rawness from the early days. Nothing can be repeated like that. In the early days to find out about the parties there was a secret party line info number you’d call on the night. It is incredible to think that between 30-50,000 people attended the iconic Castlemorten 3 day rave in the British countryside in 1992 purely through these channels and on a word of mouth basis.

In Europe, flyers were also handed out to pass on info about the next party. In my era it was pre-smart phones and social media so there was less documentation. Nowadays the digital age and overload of selfie culture has tainted things. Everyone has a portable camera in their phone so there is less mystery around it.

I think it’s great that clubs like Berghain in Berlin try to keep things more old school by storing your phone as you enter the club. Which also forces you to be present in the experience and not live through the lense of your smart phone camera.

record dusting, hostomice Teknival 1998, by Seana Gavin

 What would you like your audience to take away from your series?

I’d like to think the viewers would feel a sense of intimacy to the subject matter. I wasn’t a photo journalist documenting this scene at the time, I was immersed in this way of life . The photos I’ve included in the show capture the raves locations, the journeys in between, the aftermath of the parties and people who defined the scene.

I would hope the viewers would get a sense of the perspective of what it felt like to be part of that community which was more than a night out but an alternative outlook to society and a way of life.

Twice as Nice, Aiya Napa, London, 1999
VINCA PETERSEN Bus And Rig

Other names of images makers included in exhibition are Ted Polhemus, Dave Swindells and Mattko. Throughout the exhibition, a space is created featuring the visually stimulating collections of each artist accompanied by a Spotify playlist with sub-genres of Detroit Techno, Acid House, Happy Hardcore, UK Garage and Grime. Uniting a selection of like, yet diverse minded creatives including electronic musician, visual artists and of course photographers. After the exhibition’s debut this Friday, it shall remain open to the public throughout the summer, until September 14th. For more details, visit Saatchi Gallery.

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Filles A Papa Makes Powershift with New Shoe Line

08.07.2019 | Blog , Fashion | BY:

This month Belgian fashion brand Filled A Papa, broke new ground with the launch of their very first footwear collection for the AW19 season entitled POWERSHIFT. 

Carol and Sarah Piron, the creative duo behind the line created a collection of 4 styles including  ankle and thigh high boots, inspired by the theme of the previous collection , being the iconography of American Motorcross and Mud Wrestling with a touch of 90’s aesthetic. Laced high boots are reworked in both black and white suede with an added sparkle of Swarovski crystals, the brand’s signature numbers the Bliss and Cocomodels are offered in the same fabrics as well as a metallic “American Flag” version, leather and black tailoring with white dots. Each shoe is matched with its own personality that gives it’s wearer a unique extra oomph while sporting it. To view and purchase the full collection on pre-sale, visit Filles A Papa.

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PFW: Thom Browne SS20 – My Secret Garden

01.07.2019 | Blog , Fashion | BY:

Within the past few seasons designer Thom Browne has managed to establish himself as one of the more creative menswear voices in fashion. Each season he manages to reflect the scenery that is the objet d’art of his complex mind. Creating fusions of menswear with forms of femininity and couture tailoring. For spring summer 2020, he created a story around a secret garden where he unleashed his fantasies of typically masculine sports reinterpreted and blown up with masculine qualities while still caressing the idea of vulnerability. This was shown through XVII century clothing that were reinvented and reinterpreted. From hips that blew up inches wider than usual to oversized shoulders all shown in the classic Thom Brown seersucker fabrics. Football balls pads and codpieces paid tributes to the sports in red, green, yellow among other colours.

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MFW: Marni SS20 – Carnival Meets Camouflage

21.06.2019 | Blog , Fashion | BY:

Last week in Milan, Marni’s creative director Francesco Risso, who has in some ways become the enfant terrible of Milanese fashion invited guests to a show space that featured a net ceiling filled with plastic bottles for the presentation of his SS20 collection. The show’s set, although containing a strong message to environmental matters we face today was simply just a backdrop, or as the designer himself put it, “a reminder of the issues we’re facing with plastic hanging over our heads.”

The collection itself was a celebration as much as it was a rebellion. Risso imagined an unlikely marriage between Argentine revolutionist Ernesto Che Guevara and American novelist Truman Capote with himself as the wedding planner. This resulted in the harmony of two opposing worlds, carnival meets military. From hats made from staples, to  old furs, plastics and debris by artist Shalva Nikvashvili, to slippers crafted from cardboard cut outs and plimsolls dipped in oil.  

“A study in clashes, and the uneven harmony that ensues by mixing opposite worlds, jumbling it all together. The extreme graphic properness and formality of suits. The radical rebelliousness of field jackets and militaria, with a tropical slant.”

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MFW: Fendi SS20 Men’s – A Nurture of Nature

19.06.2019 | Blog , Fashion | BY:

For the first time in a very long time, Italian fashion house Fendi stepped off site their routined Milanese show space and headed for the gardens of an 18th century villa in central Milan for their SS2020 show. A switch that had been prompted by creative director Silvia Venturini Fendi’s need for a break from the virtually infested world we live in as she takes a minute to appreciate the fruits of Mother Nature . This collection was a version of the Fendi man that goes fishing on weekends and gardens in his spare time. Sartorial workwear pieces were presented with a casual elegance that allow their wearers a sort of relaxed eased approach towards life.

From khaki cotton overalls, to striped beach slips, to fishmerman style vests and cargo pants. Throughout the collection, the house also revealed their collaboration with renown “Call Me By Your Name” director Luca Guadagnino who drafted a few botanical prints for the collection. These were brought out through digital prints and cut out knit wear. The colour palette was one that blended with the habitat ranging from beiges, to greens , browns and whites. In regards to accessories, the house debuted a Pequin printed Fendi watering can, garden baskets, big totes, pouch bags as well as versions of the Fendi baguette and peekaboo bags. This collection was a breath of fresh air for the house, one that in some ways allows for a sort of reset, and more than anything conjures the desire for a vacation.

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MFW: SUNNEI SS20 – A Haiku of Fashion Lucidity

18.06.2019 | Blog , Fashion | BY:

On the occasion of their fifth anniversary, Italian minimalist brand SUNNEI adopted an urban space in the Rubattino area of eastern Milan, which they transformed into what they now dub as Bianco Sunnei. The space,  an entirely normal concrete area that sat underneath a giant bridge in Milano’s Parco dell’Acqua and has been regenerated as a visual oasis coated in white paint. A type of maximal minimalism that didn’t call for much to make a statement than a well thought out concept. This sort of effortless assertive simplicity was strung throughout the brand’s SS2020 collection which had their freshly created space as it’s backdrop.

The collection was aimed towards a specific colour palette which not only complemented the space, but embraced some of the house’s iconic runway history , from plain white, to the khaki browns, somber citruses, lime greens to sky blues and midnight blacks. Each transition gliding into another as if it were some sort of poetry. But not just any kind of poem, no, this was a haiku —  three lines, seventeen syllables, 17 words. Very simple but meticulously planned as to evoke all the right feelings. Boxy volumes were in abundance with cargo pants, monochromatic suits, denim jackets and coats, knit dresses that explore a few moments of layering. Fabrics move like liquid as the brand uses this moment to highlight their collaboration with Albiate 1830 — a branch of Italian eco-friendly fabric company Albini. This is seen through 3D woven nylon yarns, fresh leathers, and a deckchair-striped cotton poplin. Last season the designer duo presented a collection as a stance resistant against the wave of streetwear by referencing the 2000s. This season they affirmed that notion of in some ways being anti-fashion- Not like Rick Owens anti-fashion, and although similar not even Marni’s anti-fashion. Just simply riding , moving , sketching to the beats of their own rhythms, which happens to be in the opposite direction of everyone else. Either way this has become the duo’s strong suit. 

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Artist+AI: Figures & Form in the Age of Intelligent Machines

18.06.2019 | Art , Blog | BY:

Cover Image: Hyperbolic Composition 1 by Scott Eaton

This evening American artist Scott Eaton debuts his first solo exhibition at the Somerset House in London under the themes  of the convergence of the human hand and technology of artificial intelligence. Throughout the exhibition generative artificial intelligence (AI) is morphed with century old practices of drawing and sculpting. As an interdisciplinary artist with a background in anatomy, Eaton creates pieces that offer new perception on the understanding of the human form.

“For as long as humans have made art, the figure has been a primary focus of creative exploration. In each age new tools, techniques and styles influence how the figure is portrayed. Often the tools remain the same -pencil, charcoal, paint, clay – but the style changes – impressionism, cubism, surrealism, abstract expressionism. At certain times, however, there are seismic advances in technology that create entirely new possibilities for representation – photography, moving image, animation … and now AI” the artist explains. “The magic of the process is revealed,” Eaton says, “when you guide the AI to create something unlike anything it has seen before: ‘The AI has no choice but to do what I ask, no matter how difficult or unreasonable my request. The result is often a wondrous, unexpected, interplay of visual ideas, both mine and the machine’s.” The exhibition opens it’s doors on June 18th and will run throughout the week until June 23rd. 

Peter Paul Rubens, The Fall of the Damned, 1620, Oil paint
Fall of the Damned, 2019 © Scott Eaton

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LFW: Fashion East SS2020 Showcase

18.06.2019 | Blog , Fashion | BY:

Last week  three young designers under the Fashion East Initiative presented their SS2020 collections. A small tribe of Londoners and British fashion school alumni who each spoke with very different voices.

Saul Nash SS2020
Saul Nash SS2020
Saul Nash SS2020

The newest designer to the bunch was British dancer and choreographer Saul Nash who opened the showcase and his section of the evening with a group of models standing on the runway. Followed by a dance performance upon the guests being seated. This performance helped to show off Nash’s construction abilities in creating functional pieces with technical fabrics, curved zippers and mesh. From steel grey nylon pants, to light blue tracksuits. Each piece was made with an awareness of comfort and sensitivity towards movement. 

Robyn Lynch SS2020
Robyn Lynch SS2020
Robyn Lynch SS2020

 Irish designer Robyn Lynch presented a solid coloured men’s collection inspired by the sport uniforms worn throughout Irish communities in earlier decades. This was brought out through a selection of cable knit sweaters, terry cloth shorts, t-shirts and cropped sweatpants all rendered in a palette of mint greens, lilac and cornflower blues.  

Mowalola SS2020
Mowalola SS2020
Mowalola SS2020

Nigerian designer Mowalola Ogunlesi showcased her second collection with Fashion East that was inspired by her experiencing the woes of romantic love for the first time, “I’ve just fallen in love for the first time and I feel as if no one talks about the horrific side, the dangers of love, losing control of your emotions and feeling like your crazy. It’s like a horror movie. So this is as if I’m in a black Woodstock Festival and someone has been murdered,” she explained. And henceforth this included looks with gunshot wounds placed against large lip prints, religious symbols in colourful halter necked suits, skin tight pants,  revealing bodices, jumpsuits, and coats made from leather, cotton and cowhide fabrics. 

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LFW: Charles Jeffrey SS2020 Menswear: 21st Century Punk Rock

11.06.2019 | Blog , Fashion | BY:

All Images by Chris Yates

Last weekend British designer Charles Jeffrey revealed his SS2020 men’s collection during London Fashion Week. Within the past few seasons Jeffrey has established himself to be not just a designer but a showman, a thespian, a poet who doesn’t just put needle to thread without there being deep intention manifested behind it. Each season the designer has delivered full on productions that leaves his audience in wonder of the world around them about matters that are often so blatantly obvious, repackaged and re-presented by the designer in a way that manifests itself within the viewer. Last season Jeffrey presented an exhilarating and immersive Weimar Republic club performance with nods to Peter Pan and sexuality. However this season the designer opted for a rather more sober tone as he drew inspiration from the concept of punk culture and the idea of how it was created as a default to the times in which we lived.

This collection as he said, was “an eruption beneath violent pressure, as a diamond under the heat,” in reference to the political, social and natural climates in which we currently live. His show began with the designer himself walking down the runway of The British Library reading a passage from “In the Beginning,” by Dylan Thomas. Followed by a collection of seersucker suiting, featherweight jacquards referencing armour and civil service uniforms in reference to the need for both freedom and protection; opal blue silk column dresses styled with contradictory military jackets and some pieces containing intricately layered rips and tears representative as sorts of fault lines. 

Some models sported full face paintings done and extravagant head pieces and  fishnet stockings which reinforced the collection’s punk influence. The collection was acted almost like a map, like a polaroid of this generation’s pain and demise, a prediction maybe, of what such a movement like the punk subculture would have looked like in the year 2019. 

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Prada SS20 Mens: An Optimist Rhythm, A Boyish Freedom

09.06.2019 | Blog , Fashion | BY:

Creative Director Miuccia Prada was moving to an optimistic tune in regards to the latest Prada Spring Summer 2020 Menswear collection. The collection was presented for the first time in Shanghai, China in celebration of the 40th anniversary of Milan being named it’s sister city. The show continued along the same themes and energies presented in the house’s resort collection a month ago which explored notions of optimism and simplicity. On a blue-lit runway at the Minsheng Art Wharf Mrs. Prada explored the these notions of optimism through a boyish elegance by acknowledging the significance and impact of fashion design. And as a result acknowledging the designer’s power as an artist with self affirmations, “I am no longer an artist; I have become a work of art,” a quote from the voiceover played during the show. The collection was almost like an ode to oneself, an embrace of both the good and the bad, the old and the new, the rebellious and the sophisticated. 

Classic pieces are decontextualised with contrasting  proportions and scaling created to frame the male body abstractly. An long shirt addressees the line of a tailored jacket, polo shirts and sweatshirts are given macro volume, each piece was crafted with a sort of boyhood in mind that speaks to a type of freedom. The type of boyhood that may recall the spirits of Boy Scouts which may have been subconsciously hinted with the above the knee shorts, tent-like nylon tank tops and palette of khaki’s included the collection.

These were complemented by neutrals of baby blues, pinks, blacks and greys in tune with that of the resort collection.  As described in the show notes “technology has become a fetish, ” where cassette tapes, floppy disks and other ‘antique’ pieces of technology are mounted on shirts and jackets like merit badges. Having landed commercial success through dipping her feet in these untamed themes such as Frankenstein in the last menswear show in February, this SS20 menswear collection seems to have been Miuccia’s affirmation that what had been known as a classic tailored Prada brand five or ten years ago, is now meant to be played upon and experimented with. Keeping up with the changing times, while staying true to the brand’s voice. 

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Riverdale’s Rob Raco Faces Fendi

08.06.2019 | Blog , Fashion | BY:

Rob Raco, one of the stars of American Drama Netflix Series Riverdale has been recently shot as the face of Fendi’s SS19 men’s eyewear campaign Released this weekend, the campaign features the musician and actor in a short film flaunting sunglasses from the collection. Throughout the video, Fendi makes a point that sunglasses should be worn at any time of the day as it sets Raco on a cosy living space being documented from sunrise, through morning, afternoon and sunset. Each change of time is signalled through the the change of sunglasses and wardrobe. As he’s captured in enjoyment of the moments while his voiceover plays in the background:

“I like to know when the daylight comes.

The shape.  From purples to pink.

I know when I can feel it.

How your mood turns into a different colour.”

 The Fendi SS19 eyewear collection is now in stores and online. View the full film here and shop the collection at Fendi.com

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Nike Launches BeTrue Pride Month Campaign

07.06.2019 | Blog , Fashion | BY:

In celebration for this year’s Pride festivities Nike launches it’s BeTrue collection in support of the LGBTQ+ community with a smashing campaign. Earlier this week, in partnership with Out Magazine, Nike released the images for the collection that were done in collaboration with the estate of Gilbert Baker — the political activist who claimed the rainbow for LGBTQ+ people by creating the pride flag. 

The campaign shot by photographer Marcus Smith features the likes of some of sports’ most important LGBTQ+ names including Caster Semenya, Sue Bird, Chris Mosier, Brittney Griner,  Kerron Clement among many others.  All decked out in this year’s updated merch which includes  collection of shoes, accessories and clothes highly influenced by the pride flag. Such as the Air Max 720 in a rainbow palette with Baker’s signature on the back, The Air Tailwind 79 with a rainbow heel, the Zoom Pegasus Turbo in a full rainbow stripe with glitter and sparkles among other products.  In tune with the initiative,  the brand will also grant financial support to 20 LGBTQ+ organisations including the GLBT historical Society, the Hetrick-Martin Institute, The National Gay Basketball Association and You Can Play.  The Nike BeTrue 2019 collection is now available online and in selected stores worldwide. 

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Matches Fashion x Paco Rabanne 1969 Pre-Collection

06.06.2019 | Blog , Fashion | BY:

Yesterday French fashion house Paco Rabanne in partnership with London based luxury retailer Matches Fashion launched an exclusive silvery of the house’s 1969 anniversary bag and AW19 pre collection with an installation at Matches’ space at 5 Carlos Place. 

The Paco Robanne 1969 anniversary bag bridges past and present through iconic design and artisanal technique. Assembled by hand, the bag is the quintessential expression of Paco Rabanne – avant garde when created 50 years ago and timelessly modern today. 

Image by Cat Garcia

The installation is an immersive experience which welcomes customers into Paco Rabanne’s world through two channels.  One  as a chainmail cube that focuses on luminosity and curiosity, pulling stimuli for inspiration from the 1969 bag collection and it’s unique aspects. The other is a twist to the AW19 collection that curates an environment with films representing the landscapes of David de Beyter and digital tutorials on LED screens that explain how to wear pieces from the collection.  Both installation act as booths for photos where costumers are free to interact with the products and the curated environment that accompanies them. 

 The 1969 anniversary collection will be available exclusively at MATCHESFASHION.COM for the month of June and the installation at 5 Carlos Place will run until the 26th of June. 

Image by Cat Garcia

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#WeTheNipple Art Action

05.06.2019 | Art , Blog | BY:

Cover Image: Fay Fox

Last weekend, the National Coalition Against Censorship and photographer Spencer Tunick staged a nude installation in New York City in protest against the censorship of artistic nudity on Facebook and Instagram. The campaign, set outside the headquarters of the social media entities featured over 100 nudes bodies who were in stance against the level of censorship included in the current instagram guidelines. For the protest, no genitals or female nipples are visible. All female nipples were entirely and meticulously covered with stickers representing male nipples, sourced and created by NCAC and Tunick. All genitals were additionally covered with large round cardboard cutouts also representing male nipples. All visible nipples are male. And yet, the images were still censored when posted online and the campaign’s hashtag was blocked by instagram.

Svetlana Mintcheva, NCAC’s Director of Programs, said, “Here we have the suppression of an awareness campaign that falls within community guidelines with no option to appeal. We are asking Facebook to work with us so that artists do not have to face the frustration and sense of helplessness provoked by such a turn of events.”

To stand in support of the NCAC’s initiative, one can join the fight  here as a We The Nipple campaign signatory. 

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Nike Taps Four of Fashion’s Most Promising Females Ahead of Women’s World Cup 2019

31.05.2019 | Blog , Fashion | BY:

Cover Image: Nike x  Koché

Just in time for the 2019 Women’s World Cup in June,  Nike released their new collaborative campaign this week featuring four of fashion’s most promising female designers. For the collaboration Ambush’s Yoon Ahn, LVMH Prize recipient Marine Serre, Koché’s Christelle Kocher and MadeMe’s Erin Magee redesigned the classic football jersey with matching sports bras from their own perspective of these sports staples. 

Yoon Ahn of AMBUSH created a jersey that speaks to diversity by reflecting aspects of Asian culture in a unisex hybrid jersey inspired by the Happi coat, which is a traditional Japanese straight sleeved coat.

“ I chose the happy coat because, although we are celebrating the tournament and the incredible female players, I believe it is just as important for the fans, for everyone to have universal piece to celebrate in,” she explained. 

Christelle Kocher’s vision however, stemmed from the idea of creating a sort of elegant asymmetry. “I created this dress by reconstructing the soccer jersey around the female body. The result is a dress that can be worn by a girl who plays, dances or moves in the city,”  she stated.

Marine Serre was of course able to offer a version of the signature print which has aided in gaining her recognition over the past few seasons by presenting it in a printed body suit worn under a slender neon green jersey. “The focus of my design is always hybridity and adapting to daily life. It’s important to create a purposeful line that makes a female feel good without compromising style,” said Serre.

MadeMe’s Erin Maggee instead paid homage to the U.S Women’s National team of the 90’s with a match ready Nike stadium jersey featuring the USA federation crest.  “I wanted this jersey to be sport first, fashion second. It’s meant to celebrate the incredible victorious history of the USWNT by drawing attention to the woman namesake of the iconic sportswear company itself: Nike the Goddess of Victory.” 

The collection will be available for purchase at NikeLab stores globally and a few retailers as of June 7th. 

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Pervilion at Silver Building: May 30th – June 2nd

30.05.2019 | Art , Blog | BY:

Cover Image: Still from To Spoor A Stockroom by Dorothy Feaver

Today in East London, opens a new and interesting exhibition at the Silver Building space in Silvertown.  “Pervilion at Silver Building,”  curated by Dorothy Feaver features the likes of scent, sculpture and film creatives, respectively Katharina Dubbick, Jack O’brien and Stella Scott. For the show, these artists explore the various states of dissolution as they replicate and activate the defunct of the boiler rooms of a sixties office block. Proposing several ways in which the body may register, absorb and release tensions within a built environment. 

In the concrete chambers the Silver Building, sculptor Jack Obrien presents a series of hanging sculptures titled “Buildings that Weep” that approach the body’s complex interactions with surrounding physical structures. Featuring husk-like forms, made of pigmented silicon, silicon chains and taut lines that trace the folds of drapery while mimicking the patterns of veins and muscular definition. While scent designer Katharina Dubbick fills the upper boiler room with an installation called “Time Capsule 7.23am (2019).” 

“I want to capture the moment of exhaustion after a climax – the sense of space that’s left when feelings settle, ” she explains. Through steam the space is filled with scents that stimulate associations of sweat, saliva, sex, gin and tonic, cigarettes, smoke,  sticky skin among other products, capturing the smells of latex and body odour with the help of perfumer Meabh McCurtin. And in a film entitled “To Spoor Stockroom (2019)”, filmmaker Stella Scott tracks liquid cycles that confront the sanitised the future and fetishisation of space in central London. The exhibition is a response to both the pressures and pleasures of the urban fabric of London, presented in abstract ways to intrigue the entire human sensory system. The exhibition will run for four days and close its doors on June 2nd.

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Prada’s Pasticceria Marchesi opens in London

29.05.2019 | Blog , Fashion | BY:

Yesterday Italian fashion house Prada opened the doors to their Marchesi 1824 store in Central London. The pastry shop,  the first of it’s kind outside of Milan,  replicates the scenery of it’s Italian location. The Pasticceria Marchesi, founded in 1824, has overtime become one of Milan’s signature spots, known for its fine patisseries, chocolates and traditional Milanese panettone. This vision of traditional elegance was channelled in it’s London location with elegant cherry furnishings and carefully restored tiling provided for the convenience of the enjoyment of the store’s wide selection of traditional Italian confectionery. The Pasticceria Marchesi is currently opened to the public and sits along Mount Street in Mayfair.

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Somerset House Studios : Get Up, Stand Up Now – June 12th – September 15th

27.05.2019 | Art , Blog , Culture | BY:

This summer London’s Somerset House Studios will host an event in celebration of 50 years of black creativity and culture in Britain through an exhibition of art, music, photography, film , literature, design and fashion. The exhibition, set to debut on the 12th of June will feature a round up of around 100 interdisciplinary artists whose works are centred around the black experience and sensibility around the culture as they explore the definitions of what it means to be black in Britain today.

The series will feature several days of live music, drag, and performance art, as they aim to nurture a safe free space for black youth of all kind.  This will feature names like Black Obsidian Sound System (B.O.S.S) — a led sound system whose events prioritise the comfort and safety of black and non-white women , femmes queers and trans folk who will be taking over the House’s Lanchester Rooms for a few nights in July. An evening of poetry in August entitled “Deep End” and a series of club night performances called “No Tea, No Shade” addressing the use of drag culture.  For more information, visit Somerset House. 

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